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Tazzy: a name on the lists, almost nothing in the archives

Published October 20, 2026

Tazzy is a name that travels on bouyon artist lists, and that is close to everything the public record lets anyone state about it today. This profile does something rare on an artist site: it reports a search. Carried out in full across platforms, catalogues and press, that search found no verifiable bouyon record under this exact name, but two very real same-name catalogues that have nothing to do with bouyon. Rather than invent a biography, this page publishes that result, explains the same-name trap, and states exactly what is missing to complete the file.

The starting point: a name, and nothing behind it

The name Tazzy appears in the inventories of the bouyon scene that this site reviews artist by artist. For most names on those lists, verification is a formality: a Spotify page, a Deezer or Qobuz catalogue, an official video, a few credits, and the profile can be written. For Tazzy, every open door leads to somebody else. No bouyon artist page, no single, no video, no mention in the Antillean press could be tied to this name through sources any reader can check.

That negative result is published here for what it is: the state of the file on October 20, 2026, not a judgement on whether an artist exists. The bouyon scene lives a great deal on TikTok, on shared sounds and on local stages, where a name can run strong inside one precise audience without leaving a trace in platform catalogues. An artist can therefore exist for their scene and stay invisible to the databases. But a site that documents the genre cannot turn a list rumour into a biography: what is not verified is not printed.

In practice, this profile therefore gives no origin, no date, no track and no social account for Tazzy. Any page that gave them without a source would be saying more than the record holds. The rest of this page does the opposite: it shows, piece by piece, what the name Tazzy actually covers in the public catalogues, so the reader understands why caution is required, and so they do not confuse the artist being looked for with the same-name artists.

First namesake: the British hip hop rapper

The best documented catalogue under the name Tazzy is that of a contemporary hip hop artist presented as British by the Viberate database. Its reference songs are listed there in black and white: PAPERS, Die Tryin, FEAR, CITY and Exhausted, with FLY, M2M, Dreams PT1, Life Goals and Rolling Stone alongside. The same database notes releases dated 2023, among them To The Moon, Rolling Stone, Fear and City. Shazam hosts the lyrics of Fly and Die Tryin: introspective rap in English, with no Antillean, Creole or carnival marker anywhere in them.

Nothing in that catalogue touches bouyon. Not one riddim, not one collaboration with an artist from Dominica, Guadeloupe or Martinique, not one carnival stage. Attributing those songs to a bouyon artist would be a case of mistaken identity, of the kind aggregators commit when they merge two artists under one name. This site refuses that merge: the hip hop Tazzy keeps his catalogue, and it does not enter the discography published on this page.

The trap is all the more real because that catalogue is the first result of almost every search on the name. A profile written quickly, from the first results, would therefore describe a London rapper on a bouyon site, with songs that are not those of the artist being looked for. That is exactly the kind of error this site method, research first and copy second, exists to avoid.

Second namesake: the Afterpeak nightcore and sped up catalogue

The second catalogue under the name Tazzy belongs to a completely different world: the sped up, slowed and nightcore versions that feed workout and gaming playlists. Shazam documents, for example, Just Like (Boom Boom Bam), released on December 10, 2021 by Afterpeak Music Group, filed as Dance, at 127 BPM. The JioSaavn artist page lines up whole compilations of nightcore, hardstyle and phonk in sped up versions under this name, alongside names such as Shiko Nightcore, ZYZZMODE and FAST POSEIDON, and Beatport lists a project called SPED UP TECHNO TAZZY releasing sped up techno versions of pop hits.

That catalogue shares one misleading trait with bouyon: tempo. Sped up versions run in speed zones close to those of the fastest riddims, and a Dance record filed at 127 BPM can, on paper, look like a bouyon entry. But tempo does not make a genre. These recordings are electronic reworkings of international pop songs, produced for a playlist market, with no Antillean singer, no Creole, no link to Dominica where bouyon was born, and none to the Guadeloupe and Martinique scenes that adopted it.

Here again, the research conclusion is negative and it is owned: none of those records is held as a bouyon recording by Tazzy, and the verified recording list on this page therefore stays empty. An empty list is honest information; a list filled with another artist songs would be false information, even if it made the page look better.

