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DJ Weez: a composer name behind a 2016 bouyon hit

Published October 20, 2026

DJ Weez is a composer whose verified public trace fits in two lines of credits. The first, and the strongest, names him as a composer of “Sa Ka Débodé”, the bouyon record by Bilix featuring Mr Boka, released on January 12, 2016 on the Ôréveil label. The second places him, in 2020, behind the “Boom Boom” instrumental that a reference mix from the Dominican scene runs immediately before Reo vocal version. This profile tells exactly those two traces, the context of the hit they touch, and everything the public record does not yet allow anyone to say: no origin, no biography, no verified official page. It is a short profile, openly so.

Who DJ Weez is: what the credits say, and what they do not

Start with the honesty of the record. In the open sources consulted for this profile in October 2026, DJ Weez has no published biography, no reference artist page and no interview that could be found. His name appears only in credits: a composition credit on a hit bouyon record from the Guadeloupe scene, and an instrumental credit in the track listing of a Dominican mix. Everything this profile states comes from those two sources, named as they are used, and from nothing else.

The name itself needs a warning. A Colorado radio host is also called DJ Weez: Scott Peterson, a figure of station KZYR, where he hosts a reggae show. A Canadian DJ signs DJ WeezL in hip hop credits. No source connects either of them to bouyon, and this profile does not either. The DJ Weez of this page is only the one in the two documented bouyon credits below. If a link between these namesakes were ever proven, it would be added with its source; until then, the separation is complete.

That scarcity is not unusual in bouyon. Composers and instrumental writers often work in the shadow of the performers, and streaming platforms long neglected composition credits for Caribbean music. The case of DJ Weez is almost a textbook one: a record that wins an award, plays on radio, and is still cited by its performer years later, while its composer remains a name without a face. This profile exists to fix that name in its exact place, the place the credits give it.

Read this page, then, as an open file. It does not claim that DJ Weez is Guadeloupean, Dominican or from anywhere else: no open source gives his origin. It states two verifiable facts, sets them back into the history of the genre, then stops where the sources stop.

The central credit: composer of Sa Ka Débodé, with Lsbeatz litleboy

The best documented fact in the DJ Weez file sits in the credits of the record “Sa Ka Débodé”. According to Shazam, the record is performed by Bilix, featuring Mr Boka; it was released on January 12, 2016, on the Ôréveil label, as a single. The composition credits name two composers: Dj Weez and Lsbeatz litleboy, the latter being the producer known on this site as Litleboy LSBeats767. A third name, Franck Offranc, is credited as songwriter. The record is listed at 160 BPM, the fast tempo typical of party bouyon.

The split of roles is worth reading slowly, because it shows how a bouyon hit is made. Bilix carries the record at the microphone, Mr Boka adds his voice, Franck Offranc signs the words, and the music, what the credits call composition, belongs to DJ Weez and Lsbeatz litleboy. In other words, the name DJ Weez does not appear on the poster of the record, it appears in its making. That is exactly the kind of credit short histories of the genre forget, and that this site records record by record.

The weight of the record, in turn, is documented by its performer and by awards. In an interview published by Blakes, Bilix himself says he became known thanks to bouyon, with “Bodé Apiyé” and “Sa ka débodé”. At the 2017 Hit Lokal Awards, “Sa ka débodé” won the Soca bouyon category. A later selection of Antillean classics describes it as massively played on radio and one of the sensations of 2016. The hidden composer of this profile is therefore, at minimum, the co-composer of an awarded and durable record of the Guadeloupe scene.

No other DJ Weez composition was found in the open credits consulted. No album, no second credited single, no producer page. That silence is part of the record, and it is stated here rather than filled: if further credits exist under neighbouring spellings, they were not connected to this name by a verifiable source during this research.

The second trace: the Boom Boom instrumental, between Dominica and Reo

The second verified trace of DJ Weez sits in a document of another kind: a mix track listing. In 2020, Original DJ-Sly published “D Riddim Box” on YouTube, presented as a best of the bouyon and Wrecketeng of the year, made up mostly of records from Dominica and neighbouring islands. A spelling warning applies: the mix title writes Reketeng, the spelling that circulates on the internet; the official spelling of the style, given by DJ Cut himself, is Wrecketeng, and it is the one this site uses everywhere else.

In that 73 track listing, track 5 is credited “DJ Weez, Boom Boom instrumentals”, and track 6 runs straight into “Reo, Boom Boom”, in a live edit by the mixer. The juxtaposition is the information: the DJ Weez instrumental works there as the matrix of the record sung by Reo, the Dominican artist billed as the Prince of Bouyon, a subjective title this site always attributes rather than states. The name DJ Weez thus appears a second time as a maker name, the name behind a riddim that other voices ride.

