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Dcamp: the voice that carries his own name in the credits

Published October 20, 2026

Dcamp is the artist name of Dylan Davis Campbell, one of the two Campbells in the duo Dcamp & Lewismelo, whose shared story this site already tells on its dedicated page. This profile looks at the man separately, because the credits allow it: Dcamp also exists as a lead artist, with a title released under his name alone, TOURNEVIS, a label that carries his name, Dcampproduction, and a songwriting signature that returns on almost every title in the duo catalogue. From the streaming platforms to the official videos, the published credits draw a French Creole singer and writer, anchored in the Guadeloupe scene, who writes with his partner Lewis Wayne Campbell and who has recorded alongside Admiral T and T-Stone. Here is what the public record verifies, title by title, and what it does not yet say.

Dcamp alone, or Dcamp in the duo: two lines of credits

The first thing the credits teach about Dcamp is that he is not reducible to the duo. On the platforms, most of his titles carry the double billing Dcamp & Lewismelo, but at least one title places him as sole lead artist: TOURNEVIS, released on July 26, 2024 under the label Dcampproduction, with Lewismelo moved down to guest billing, as a feature. That billing detail, small on the surface, says a lot about how the project is built: there is a Dcamp brand, with its own label, and a shared brand, and the two coexist inside the same catalogue.

The reverse move also exists. On Clean Body, Lewismelo is the lead artist and Dcamp the guest. On POMPE, taken from the Lewismelo album Premieres Notes, Dcamp appears as a feature alongside KEKS MAFIA. The duo therefore works like a house with two doors: each partner can release a title under his own name, the other enters through the guest door, and the writing credits stay shared. That flexibility can be read in the music databases, not in an official biography, and that is precisely why it is valuable: it describes a practice, not a pitch.

The full name that returns in those credits is Dylan Davis Campbell, credited as a songwriter on TOURNEVIS, BAY LA BET, Clean Body and POMPE. His partner is credited as Lewis Wayne Campbell. The two full names, published by the platforms themselves, are the strongest identity document in the Dcamp file: they turn two stage names into two identifiable writers, with rights attached to precise titles. For a site that documents bouyon through credits, that traceability is worth more than a promotional portrait.

This individual profile therefore completes the Dcamp & Lewismelo page without repeating it. The duo page tells the manifesto title BOUYON and how the tandem works. Here, the angle is Dcamp personal share inside that tandem: his place as a writer, his titles under his own name, his collaborations outside the duo, and the geography his credits draw, between the Guadeloupe signalled by the 971 codes of his collaborations and the bouyon born in Dominica, whose origin our history of bouyon page tells.

TOURNEVIS: the solo title that fixes the signature

TOURNEVIS is the central title of this profile, because it is the only one, in the verified catalogue, to carry Dcamp alone at the top of the bill. The data published by Shazam describes it precisely: released on July 26, 2024, label Dcampproduction, French language, a tempo of 157 beats per minute, and two songwriters, Dylan Davis Campbell and Lewis Wayne Campbell. A French language title, at 157 BPM, on a label named after the artist: the technical sheet draws a fast bouyon record, built for dancing, and released independently.

The fact that TOURNEVIS is a featuring title, with Lewismelo as guest, rather than a strictly solitary record, confirms the logic of the Campbell house: even under his own name, Dcamp does not cut the link with his writing and stage partner. The difference is administrative and symbolic at once. Administrative, because the title is attached to the Dcampproduction label and to the artist Dcamp in the databases. Symbolic, because it proves the name Dcamp can carry a title alone, in front of the public and the algorithms, without the duo name.

The existence of Dcampproduction deserves a pause. In bouyon, as in the shatta and dancehall of the French Antilles, many artists release their titles through tiny structures that carry their own name or their producer name. Here, each partner has his own: Dcampproduction for TOURNEVIS, Lewismeloproduction for BAY LA BET in January 2025. That sharing of release structures is an organisational clue: the catalogue is not deposited at random, it is divided between two entities, which implies choices about who releases what.

For the listener, TOURNEVIS is therefore the best entry point into Dcamp as an individual. You hear the voice there without the reflex of comparing the two partners, and you can then return to the shared catalogue with a trained ear: this site bouyon playlist and the duo page give the rest of the path, from the title BOUYON to the collaborations described below.

Writing under two names: what the songwriter lines tell

If you follow only the songwriter line in the databases, one constant jumps out: Dylan Davis Campbell and Lewis Wayne Campbell sign together, title after title. TOURNEVIS: both. BAY LA BET: both, with Lewis Wayne Campbell also credited as producer and as a performing rap artist. On My Way: both, Dylan Campbell and Lewis Campbell credited on rap, Lewis Campbell on production. Clean Body: both. That regularity turns the tandem into a real writing company, where the riddim composition returns to Lewis and the lyrics are born from two pens.

