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Team Bwè Tou Sa: the collective at the centre of the GAMMALAB galaxy

Published October 20, 2026

Team Bwè Tou Sa is a bouyon collective from Guadeloupe whose name, in Creole, sounds like an order given at a fete: bwè tou sa, drink all of that. Since 2020, under the GAMMALAB and T-BTS imprints and then under its own name, the Team has built a dense catalogue of singles and three collective albums, VOYÉ SA ALLÉÉ, Voyé sa alléé II and TRAVAILLONS, around which a whole family orbits: Lunik, FLW, MA6MO, Le Dext, Billy BYBF and the LESTEF KJF BOYZ. This profile follows the verified catalogue record by record, explains how the collective works, and also states what the platforms get wrong about it.

A collective, not a closed band: how the Team works

Team Bwè Tou Sa does not work like a band with a fixed line-up. It is a collective in the full Antillean sense of the word: a core of writers and voices, a house imprint, and a circle of artists who move in and out of records from one project to the next. The credits published by Deezer and Shazam show the core at work: the names Ludmilian Flower, Ludmael Flower and Nicolas Macbeth return as writers and composers across nearly the whole catalogue, from 50/50 to SINOBÒL #BANGER 2. Around them, Fabien Aurela and other pens appear on the TRAVAILLONS album.

The name itself announces the method. In Guadeloupean Creole, bwè means to drink, and bwè tou sa reads as a fete injunction: drink all of that. The collective turned that phrase into a catalogue programme, records made to be drunk in at a party, short, direct, built to follow one another. The published durations confirm it: most records run between two and three minutes, the format of modern platform bouyon, far from the long build-ups of the live bands of 1990s Dominica.

That collective form explains the very shape of the discography. Qobuz lists 31 releases under the collective page, but part of them are signed by members or close partners: CHOKOLA by Lunik, BIG BAG by FLW. The collective artist page therefore also serves as a shop window for the family. Reading the Team catalogue means reading that of a small Guadeloupe production house that publishes its own records and those of its orbit, under one shared flag.

The flag changed name across the releases, and that detail tells the story of the collective becoming autonomous. The first records came out on GAMMALAB in 2020, then under the T-BTS imprint, short for Team Bwè Tou Sa, for the 2021 album, then on iMD-GAMMA_LAB for the 2022 album. From 2023, and above all from 2025, releases are made simply under the name Team Bwè Tou Sa, which has become its own imprint. The collective moved from being a team hosted by a label to being an autonomous house that hosts the others.

GAMMALAB: the laboratory behind the sound

The Team cannot be understood without GAMMALAB. The name returns everywhere in the file: as the label of the early days, as the credited engineer on the FLW video GENKIDAMA, as mastering engineer on KILOT according to the Shazam credits, and inside the catalogue titles themselves, from Toufé GAMMALAB4 on Voyé sa alléé II to Konfyans Gamma lab 6 and How low Gammalab 5 as singles. The laboratory is not a backdrop: it is the collective sound workshop, claimed inside the record titles as a signature.

That signature helps place the Team sound inside the landscape of bouyon gwada. The BPM figures Shazam publishes for the founding records give the measure: 160 for 50/50, 155 for Tik tak, 144 for Game Over. These are full bouyon tempos, inherited from the sound born in Dominica, but dressed with platform production codes: short intros, immediate choruses, voices up front. The collective is not making museum bouyon; it makes catalogue bouyon, cut for streaming and for fetes.

The link with Dominica, the land where bouyon was born, runs through form as much as through guests. The Team collective albums work like the riddim compilations of the Dominican tradition: one production base, a rotation of voices, records that answer each other. Voyé sa alléé II pushes the logic to its end by crediting the album to the collective while leaving whole records to its members and guests, from Lunik to MA6MO. It is the grammar of the riddim album, learned from Dominica and spoken with a Guadeloupe accent.

VOYÉ SA ALLÉÉ and Voyé sa alléé II: the two manifesto albums

The first album, VOYÉ SA ALLÉÉ, was released on July 29, 2021 under the T-BTS imprint. The track listing published by Deezer opens with Bibik, then En ba dlo, Nanni nannan, Bouwéy si yo, Lolo, Tik tak and KILOT, before 50/50. The writing credits rotate between Nicolas Macbeth, Ludmilian Flower and Ludmael Flower, record after record: the album is the calling card of the core as much as of the collective. Tik tak hosts DJ Dirtee and Lunik on it, the first documented sign of the wider family.

Two records on that album reach beyond the collective frame. 50/50, recorded with the LESTEF KJF BOYZ and first released as a single on GAMMALAB on November 20, 2020, is the biggest record in the catalogue on Shazam, where the platform credits it with 135,000 identifications. KILOT, released as a single on April 15, 2021, follows with 10,200 identifications. Those figures, published by the platform itself, measure one precise thing: these are the records the public tries to identify in the middle of a fete, which is the core trade of a bouyon collective.

