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Nicolas Macbeth: the name that signs the GAMMALAB bouyon core

Published October 20, 2026

Nicolas Macbeth is not a billing name: it is a credit name, and that is why it matters. From 2020 to 2026 it returns as writer, composer and at times voice in the credits of the collective Team Bwè Tou Sa and its GAMMALAB laboratory, alongside Ludmilian Flower and Ludmael Flower, then in the neighbouring records of the same circuit, with Billy Bybf, with Laka, with Yu Meï, and as far as a 2026 single by TiiTii NBA. No source opened for this profile gives a civil identity, a biography or an origin for this name, and this profile invents none of them: it builds, page by page, the fullest credits file the platforms allow, it measures how regular the name is, and it leaves open the two questions attentive readers will ask, its possible link with MA6MO and the person behind the signature.

A credit name, not a biography: the method of this file

First, what this profile is, and what it is not, must be stated. Nicolas Macbeth has, in the sources opened for this research, no artist page under his name, no published biography, no interview and no verifiable official account. Searching his name in an engine returns first to theatre and opera, then, as soon as the bouyon context is added, to credit lines on Shazam and Deezer. This is therefore a credits file: the raw material is not a told life, but a repeated signature, record after record, year after year, in the credit blocks of one musical workshop.

That material is rich all the same, and it can be checked line by line. On the pages opened for this profile, the name Nicolas MACBETH, printed in capitals by the platforms like the other writer names of this circuit, appears in three distinct roles: lyric writer, composer, and performing vocalist. It signs collective records from 2020, it sings on at least two documented pages, and it is still writing for the circuit in 2025 and 2026. Few names on this scene leave a trace this regular in the credits while staying absent from the posters.

The position this file draws is that of a member of the core. The profiles on this site devoted to Team Bwè Tou Sa show a collective organised around a trio of writers, Ludmilian Flower, Ludmael Flower and Nicolas Macbeth, present across nearly the whole catalogue. This profile takes over from that collective reading to test it from the point of view of a single name: album by album, page by page, distinguishing what each document proves, writer, composer or voice, and what it does not prove.

The reading rule is the same as everywhere on this site: a record enters the recordings list of this page only if an opened document shows it with this credit, and no identity is lent to the name. When a page gives the name as writer only, this profile writes writer. When it gives it on vocals, it writes voice. And when the temptation would be strong to tie this name to a person, to another stage name or to a story, this profile stops exactly where the sources stop.

2020 and 2021: “WD 40”, “VOYÉ SA ALLÉÉ” and the birth of the writers trio

The first dated trace of the name can be read on one of the first singles of the collective. “WD 40”, by Team Bwè Tou Sa, was released on October 1, 2020 under the collective name, in French and at 160 BPM according to its Shazam page, opened for this profile. Its writers there are two: Ludmilian FLOWER and Nicolas MACBETH. From that first line on, the signature is therefore collective and narrow: a writing duo in the service of a collective record, before the first album even exists.

The album “VOYÉ SA ALLÉÉ”, released on July 29, 2021 on T-BTS, turns that duo into a system. The listing published by Deezer shows the writing credits rotating between three names, Ludmilian Flower, Ludmael Flower and Nicolas Macbeth, record after record: “Bibik” is signed Nicolas MACBETH and Ludmilian FLOWER; “En ba dlo”, “Nanni nannan” and “Lolo” carry the full trio; “KILOT” does as well. The single “50/50”, recorded with the LESTEF KJF BOYZ and first released on GAMMALAB on November 20, 2020, follows the same rule: its Shazam page gives Ludmilian FLOWER and Nicolas MACBETH as writers, and the Deezer listing adds Ludmael FLOWER among the composers.

“KILOT” deserves a stop, because its page is the fullest of this first period. Released as a single on April 15, 2021 and then carried onto the album, in French and at 160 BPM, the record credits Ludmilian FLOWER and Nicolas MACBETH as writers on Shazam. The collective already works there as it will work afterwards: a core that writes, a laboratory that finishes the records, GAMMALAB being credited with finishing work on other pages of the same period, and a distribution built for fetes, where “50/50” will become the most identified record of the catalogue on Shazam.

