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Ras B: where rap meets Dominican bouyon

Published September 29, 2026

Ras B is a Dominican rap and bouyon artist. His Instagram @ras_b_4kdem showed 843 followers at our October 17, 2026 check, and his bio says simply 'Rap & Bouyon Artist', with the Dominica flag. It is a direct presentation, in the image of how he works: he publicly advertises his feature and performance rates, an unusually transparent independent artist business card. His documented track here, 'Come Here', is a trio record with Skrazy and Dboss, whose official YouTube visualizer description gives the full credits, and which the track itself presents with the tag 'Bouyon 2027'.

'Rap & Bouyon Artist': an identity in two words

Ras B's bio takes no detours: 'Rap & Bouyon Artist', with the Dominican flag. Those two genres together describe a precise position in the island's music. Rap brings flow, storytelling and attitude, bouyon brings the rhythm born in Dominica, the speed and the party culture that moves crowds. An artist who claims both in his bio announces that he will not choose between telling stories and making people move.

That double identity is common among young Dominican artists, who grew up with bouyon as the music of the street and carnival, and with rap as the global language of the street. The difference with Ras B is that it is written in plain text in his official presentation, not guessed by a media outlet. This page therefore follows his own definition: a rap and bouyon artist, from Dominica. Any more precise label will have to come from his releases and his own words.

His account, @ras_b_4kdem, was at an independent scale at our check, with 843 followers on October 17, 2026. Giving that figure with its date avoids two opposite errors: inflating the artist as if he were already a regional star, or reducing him to an unknown when he publishes properly credited tracks and builds a public professional offer. The real scale, dated, is the useful information for a promoter and a fan alike.

Published rates: transparency as a business card

Ras B's dossier holds a rare detail: he publicly advertises his feature and performance rates. Features start from $350, with a studio session, and performance rates vary by set length. In a world where many prices are negotiated in private messages, sometimes never written down at all, posting a rate card is a professional gesture. It tells other artists, producers and organisers how to work with him before the first message is sent.

That transparency echoes, at a small scale, the Bouyon Shattaz work on rights and credits. A scene grows when its rules become readable: who does what, for what price, with which session and which credit. A paid feature with a studio session included is not just a price, it is a working method that assumes a proper recording, and therefore files, names and shares that can be documented afterwards.

These rates should be read as those published at the time of our research, liable to change with his demand. This page does not guarantee them and does not act as a commercial intermediary. It cites them because they are part of his public identity as an independent artist, and because they show, better than a long speech, how a young Dominican artist can present himself as an entrepreneur of his own music from the start.

'Come Here': a trio with full credits

'Come Here' brings together Ras B, Skrazy (@s_k_r_a_z_y) and Dboss (@dboss_h.o.s). Per the official YouTube visualizer description, the track is written and performed by all three artists. The riddim is by Dboss, as Dboss (Riddimz). Production is credited to Bad Producer Ent, recording, mixing and mastering to Yw3 Ent (DiYoute), and the visualizer to Graphart Designs. This page repeats those credits as published, because that is exactly how a credit should travel.

A riddim built by one of the three performers, Dboss, gives the trio a base made from inside. In bouyon and dancehall culture, the riddim is the common ground on which voices answer each other. Knowing who made it is not a footnote: it recognises the work that carries the whole track. Naming the production, engineering and visualizer in the same way makes visible the trades without which an independent track does not publicly exist.

The track also carries its own tag: 'Bouyon 2027'. That wording, recorded in the track's dossier, looks forward. It presents the song as a proposal for the genre's next wave, not only for the current season. Bouyon Shattaz cites it as the track's own tag, without turning it into a prediction. If the bouyon of 2027 is to have a sound, it will be decided track by track, in documented collaborations like this one.

A Bouyon Shattaz coverage package

In October 2026, Bouyon Shattaz built a full coverage package from the trio's reel. That kind of package is how this site and its networks treat an independent track seriously: a video extract worked for vertical formats, presentation copy grounded in the official credits, and distribution in the Dominican and Francophone bouyon ecosystem that Bouyon Shattaz maintains between Dominica, Guadeloupe, Martinique and France.

For a trio like Ras B, Skrazy and Dboss, that coverage counts double. It gives the track a second life beyond its first circle, and it fixes in writing each person's name and role at the moment the public discovers the song. Many credit disputes are born because nobody wrote the roles down at the start. A documented package, published early, serves as a public memory for the artists and the producers alike.

Readers who want to keep listening can go through the bouyon playlist and the other artists from Dominica profiles. Ras B takes his exact place there: not an invented headliner and not an anonymous extra, but a rap and bouyon artist with a properly credited trio track, a clear public offer and a Dominican identity displayed right in his bio.

What to remember about Ras B

Ras B's dossier is thin on biography and rich in professional signals. There is no detailed official backstory to tell, and this page invents none. On the other hand, everything about the work is written somewhere: his genre identity, his island, his public rates, the full credits of 'Come Here' and the forward looking tag the track carries. For documenting an independent artist in 2026, those signals are often worth more than a legend.

His path to follow will therefore be simple to verify: new tracks with their credits published, features delivered inside the frame he advertises, performances announced by organisers. Each of those elements can be added here with its source. Until then, the listening advice is the same as for the whole Dominican new wave: start with the track, read the credits while you listen, and remember the five names 'Come Here' puts to work, Ras B, Skrazy, Dboss, Bad Producer Ent and Yw3 Ent.

Dominican bouyon does not lack voices. It often lacks pages that write the names correctly from the first song. Ras B, with his transparency and his documented trio, gives Bouyon Shattaz exactly the material needed to start well: few facts, but clean facts, dated and attributed. That is the base on which the rest of his profile will be built, at the pace of his releases.

Frequently asked questions

Who is Ras B?

Ras B is a Dominican rap and bouyon artist, @ras_b_4kdem. His bio presents him as a 'Rap & Bouyon Artist' with the Dominica flag.

What are the credits for 'Come Here'?

The track brings together Ras B, Skrazy and Dboss, written and performed by all three. Riddim by Dboss (Riddimz), produced by Bad Producer Ent, recorded, mixed and mastered by Yw3 Ent (DiYoute), visualizer by Graphart Designs, per the official YouTube visualizer description.

Does Ras B publish his rates?

Yes, publicly: features start from $350 with a studio session, and performance rates vary by set length, as published at the time of our October 2026 research.

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