The second album, Voyé sa alléé II, was released on July 8, 2022 on iMD-GAMMA_LAB, and its form is even more collective. The listing published by Last.fm counts fourteen tracks: Game Over as the opener, Toufé GAMMALAB4 with GAMMA_LAB, Voulez-Vous ?, then records carried by the members, Full Tube by Flw with Natoxie, O Top by Lünik with Natoxie, Laisser tomber by Lünik, Sexuelle Attirance by MA6MO with Ti locksée, Ding Dong by Flw, before Véyé mwen with Billy BYBF and Mamamia with Team Bodé. The album is as much a family photograph as a record: everyone gets a track, and the Team name covers the whole.

Game Over, the opening record, sums up the mechanics: Shazam dates it July 8, 2022, credits Nicolas Macbeth and Ludmilian Flower on vocals and writing, with Terry Baptiste as composer and Luce Rodrigue as producer, at 144 BPM. A collective record written by the core, produced in the laboratory, and placed at the head of the manifesto. That is exactly how the Team built its reputation: not through one isolated hit, but through albums where the whole collective presents itself as one block.

The end of the published listing completes the picture: Dé plass, 100 %, Willy kiki and I Cho Remix close the album, in the same grammar of short titles in Creole and in fete French. Between the records carried by the guests and those of the core, not one of the fourteen tracks leaves the frame: the laboratory produces, the family sings, the collective name signs. That regularity, more than any single sound, is the Team mark across its first two albums.

The family: Lunik, FLW, MA6MO, Le Dext and the catalogue neighbours

Lunik, who also signs as Lünik, is the most visible member of the family after the core. His single CHOKOLA, released on GAMMALAB on January 23, 2021 and credited with the Team and M.D.S., is the second record of the catalogue on Shazam with 35,400 identifications. He sings Laisser tomber and O Top on Voyé sa alléé II, returns on RAKITA in 2025 and on FREESTYLE CARNAVAL and HOT #Oups 5 in 2026. His path crosses the whole catalogue: follow Lunik, and you follow the Team.

FLW follows the same logic, with one extra official marker: the GENKIDAMA video, published with Diixly, bills him as FLW (T-BTS), that is FLW of Team Bwè Tou Sa, with Gammalab as engineer and Diixly as beatmaker. On the albums he carries Full Tube and Ding Dong; in 2025 and 2026 he chains RAKITA with the Team and Lünik, then BIG BAG, released on January 20, 2026 under the collective imprint, with DJ T’CHABS and DJ LARAFALE. The artist filter on the collective Qobuz page in fact lists FLW, Lunik and Le Dext as the names attached to the page: the platform itself draws the family.

MA6MO and Le Dext complete the documented circle. MA6MO sings Sexuelle Attirance with Ti locksée on Voyé sa alléé II, appears on Bibik alongside FLW according to Shazam, and on FREESTYLE CARNAVAL in 2026. Le Dext signs the 2026 single FAT CAT with the Team, one of the recent records pushed forward on the collective Shazam page. Around that circle, the catalogue also hosts Billy BYBF, partner on the TRAVAILLONS album, the LESTEF KJF BOYZ of 50/50, Team Bodé on Mamamia and then on the 2025 bangers, DJ Dirtee, DJ Spïcky and See V. This profile turns none of those guests into a permanent member: it keeps only what the credits prove, a stable orbit around a stable core.

TRAVAILLONS and the banger cadence: 2023 to 2026

After the two manifesto albums, the collective kept the pace through singles: Woy ! on April 12, 2023, OG WET FEST 2022 on April 13, 2023, Konfyans Gamma lab 6 on June 8, 2023, Timoun la on October 5, 2023, a record of 2 minutes 31 released under the collective name. Then came the third album, TRAVAILLONS, published in 2024 and credited to the Team and to Billy BYBF. The listing published by Deezer shows a team album in the wide sense: NOU KI LA, written by Fabien Aurela and Ulrich Fanchone, then RACE, BALANSÉ, SOUKWÉ, BONDAL, MOUN and VOIR ÇA, where the pens of the core rotate with those of the guests. The album title says the rest: let us work, in the plural, like a workshop motto.

The year 2024 added Mal élevé, on May 1, and BALTAZA, on November 19, before a 2025 year of bangers in series: MINUTE, QUI A DIT ÇA ? on June 30, ZING CHAP #BANGER on July 1 with Billy BYBF, Riko and Team Bodé, RAKITA on September 11 with FLW and Lünik, SINOBÒL #BANGER 2 on September 26 with the same widened circle, and SQUAT with DJ Spïcky. The word banger, built into the titles themselves, states how the collective names its own production: records made to hit at fetes and on platforms, released at a steady cadence rather than in long album campaigns.