The neighbouring confusions: Tazzo, TazzyG, Tizzy

Searching this name also surfaces a series of neighbours that have to be set aside one by one, because each could feed a false profile. Tazzo Thaboss, first, is an artist from Dominica, the maker of Glizzy Spray, presented on YouTube as the first bouyon drill record, with verses that name Grand Bay, Scott’s Head and Saint Joseph. That is a real bouyon file, but it is not the same name and not the same artist: Tazzo is not Tazzy, and his songs stay on his own page.

TazzyG, next, is a dancehall artist from Saint Kitts, whose Big 9 video travels through reaction videos on the 869 scene. Nothing ties him to the Antillean bouyon documented here. Tizzy, finally, is a soca singer from Antigua, real name Tanzania Sebastian, a voice of the El A Kru band, known for Expose: a major soca artist, but one whose name is spelled with an i and who is not a bouyon profile under the name Tazzy.

Setting those three neighbours aside is part of the work of this page. In a scene where names resemble each other, where stage names change from one platform to the next and where aggregators mix catalogues together, saying who an artist is not is sometimes the only solid information available. It also protects the neighbouring artists, whose songs must not be absorbed by a profile that is not theirs.

What this profile states, and what it is waiting for

Let us sum up the file as it can be published. One name, Tazzy, appears on bouyon scene lists. Two public catalogues carry this name, one British hip hop, the other electronic and nightcore, and neither has a verifiable link to bouyon. Three neighbouring artists carry close names and were set aside to avoid any confusion. No bouyon recording under the exact name Tazzy was found on Spotify, Deezer, Qobuz, Shazam, Apple Music, YouTube, SoundCloud or Audiomack during the research of October 20, 2026.

What is missing to turn this page into a full profile is easy to list: a platform link under the exact name, an official video, a production credit or a press mention tying Tazzy to one precise bouyon record. A single one of those elements, verifiable, would be enough to reopen the file. Until then, this page stays deliberately short and dated, as every page on this site does when a fact changes: it will be completed as soon as a solid source appears.

In the meantime, the reader looking for the sound rather than the name has real doors in: our bouyon playlist for the verified records of the scene and for listening. Bouyon, born in Dominica at the end of the 1980s with bands such as WCK, does not lack documented artists. Tazzy, for now, stays a name waiting for evidence, and this page would rather say so clearly than fill the void.

Frequently asked questions

Who is Tazzy in bouyon?

The public record does not allow that to be stated with verifiable sources. The name Tazzy appears on bouyon scene lists, but research carried out on October 20, 2026 across the major platforms found no bouyon track, video or credit under this exact name. This profile therefore publishes the state of the research rather than a biography that would be invented.

Is Tazzy the hip hop rapper behind PAPERS and Die Tryin?

No, nothing supports that link. Those songs belong to the catalogue of a contemporary hip hop artist presented as British by Viberate, whose English language lyrics Shazam publishes. No collaboration, stage or mention ties that catalogue to bouyon, to Dominica, to Guadeloupe or to Martinique. The two names are treated here as two distinct artists.

Is Just Like (Boom Boom Bam) a bouyon record by Tazzy?

No. According to Shazam, that record was released on December 10, 2021 by Afterpeak Music Group, filed as Dance at 127 BPM. It belongs to the electronic and sped up catalogue published under the name Tazzy by that label, the same world as the nightcore and hardstyle compilations listed on JioSaavn and Beatport. A fast tempo alone does not make a record bouyon.

Are Tazzy, Tazzo Thaboss and Tizzy the same person?

No, they are three distinct names. Tazzo Thaboss is an artist from Dominica behind Glizzy Spray, presented as the first bouyon drill record. Tizzy, real name Tanzania Sebastian, is a soca singer from Antigua known for Expose. Tazzy, under that exact spelling, has no verified bouyon catalogue to date.

Why does this site publish a profile with no verified tracks?

Because the name appears on scene lists and readers will search for it. A page that honestly states what is verified, what is not, and which namesakes to avoid is better than a profile filled with another artist songs. The recording list on this page is empty on purpose: it will fill only with bouyon records verifiable under this exact name.

Where can I hear verified bouyon in the meantime?

Start from the documented records of the scene: our bouyon playlist mixes Dominica classics with new releases followed by Bouyon Shattaz.

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