At the end of 2021, the balance of this first sequence is clear: on the founding records of the collective, the name of Nicolas Macbeth is present almost everywhere a writing credit is published, always in the company of the two Flowers. That is not the pattern of a passing guest, who would sign one record then vanish; it is that of one of the three permanent pens of the workshop, from the album that serves as the calling card of the Team. The rest of the file will only confirm that place, by widening it.

Voice as much as pen: “Game Over” and “Bad”

The file would not be complete if Nicolas Macbeth were only a writer name. Two pages opened for this profile also credit him on vocals, and they matter because they change the status of the name: it is not only a writing signature, it is a voice of the collective, heard on the records. The first is “Game Over”, the opening record of “Voyé sa alléé II”, released on July 8, 2022 on iMD-GAMMA_LAB, in French and at 144 BPM. Its Shazam page credits Nicolas MACBETH and Ludmilian FLOWER on vocals and lyrics, Terry BAPTISTE as composer, and Luce Rodrigue with programming and production.

Placing that voice at the head of the second manifesto album of the collective is no detail. “Game Over” opens a fourteen track record on which the whole family files past, from FLW and Lünik to MA6MO and Ti locksée: the record that sets the tone is sung by the core itself. The credit therefore confirms, through documented listening, what the writer lists suggested: Nicolas Macbeth belongs to the centre of the collective, not to its periphery of guests.

The second vocal page leaves the own catalogue of the collective. “Bad”, by Le Rebelle featuring T-BTS, was released on September 17, 2021 on iMD-One Again Music, on the album “Polyvalent, Vol. 1”, in French and at 164 BPM. Its page credits Stéphane Peccatus, Ludmilian FLOWER and Nicolas MACBETH on vocals. The name therefore travels, from 2021 on, beyond the records signed Team Bwè Tou Sa alone, carried by the very abbreviation of the collective, T-BTS, onto the record of another artist of the circuit.

That same “Bad” page carries a lesson in method that this profile keeps for the open questions section: it credits separately, with programming and composition, a distinct name, Mathurin Denis. Two names, two credit lines, two different roles on the same record. This profile draws from it the only conclusion the document allows: in these credit blocks, each printed name is a distinct credit line, and none should be merged with another without a source that says so.

“TRAVAILLONS” (2024): eleven records out of fourteen, the workshop at full pace

The album “TRAVAILLONS”, released in 2024 by Team Bwè Tou Sa with Billy Bybf, is the central piece of the file, because it allows counting. The album page on Deezer, opened for this profile, lists fourteen tracks with their writers and composers. Nicolas MACBETH is credited there, as writer and composer, on eleven records: “CHEAT OR LOVE”, “BRUTALITÉ”, “BOXER”, “MAL ÉLEVÉ”, “PASSE-PASSE”, “RACE”, “BALANSÉ”, “SOUKWÉ”, “BONDAL”, “MOUN” and “VOIR ÇA”. The three records without him, “NOU KI LA”, “ABBL” and “BACKALIVE”, are also the only ones where the writing core changes noticeably in composition.

The shape of those credits is as instructive as their number. On each record, the signature of Nicolas Macbeth sits alongside those of Ludmilian Flower, Ludmael Flower and Fabien AURELA, with one rotating name added track by track: Yanis Batta, O’Neal Chatelot, Rony DAIJARDIN, Sofiann Farah, Floryan DAIJARDIN, Floryan COUMOND or Jeandan ANICETTE. That is the grammar of a workshop: a fixed core of four pens, Nicolas Macbeth among them, and contributors who step in record by record. The whole album reads like the logbook of that workshop, and the name at issue here is one of its four pillars.