What this trace does not say must also be written. The listing gives no release date for the instrumental, no label and no recording place, and the mix states that its records come mostly from Dominica and neighbouring islands without assigning each track to an island. This profile therefore does not turn that proximity into a certificate of origin. It keeps the raw fact: in 2020, a reference Dominican mixer placed a DJ Weez instrumental at the heart of a Dominican bouyon selection, immediately before the Reo version.

Taken together, the two traces draw a trade profile rather than a star profile: a composer credited on a Guadeloupean hit of 2016, and an instrumental writer circulating in Dominican mixes in 2020. Between the two scenes, bouyon travels exactly like that, through riddims, credits and DJs, far more than through official biographies.

Bouyon gwada, the context of his best documented credit

The 2016 credit ties DJ Weez to the Guadeloupean branch of the genre. Bouyon gwada is the Guadeloupean form of the bouyon born in Dominica, carried by Dominican bands touring the French Antilles and by Guadeloupean participation in the World Creole Music Festival. “Sa Ka Débodé” belongs to that story: a Guadeloupean performer, a local label, a local award in the Soca bouyon category, and a composition shared between DJ Weez and a producer of the new generation.

Restating the origin of the genre is one of this site rules. Bouyon was born in Dominica, and its bouyon soca branch was started there in 2003 by Dada, according to the first-hand testimony of Sean “Smokiller” Francis, a Dominican-born producer and a participant in that era, before being popularised by Triple Kay. The Guadeloupean scenes then developed their own forms, from bouyon gwada to bouyon hardcore. The DJ Weez credit belongs to that second generation, the generation of the offshoots, not to the generation of the invention.

That is also why this profile matters, despite its thinness. The history of bouyon gwada is often written with performer names only. Yet its durable records rest on composition and production pairings that only the credits preserve. Naming DJ Weez next to Lsbeatz litleboy, on a record its performer still cites as the one that made him known, gives the making of the genre back a part of what the poster owes it.

What this profile does not yet know, and how it will be completed

The list of unknowns is long, and it is published here rather than disguised. The origin of DJ Weez is not documented in the open sources consulted. His full name, if he uses one off stage, is not in this record. No verified official account was confirmed during this research, so this page links to no social profile: the sameAs field of his schema stays empty, as for every artist whose links were not opened and verified one by one.

No solo record under the name DJ Weez was found, so the verified recordings list in his schema is limited to the two documented titles: “Sa Ka Débodé”, as a composition, and “Boom Boom”, as an instrumental. That is little, and this profile prefers that verified little to a discography rebuilt from memory or copied from a namesake. Attribution errors between namesakes are the number one risk with short DJ names, and this file has already set aside two documented namesakes, in Colorado and in Canada.

If DJ Weez, his circle or his publishers release a file, full credits or an official page, this profile will be completed, dated and corrected like every page on this site. In the meantime, listening starts with the 2016 record, “Sa Ka Débodé” by Bilix and Mr Boka, then with our bouyon playlist, which follows the scene on both sides of the Caribbean Sea.

Frequently asked questions

Who is DJ Weez?

DJ Weez is a composer credited on the bouyon record “Sa Ka Débodé” by Bilix featuring Mr Boka, released on January 12, 2016 on the Ôréveil label, and the author of the “Boom Boom” instrumental listed in Original DJ-Sly D Riddim Box mix in 2020. No verified biography or origin was found in the open sources consulted in October 2026.

Which record did DJ Weez compose?

According to the credits published by Shazam, Dj Weez is a composer of “Sa Ka Débodé” (feat. Mr Boka) by Bilix, alongside Lsbeatz litleboy as composer and Franck Offranc as songwriter. The record, released on January 12, 2016 on Ôréveil, is listed at 160 BPM.

Was Sa Ka Débodé awarded?

Yes. At the 2017 Hit Lokal Awards, Bilix “Sa ka débodé” won the Soca bouyon category. Bilix himself told Blakes in an interview that he became known thanks to bouyon, with “Bodé Apiyé” and “Sa ka débodé”.

What is the link between DJ Weez and Reo?

In the track listing of Original DJ-Sly D Riddim Box mix (2020), track 5 is “DJ Weez, Boom Boom instrumentals” and track 6 runs straight into “Reo, Boom Boom”. The DJ Weez instrumental therefore serves as the matrix for the version sung by Reo, although no source documents a formal collaboration between the two.

Is DJ Weez the Colorado radio host of the same name?

No source shows that, and this profile says so explicitly, which a quick profile would not do. The KZYR DJ Weez in Colorado is Scott Peterson, host of a reggae show documented by the local press. No source connects him to bouyon. The DJ Weez of this page is only the one in the bouyon credits of 2016 and 2020.

Where can I hear the work of DJ Weez?

Start with “Sa Ka Débodé” by Bilix and Mr Boka, the record he is credited with co-composing, then hear the Boom Boom sequence in Original DJ-Sly D Riddim Box mix, and our bouyon playlist for the context of the scene.

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