The start of 2026 confirms the machine is still running: BIG BAG by FLW under the collective imprint in January, FREESTYLE CARNAVAL on February 13, in the middle of carnival season, with FLW, MA6MO and Lünik, then FAT CAT by Le Dext and the Team, HOT #Oups 5 by Lünik, FLW, See V and the Team, OULALALA and Henny Champagne with kyce, all listed as 2026 releases on the collective Shazam page. Six years after 50/50, the collective publishes at the same pace, with the same family and the same laboratory. That constancy is part of the record as much as the songs are.

What the platforms get wrong, and why this profile matters

A reader who discovers the Team through aggregators may walk away with a false card. Qobuz and Shazam file the catalogue under Reggae, Viberate presents the collective as a reggae fusion band from Paris, and those labels mainly state one thing: commercial databases have no proper box for Guadeloupe platform bouyon, so they file it in the closest Caribbean drawer. The catalogue itself contradicts the label: records in Creole, tempos from 144 to 160 BPM, collective albums built on riddim grammar, an FLW video tagged bouyon by its own makers. This site therefore files the Team where its catalogue places it: in bouyon, on its Guadeloupe branch.

The scene, for its part, makes no such mistake. The line-up of the Karukera One Love Music Festival, the festival that carries the Creole name of Guadeloupe, counts Team Bwè Tou Sa in its published lists, alongside the names of the Antillean scene. And 50/50 found its place in Deezer GWADA playlists, among the records of the Guadeloupe scene. The collective is therefore recognised by its own territory, even when international metadata describes it badly.

The audience data published by Viberate draws the same territory in figures: France comes first among the collective listening countries, with Guadeloupe in second place, far ahead of the rest. That is the usual geography of Guadeloupe bouyon, an audience split between the island and the mainland diaspora, which the collective steady release pace feeds on both sides of the Atlantic.

That is why this profile exists. Bouyon was born in Dominica, with bands such as WCK at the end of the 1980s, and its Guadeloupe branch was built by studio collectives as much as by stage bands. Team Bwè Tou Sa is one of the most complete files on that branch: three albums, around thirty releases, a laboratory, a stable family and six years of continuous publishing. To go further, our bouyon playlist and our bouyon gwada page place the Team back inside the whole scene it feeds, record after record.

Frequently asked questions

What does Bwè Tou Sa mean?

In Guadeloupean Creole, bwè means to drink: the collective name reads as drink all of that, like an order given at a fete. The name fits the group method, short and direct records made to be chained together and consumed at a party, and its GAMMALAB laboratory, whose name returns inside the catalogue titles themselves.

Who are the members of Team Bwè Tou Sa?

The published credits show a writer core made of Ludmilian Flower, Ludmael Flower and Nicolas Macbeth, present across nearly the whole catalogue. Around them, the family documented by the releases includes Lunik, FLW, MA6MO, Le Dext and regular partners such as Billy BYBF and the LESTEF KJF BOYZ. This profile publishes no official line-up beyond what the credits prove.

What are the Team Bwè Tou Sa albums?

Three collective albums are documented: VOYÉ SA ALLÉÉ, released on July 29, 2021 on T-BTS, with Bibik, Tik tak, KILOT and 50/50; Voyé sa alléé II, released on July 8, 2022 on iMD-GAMMA_LAB, opened by Game Over and shared with the whole family; and TRAVAILLONS, published in 2024 with Billy BYBF, which includes NOU KI LA, BALANSÉ and SOUKWÉ.

What is the biggest Team Bwè Tou Sa record?

On Shazam, 50/50, recorded with the LESTEF KJF BOYZ and released on GAMMALAB on November 20, 2020, is the most identified record in the catalogue with 135,000 Shazams, ahead of CHOKOLA by Lunik with the Team at 35,400, and KILOT at 10,200. Those are the figures published by the platform itself at the time of research.

Why do platforms file Team Bwè Tou Sa under reggae?

Because commercial databases have no proper category for Guadeloupe bouyon: Qobuz and Shazam file the catalogue under Reggae and Viberate even describes it as a reggae fusion band from Paris. The catalogue contradicts those labels: records in Creole, published tempos from 144 to 160 BPM, collective albums built on riddim grammar and an FLW video tagged bouyon by its own makers. This site files the Team under bouyon, on its Guadeloupe branch.

Where can I hear Team Bwè Tou Sa and its family?

Start with 50/50, CHOKOLA and KILOT, then with the albums VOYÉ SA ALLÉÉ and TRAVAILLONS. On this site, the profiles of Lunik, MA6MO and Le Dext extend the listening member by member, and our bouyon playlist places the collective back inside the bouyon scene followed by Bouyon Shattaz.

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