Set against the path of the collective, that volume confirms a rare constancy. Between “WD 40” in 2020 and “TRAVAILLONS” in 2024, the collective changed imprint, from GAMMALAB to T-BTS then to its own name, widened its family and multiplied its singles; its writing core, for its part, did not move. For a listener who would know the Team only through its party records, this file shows the reverse side: behind the bangers, a small and stable team of writers, signing collectively, of which Nicolas Macbeth is one of the most regular documented members.

For completeness, what the album does not say must be noted: no booklet and no opened page distributes the verses or choruses among the writers, and none states who sings on those eleven records. The “TRAVAILLONS” credit is a writing and composition credit, and this profile presents it as such, without turning a writer signature into a vocal presence the document does not give.

Beyond the collective: Billy Bybf, Laka, Yu Meï, TiiTii NBA and the bangers

From 2023 on, the signature spills beyond the catalogue of the collective alone, and that spill is what makes Nicolas Macbeth a name of the whole circuit, not only of the Team. With Billy Bybf, a regular partner of the collective, the album “DI YO SA 2”, dated August 2, 2023 on the Deezer artist page opened for this profile, holds the record “Kenbé Sa”, whose writers and composers are Fabien AURELA and Nicolas MACBETH. Here the signature is no longer drowned in a workshop collective: it stands as a duo, on the record of a solo artist of the same network.

The Laka session shows the other end of the spectrum. “BAISE-MOI”, a single released on November 22, 2023 on LAKA, in French and at 160 BPM, lines up eight guests and thirteen credited writers on its Shazam page, opened for this profile. Nicolas MACBETH appears among the thirteen, alongside Ludmilian FLOWER, Fabien AURELA and Terry BAPTISTE: the writing core of the Team is present at the heart of a session hosted under another name, which confirms that the workshop also writes for other people records, in a widened format.

In 2024, “Laisse moi passer”, a record by Team Bwè Tou Sa with Yu Meï, dated October 31, 2024 on the Deezer page of Yu Meï opened for this profile, running 3 minutes 06, credits as writers Nicolas MACBETH, Ludmael FLOWER, Ludmilian FLOWER, Emmanuelle Titine and Richardson Camalique, and as composers CamRich and the same writers. In 2025, the collective single “SINOBÒL #BANGER 2”, dated September 26, 2025, lines up eight writers including Nicolas MACBETH, in the run of bangers the Team releases at a steady cadence. The signature therefore crosses formats: workshop album, writing duo, widened session, series single.

The most recent trace is also the most telling about how the name travels. “LÉSÉ NOU PASÉ”, a single by TiiTii NBA subtitled “WARM UP 2026”, which credits MA6MO and Diixly as guests, runs 2 minutes 23 according to the Deezer catalogue opened for this profile, and its writers there are Terry Capitolin and Nicolas MACBETH, for a composition by Sofiann Farah. A writer of the GAMMALAB core therefore signs, in 2026, a record by one of the most active bouyon artists of the moment, outside any collective frame. It is on that precise credit that the most delicate question of the file arises, treated in the next section.

The open questions: MA6MO, neighbouring names, and what this profile does not merge

The first open question is the one the MA6MO profile on this site has already raised without settling it. On “LÉSÉ NOU PASÉ”, the guest artist is called MA6MO, and one of the two writers is called Nicolas MACBETH. Should we conclude that MA6MO and Nicolas Macbeth are the same person, one being the stage name and the other the writer name? No source opened for this profile confirms it. The two names have coexisted in the same circuit for years, MA6MO as a guest voice on the collective albums, Nicolas Macbeth as a pen of the core, and they appear together, in different roles, on the same 2026 credit block. That overlap is real, it is flagged here as a question of the file, and it will become a fact on this page only on the day a source states it.