The official videos confirm that division in their own words. For YOU AND ME, the video description credits Admiral T and Dcamp as authors, and Lewis Campbell alone on composition. For LUSHENANA, the authors are T-Stone, Lewis Campbell and Dcamp, and the composition again returns to Lewis Campbell. In other words, when a third artist enters the writing, as Admiral T or T-Stone do, Dcamp share remains that of an author, not of a simple performer invited to lay a verse on a finished title.

That constancy has a practical consequence this site repeats on all its pages: credit follows money and memory. A writer credited in the international databases can be found, paid and quoted. A bouyon artist who appears only on a cover, with no songwriter line, disappears from the registers. The Dcamp file is, from that point of view, rather well kept: his recent titles carry full names, roles separated between writers, composer and producer, and identified labels. It is a discipline that many titles on the scene, including hits, have not always had.

It is also worth noting what the credits do not say. No source consulted for this profile gives Dcamp date of birth, nor his place of birth, nor the detail of his musical training. The public record starts with the titles, not with childhood. This profile therefore holds to that documented chronology: a catalogue that becomes readable from 2024, with TOURNEVIS and Soti Gwadloup the same year, then BAY LA BET and LUSHENANA in 2025, and titles such as On My Way and Coco circulating in recent scene programming.

You and Me and Soti Gwadloup: the Admiral T step

The heaviest collaboration in the Dcamp catalogue carries a name the whole musical Guadeloupe knows: Admiral T. The title YOU AND ME brings together Dcamp & Lewismelo and Admiral T, under the label ELITE BASE. The official video description, directed by Merce De Bax Ville, gives the roles without detour: authors, Admiral T and Dcamp; composition, Lewis Campbell; booking and manager, Jessica Campbell. The title lyrics circulate between English, French and Guadeloupean Creole, with a chorus built on a broken friendship, nou pepa zanmi, we cannot be friends.

Recording a title with Admiral T is not a collaboration like any other. Admiral T is one of the historic figures of dancehall and reggae in the French Antilles, active since the end of the 1990s, and his presence on a title works as a passing of the torch as much as a feature. That Dcamp is credited as co-author of this title, and not only as a performer, strengthens the reading this profile proposes: in the Campbell catalogue, Dcamp is first a writer who sings his own lyrics, even when the headline guest could eclipse the signatures.

YOU AND ME is not an isolated case. The Admiral T artist page on Shazam also lists Soti Gwadloup, a 2024 single bringing together Admiral T, Dcamp, Lejuh and Lewismelo. The title, which translates as out of Guadeloupe or coming from Guadeloupe, assumes the geographic anchoring of the crew. Between the 971 present in his partners stage handles, LewisCampbell971 and adm971, and a title that names Guadeloupe as a starting point, the file draws a Guadeloupe scene working bouyon, a genre born in Dominica, from its own Creole shore.

On social media, the promotion of YOU AND ME runs through the TikTok account dcampofficiel, where the title is presented as available on the platforms, with Lewismelo and Admiral T tagged. That is another trait of the file: Dcamp visibility plays out largely in short video, where today bouyon is discovered, clipped and shared. The official video remains the complete source, with its written credits, and it is to those credits that this profile refers, rather than to social captions.

Lushenana, Coco, On My Way: the catalogue in circulation

Around the manifesto title BOUYON, told on the duo page, the shared catalogue of Dcamp and Lewismelo has grown with titles that the platforms and the programming document one by one. LUSHENANA, with T-Stone, was released as a single in 2025 according to the T-Stone artist page, and its official video, directed by Jima Kanor, credits T-Stone, Lewis Campbell and Dcamp as authors, with Lewis Campbell on composition. T-Stone is a well established artist on the Antillean scene, and this title places the tandem inside a circle of collaborations that goes beyond their working island.

BAY LA BET, released on January 24, 2025 under Lewismeloproduction, in an Extended version at 134 BPM, shows the duo other tempo: calmer than the 157 BPM of TOURNEVIS, still in French according to the published sheet, with Lewis Wayne Campbell on rap, on production and on writing shared with Dylan Davis Campbell. On My Way pushes the language mix further: its published lyrics alternate French, Creole and English inside the same chorus, Baby comen i le, dis moi ce qui ne va pas, I am on my way, a three language writing that is the spoken signature of today Creole scene.

The title Coco offers another type of proof, that of circulation. In the published tracklist of the Digga D programme Sewo Jam 2026, a mix show devoted to bouyon and soca, the fifth title is listed as Dcamp Lewismelo - Coco. Being played in a selector mix, alongside titles from the whole Dominican and Antillean bouyon scene, means existing inside the working soundtrack of DJs, where party rotations are decided. That kind of mention does not make a hit, but it documents a real presence inside the circuit.

