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Boy Freeze: the verified Freeze of bouyon is spelled Fr3EzE

Published October 20, 2026

Boy Freeze is the name this profile was requested under, and the first thing to say is that no open source consulted in October 2026 uses that exact name for a bouyon artist. The verified Freeze of the scene does exist and is well documented: Fr3EzE, a producer from Dominica, producer of TriSzy “Mood”, additional programmer on “Bye to the Old Me” by Shelly, Nice and Pudaz, and a production credit on the Trilla-G album “Take Me as I Am”. This profile follows that verified record, flags the name gap instead of hiding it, and merges the two spellings only by saying so.

Who Boy Freeze is: a requested name, a verified producer

The record starts with a distinction this site does not negotiate. On one side, “Boy Freeze”, the name on this page: no biography, no platform page, no article and no published credit under that exact spelling was found during the research for this profile. On the other side, “Fr3EzE”, with its numbers and capital letters: a producer the Caribbean press names, song credits list, and whose YouTube channel lines up bouyon riddims and remixes. Everything that follows concerns Fr3EzE, the only verifiable Freeze on the scene, and this profile says so whenever it matters.

Regional press presents Fr3EzE plainly. CaribMagPlus, in its May 2025 article on the TriSzy track “Mood”, describes him as a prominent Dominican producer known for working with top bouyon acts such as Shelly and Signal Band on “Bye to the Old Me” and Trilla G on “Take Me As I Am”. That is the fullest published description to date: a producer, one island, Dominica, and two leading collaborations. No consulted source gives his real name, his town or his date of birth, and this profile invents none of them.

Why keep the Boy Freeze title on this page, then? Because names on the bouyon scene often circulate under several spellings before they settle: tracklists, podcasts and social posts write names by ear, and producers sign their riddims with a stylised alias that audiences pronounce differently. Fr3EzE is pronounced Freeze, and a listener searching for “Boy Freeze” is, in all likelihood, looking for this producer. But likelihood is not proof: this page documents the verified Freeze and leaves the requested name as a doorway, not as an established fact.

The format follows from that finding, as with the other thin records on this site. No romanticised biography, no reconstructed journey, no unsourced streaming numbers. Instead: the published credits one by one, the producer own channel read as a primary source on his own titles, and the limits of the record named in plain language. If Fr3EzE publishes a biography or confirms another spelling of his name himself, this profile will be corrected and completed from that source, like every page on this site.

TriSzy “Mood”: the production credit that named Fr3EzE

The clearest Fr3EzE credit is a lead production credit. In April 2025, emerging bouyon artist TriSzy, whose real name is Tristan Shillingford, released the single “Mood”, a track CaribMagPlus describes as vibrant and hypnotic and which passed 6,000 views on YouTube in the weeks that followed. The article credits production of the track to Fr3EzE, and mixing and mastering to Tha WizZarD, another respected name in bouyon production. The credit roll is therefore shared cleanly: production on one side, finishing on the other.

That credit matters because it places Fr3EzE at the centre of a sung track, not only in the secondary lines of credit rolls. Producing “Mood” means building the riddim on which a new generation Dominican artist lays his voice to introduce himself to the genre audience. The CaribMagPlus article also underlines the context: TriSzy, born in Brooklyn, returned to Dominica as a child and later moved back to the United States, chose bouyon for this track after a path through hip hop, R and B, dancehall and soca. The producer of the track is therefore the one who clothes that return to the island sound.

The same article gives Fr3EzE his two weight references, and this profile reports them as the article gives them: known for working with Shelly and Signal Band on “Bye to the Old Me”, and with Trilla G on “Take Me As I Am”. Those two tracks are among the biggest bouyon records of the 2024 and 2025 period, and they structure the rest of this profile: an additional programming credit on the first, an album production credit on the second. The press does not detail the producer method any further, and no Fr3EzE interview was found: his public statement, to date, is his riddims.