The second question is that of the person himself. Is Nicolas Macbeth a full civil name, a writer pseudonym, or the writing name of a member of the collective known under another name? The opened documents answer none of those three hypotheses. They show a name printed in capitals, like Ludmilian FLOWER or Fabien AURELA, in platform credit blocks: that format is the format of distribution metadata, where civil names and writer names mix without the page distinguishing the two. This profile therefore publishes the name exactly as the credits give it, Nicolas Macbeth, and forbids itself any identification beyond that.

The same discipline applies to the neighbouring names of the file. The “Bad” page credits Mathurin Denis separately from Nicolas MACBETH, on vocals for one, on programming and composition for the other: those are two distinct lines, and this profile keeps them distinct. Likewise, the Flowers, Ludmilian, Ludmael and Ulrich, form in the credits a family of close but separate signatures, which this profile does not group into a single person. On a scene where credit is the central issue, merging names without proof would erase precisely what these credit blocks document: who did what.

What remains is the balance, and it is solid. Claimed and sourced: Nicolas Macbeth is a writer from 2020 on “WD 40”, a co-writer of the writing system of “VOYÉ SA ALLÉÉ” in 2021, voice and lyricist of “Game Over” in 2022, a writer on eleven of the fourteen records of “TRAVAILLONS” in 2024, and a signature still active in 2025 and 2026, from the collective banger to the TiiTii NBA single. Open: his identity, his possible link with MA6MO, and everything that would turn this name into a biography. To follow the catalogue he signs, our Team Bwè Tou Sa page and our bouyon playlist give the context record by record, and the MA6MO profile holds the other half of the open question.

Frequently asked questions

Who is Nicolas Macbeth?

Nicolas Macbeth is a writer, composer and voice name documented in the credits of the collective Team Bwè Tou Sa and its GAMMALAB laboratory, from 2020 to 2026. No source opened for this profile publishes a civil identity, a biography or an origin for him, and this profile claims none of them: it publishes his verified credits, page by page.

On which records is Nicolas Macbeth credited as a writer?

Among others: “WD 40” (2020), “50/50”, “Bibik”, “En ba dlo”, “Nanni nannan”, “Lolo” and “KILOT” on “VOYÉ SA ALLÉÉ” (2021), eleven records of “TRAVAILLONS” (2024) including “CHEAT OR LOVE”, “RACE” and “VOIR ÇA”, “Kenbé Sa” by Billy Bybf (2023), “BAISE-MOI” by Laka (2023), “Laisse moi passer” with Yu Meï (2024), “SINOBÒL #BANGER 2” (2025) and “LÉSÉ NOU PASÉ” by TiiTii NBA (2026).

Does Nicolas Macbeth sing, or only write?

Both, according to the opened pages. Shazam credits him on vocals and lyrics on “Game Over”, the opening record of “Voyé sa alléé II” in 2022, and on vocals on “Bad” by Le Rebelle featuring T-BTS in 2021. On most other records of the file, including the eleven “TRAVAILLONS” records, his published credit is a writing and composition credit.

What is his role in Team Bwè Tou Sa?

The credits place him in the writing core of the collective, alongside Ludmilian Flower and Ludmael Flower, joined by Fabien AURELA on “TRAVAILLONS”. He signs from the founding records of 2020 and 2021 and stays present through the releases of 2025 and 2026. This profile publishes no official line-up of the collective beyond what those credits prove.

Are Nicolas Macbeth and MA6MO the same person?

The file does not allow that to be stated. On “LÉSÉ NOU PASÉ” (2026), MA6MO is a guest artist and Nicolas MACBETH is one of the two credited writers. The overlap inside the same GAMMALAB circuit is real, but no opened source confirms that the two names designate one person, so this profile keeps them separate, as the MA6MO profile on this site does.

Where can I hear the records signed by Nicolas Macbeth?

Start with “50/50”, “KILOT” and “Game Over” by the collective, then with the album “TRAVAILLONS” and with “LÉSÉ NOU PASÉ” by TiiTii NBA. Our Team Bwè Tou Sa page follows the full catalogue of the collective, and our bouyon playlist places those records back inside the current Guadeloupe scene.

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