Taken together, these titles show a catalogue that is still young but already structured: a manifesto title named after the genre, a solo title that fixes the Dcamp name, two collaborations with established artists, Admiral T and T-Stone, a crossed feature with Lejuh, and mix titles that keep the duo present between releases. The logical order for the listener is to hear them in that sequence: BOUYON for the manifesto, TOURNEVIS for the solo voice, YOU AND ME for the collaboration step, then the bouyon playlist to put it all back inside the full scene.

There is one more reading of that circulation worth keeping. The Sewo Jam listing places Coco inside a programme built for the bouyon season, surrounded by Dominican and Antillean titles that DJs use to test what a crowd answers to. A duo title does not enter that kind of tracklist by declaration: a selector has to choose it, place it and trust it between better known records. For a catalogue as young as this one, that selection is a modest but real marker, and it is the kind of marker this site prefers to count, because it comes from a published playlist rather than from a promotional claim made by the artists themselves.

What this profile knows, and what it still awaits

This profile can state, with sources, that Dcamp is Dylan Davis Campbell, writer and performer, one half of the duo Dcamp & Lewismelo, lead artist of TOURNEVIS released on July 26, 2024 under Dcampproduction, co-writer of the duo titles with Lewis Wayne Campbell, and a credited collaborator of Admiral T on YOU AND ME and Soti Gwadloup, as well as of T-Stone on LUSHENANA. It can also state that his lyrics circulate between French, Guadeloupean Creole and English, and that his catalogue is released by identified structures: Dcampproduction, Lewismeloproduction and ELITE BASE for the Admiral T collaboration.

This profile cannot state, on the other hand, the biographical elements that the sources consulted do not give: neither date nor place of birth, nor a path before the first documented titles, nor a family link with the other Campbells in the file. The name Campbell returns for Admiral T as it does for the manager named in the video credits, Jessica Campbell, but no source consulted describes a family relation between these people, and this site invents none. When information of that kind is published by a verifiable source, it will be added here, with its date.

In the same way, no social media link is written into the structured data of this page, because no official Dcamp profile was verified by direct opening during this research. The TikTok account dcampofficiel appears in results as the promotion channel for YOU AND ME, but a mention in a search result is not verification of an official profile. That caution is the rule of the whole site: a sameAs link commits the site, it is not guessed.

What remains is the essential, which is musical. Dcamp belongs to the generation that took Dominican bouyon as the common language of the French Antilles, and writes it in the three languages of his daily life. His own name, already written in full in the international credits, is the best promise that this catalogue will keep documenting itself cleanly. The next titles will say whether the solo share grows further, or whether the duo remains his main form: this profile will follow the credits, as always.

Frequently asked questions

Who is Dcamp, and what is his full name in the credits?

Dcamp is the artist name of Dylan Davis Campbell, credited as a songwriter on the platforms for TOURNEVIS, BAY LA BET, Clean Body and POMPE. With Lewis Wayne Campbell he forms the duo Dcamp & Lewismelo, documented on this site duo page.

What is the Dcamp solo title?

TOURNEVIS, released on July 26, 2024 under the label Dcampproduction, with Lewismelo as a feature. Shazam describes it in French, at 157 BPM, with Dylan Davis Campbell and Lewis Wayne Campbell as songwriters. It is the verified title where Dcamp is the sole lead artist.

Who writes the Dcamp and Lewismelo titles, and who composes?

The published credits share the writing between Dylan Davis Campbell and Lewis Wayne Campbell on almost every title. The official video descriptions specify the division for the collaborations: on YOU AND ME, the authors are Admiral T and Dcamp and the composition is by Lewis Campbell; on LUSHENANA, the authors are T-Stone, Lewis Campbell and Dcamp, composition Lewis Campbell.

Has Dcamp collaborated with Admiral T?

Yes, two titles document it: YOU AND ME, by Dcamp & Lewismelo & Admiral T, under the label ELITE BASE, and Soti Gwadloup, a 2024 single bringing together Admiral T, Dcamp, Lejuh and Lewismelo, listed on the Admiral T artist page.

Is Dcamp related to Admiral T, whose name is also Campbell?

No source consulted for this profile says so. The video credits name a manager called Jessica Campbell and Admiral T carries the Campbell name in his published biographies, but no verified document describes a family relation between Dcamp, Lewismelo and Admiral T. This site therefore does not state one.

Where should I start listening to Dcamp?

Start with BOUYON, the duo manifesto title, then TOURNEVIS for Dcamp as lead artist, YOU AND ME for his collaboration with Admiral T, and LUSHENANA for the one with T-Stone. This site bouyon playlist then places those titles back inside the full bouyon scene.

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