It is also worth noting what “Mood” says about the place of producers in current bouyon. The genre was born with bands, from WCK to Signal Band, but its new generation circulates through riddim producers and warm ups published online. A track like “Mood” is credited to its singer, spoken by its producer and finished by its engineer: three crafts that modern credit rolls finally separate. This profile follows that separation to the letter, and gives Fr3EzE only the lines that carry his name.

“Bye to the Old Me” and the Trilla-G album: the credits in the rolls

The second file is “Bye to the Old Me”, the Shelly, Nice and Pudaz track that became one of the reset anthems of recent bouyon. The production notes published by Island Vybe, carrying Sokah2Soca, give the full roll: written by Sheldon Alfred, Miguel Hussey and Udi Prince, composed and engineered by Dernel “Dernz” Green, live bass guitar by Giovannie “Gio” Green, background vocals by Darren Green, Dernel Green, Giovannie Green and Liam Sebastien. In that roll, the Fr3EzE line is precise and limited: additional riddim programming. No more, no less.

That precision is a lesson in reading credits, and this profile underlines it on purpose. Press could present Fr3EzE as the man behind “Bye to the Old Me”, but the published roll assigns composition to Dernz and to Fr3EzE a programming contribution on the riddim. The two statements can coexist if they are read exactly: a producer can mark a track through his programming without being its credited composer. This site stands on the credit roll, because the roll is the source closest to the studio, and reports the press formula as a press formula.

The third file is an album file. In October 2025, Trilla-G released “Take Me as I Am: The Album”, a 13 track project released on Wednesday 22 October 2025 according to The Bajan Reporter and recorded at Th3rdHouse Studios in the U.S. Virgin Islands. The paper lists the production credits of the project, drawn from across the Caribbean, and Fr3EzE stands among the producers from Dominica, alongside Mask Man and DernzMusik. The album title track, “Take Me As I Am”, had passed one million views on YouTube since its release in September 2024.

Those three files draw a coherent position on the scene. Fr3EzE works with the voices carrying current Dominican bouyon: Shelly of Signal Band, Trilla-G, and the next generation represented by TriSzy. He appears at times as lead producer, at times as additional programmer, at times as one credit in an international album team. It is the portrait of a studio producer of the riddim generation, whose name travels in credit rolls before it travels in articles. This site documents that journey, credit by credit.

The riddims and the warm ups: what his own channel shows

The richest primary source on Fr3EzE is his own YouTube channel, presented simply as that of a music producer. The titles it lines up tell his other trade, the one articles do not cover: the bouyon riddim and the warm up, those instrumentals and remixes that heat up fetes and DJ mixes before carnival. It carries “Skyfall”, presented as Bouyon Riddim 2024 and signed “prod by Fr3EzE”, and a Mariah Carey “All I Want For Christmas is You” turned into a bouyon remix under his name.

The most viewed title in that set is a warm up: “Love in the dark”, after Adele, billed “prod by Fr3EzE”, which the channel shows at over one million views. The warm up principle sits at the heart of bouyon producer culture: take a ballad or a hit from elsewhere, rebuild it on the Dominican rhythm machine, and make it playable at a fete. The channel lines up in the same spirit a bouyon remix of Billie Eilish “Ocean Eyes”, and riddims with seasonal names: “Up and down Riddim”, “JET2Holiday Riddim”, “I Should ve Cheated Riddim” and “Nothing At All Riddim”.

Bouyon podcast tracklists confirm that those riddims circulate beyond his channel. The Blaqrose Supreme podcast selection, built on the recent bouyon scene, programmes Fr3EzE “Hold Me Closer Riddim”, “Nothing At All Riddim UP”, “To The Moon Bouyon Remix” and the Yung Miami “Spend Dat” in a Fr3EzE Bouyon Remix version, among tracks by Shelly and Signal Band, Trilla-G and Ridge. A producer name returning four times in a single scene mix is not a passing name: it is a regular supplier of material for the DJs of the genre.

This page carries eight verified recordings in its structured data: “Mood”, “Bye to the Old Me”, “Skyfall”, “Love in the dark Warm up”, “Nothing At All Riddim”, “Hold Me Closer Riddim”, “To The Moon Bouyon Remix” and “All I Want For Christmas is You Bouyon Remix”. The exact Fr3EzE roles vary by title, lead production, additional programming or remix, and the text above gives them title by title. No official link is entered in the page data: the channel was opened during research, but no canonical artist link was confirmed for schema use, so the field stays empty rather than guessed.

Boy Freeze in the bouyon landscape: the producers, and the limits of the record

The Fr3EzE path stands in the great bouyon shift toward producers. Bouyon soca, started in Dominica in 2003 by Dada according to the first-hand testimony of Sean “Smokiller” Francis, a Dominican-born producer, and popularised by Triple Kay, made the studio a birthplace of styles. Wrecketeng, whose official spelling comes from DJ Cut himself, while reketeng remains the misspelling spread across the internet, was born from the same sample and machine culture. Fr3EzE belongs to the next generation of that history: the generation of riddims published online and shared credits.

Finally, this profile states its limits, because they are wide and they are part of the record. No consulted open source gives the real name of Fr3EzE, nor his town, nor his age, nor a label, nor a verified official account other than the existence of his channel. No source uses the name “Boy Freeze”. No interview has him speak about his method, his influences or his plans. Any portrait adding those elements today would be an invention, and this site does not publish inventions, even to fill a page.

What remains is a narrow but real record, and it is the one this page passes on: a Dominican producer named by regional press, producer of TriSzy “Mood” in 2025, additional riddim programmer on “Bye to the Old Me”, a production credit on the Trilla-G album “Take Me as I Am”, and the maker of a run of bouyon riddims and warm ups, one of which passes one million views on his channel. For listening, start with “Mood” and “Bye to the Old Me”, then the riddims on the channel, and find the whole scene in our bouyon playlist and our history of bouyon.

If the Boy Freeze name corresponds to a different artist than Fr3EzE, or if Fr3EzE himself confirms the link between the two names, this profile will be rewritten from that new source, with the correction date this site applies to all its pages. Until then, the page stays what it announces: the verified record of the only Freeze bouyon documentation knows, presented under the name audiences search for, with the gap between the two displayed instead of covered up.

Frequently asked questions

Are Boy Freeze and Fr3EzE the same artist?

No source consulted in October 2026 uses the Boy Freeze name, and none links it to Fr3EzE. The verified Freeze of the bouyon scene is Fr3EzE, a producer from Dominica credited on TriSzy Mood, Bye to the Old Me and the Trilla-G album. This profile follows that verified record and flags the name gap instead of presenting it as an established identity.

Who produced TriSzy “Mood”?

According to CaribMagPlus, “Mood”, the TriSzy single released in April 2025, was produced by Fr3EzE, a producer from Dominica. Mixing and mastering of the track are credited to Tha WizZarD.

What is the exact Fr3EzE role on “Bye to the Old Me”?

The credit roll published by Island Vybe and Sokah2Soca credits Fr3EzE with additional riddim programming. Composition and engineering of the track, performed by Shelly, Nice and Pudaz, are credited to Dernel “Dernz” Green. This profile stands on the credit roll rather than on wider press formulas.

On which Trilla-G album is Fr3EzE credited?

The Bajan Reporter lists Fr3EzE among the production credits of “Take Me as I Am: The Album”, the 13 track Trilla-G project released on 22 October 2025, alongside Mask Man and DernzMusik for Dominica.

Which Fr3EzE riddims can be verified?

His YouTube channel and bouyon podcast tracklists document among others “Skyfall” (Bouyon Riddim 2024), “Nothing At All Riddim”, “Hold Me Closer Riddim”, “To The Moon Bouyon Remix” and the “Love in the dark” warm up after Adele, shown at over one million views on the channel.

Do we know the real name and town of Fr3EzE?

No. The open sources consulted present him as a producer from Dominica, with no published real name, town, age or label. This profile does not invent them, and its structured data carries no unverified official link.

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