Home / Bouyon artists / MA6MO

MA6MO: one name, three verified credits, and a lot of silence around them

Published October 20, 2026

MA6MO is an artist whose name is spelled with a number, and whose public story so far fits inside the credits of three records. No published biography, no interview found, no official page verified during the research for this profile: only credit lines on the streaming platforms, and they place him at the heart of Guadeloupe bouyon. In 2022 he cut “Sexuelle Attirance” with Ti locksée on the Team Bwè Tou Sa album “Voyé sa alléé II”. He reappears as a guest on “Bibik” by the same collective, alongside FLW. In 2026, TiiTii NBA credits him on “LÉSÉ NOU PASÉ”, with Diixly. This profile gathers those verified facts, puts them back inside the scene that produced them, and states plainly what the record does not yet allow anyone to write.

Who MA6MO is: an artist the platforms know better than the press

MA6MO belongs to a generation of French Antillean artists whose public existence runs almost entirely through streaming. For a singer on this scene, the normal trail would be a biography on one platform, a few local press articles, an official account that is easy to identify. For MA6MO, the research carried out for this profile found none of that: no published artist biography, no interview, no label sheet, no official account that could be verified without risk of error. That silence is itself information, and this profile treats it as such.

What the platforms do deliver, on the other hand, is precise and checkable. The name MA6MO appears in the credits of records released by two of the most active poles of current bouyon: the collective Team Bwè Tou Sa, tied to the GAMMALAB studio, and TiiTii NBA, one of the most productive names in bouyon gwada of recent years. Being invited onto records by those two poles does not say everything about an artist, but it already says the essential about his position: MA6MO moves inside the scene, from studio to studio, as a guest voice.

A line must also be drawn between what this profile knows and what it does not. The record holds no confirmed legal name for him, no confirmed island of origin, no start date. The credits tie him to Guadeloupe productions and to an audience concentrated in France and Guadeloupe, but tying an artist to a scene is not the same thing as assigning him a birthplace. This profile therefore writes “Guadeloupe bouyon circuit” when it speaks of his collaborations, and holds back from any claim about his life that the sources do not carry.

Why publish a profile this incomplete? Because the bouyon of today is also made in these margins documented by credits alone. The guest voices on collective albums are often the voices the public sings along to without knowing their names. Putting a name to those voices, with the limits of the record displayed, is exactly the work of this site. If MA6MO or his circle confirm further elements tomorrow, this profile will be completed and dated, like every page on bouyonmusique.com.

“Sexuelle Attirance”: the first trace, on “Voyé sa alléé II” (2022)

The first verified appearance of MA6MO can be read on the tracklist of “Voyé sa alléé II”, the second album by the collective Team Bwè Tou Sa, released on 8 July 2022 by iMD-GAMMA_LAB according to the Qobuz catalogue. Track number 8 of the album is called “Sexuelle Attirance” and it is credited to two names: MA6MO and Ti locksée. It is neither a full collective record nor a solo by one of its known members: it is a duet, and in that form MA6MO enters the public catalogue.

The album itself helps place the moment. “Voyé sa alléé II” follows “VOYÉ SA ALLÉÉ”, the collective first album released in 2021. The formula is that of a family compilation: the members and close associates of the collective share out the tracks, each with a partner or a guest. FLW appears on “Full Tube” with Natoxie, Lünik on “O Top” and “Laisser tomber”, and the full collective on “Game Over”, “Véyé mwen” and “I Cho Remix”. In that economy of shared tracks, the place of MA6MO is that of an associate of the collective, integrated enough to carry a whole duet on the album.

The title of the record, “Sexuelle Attirance”, announces a register bouyon gwada knows well: the direct dance track built for parties and social feeds. This profile quotes no lyrics from the record, because no reliable source publishes them, and it describes no video, because no official video was found during the research. What remains, and it is already a solid fact, is the position of the track: eighth cut on a 2022 collective album, signed by a duet one of whose two names appears almost nowhere else.

That rarity gives “Sexuelle Attirance” a particular status in the small discography of MA6MO: to this day it is the only record where he is credited as a lead artist, in a duet, and not as a simple feature. Everything that follows in his public path is in the guest position. For a listener discovering the name, listening should therefore start with this record, before following the appearances on other people releases.

“Bibik”: the feature with Team Bwè Tou Sa, alongside FLW

The second verified trace of MA6MO sits inside the catalogue of Team Bwè Tou Sa itself. The collective artist page on Shazam ranks “Bibik”, credited “Team Bwè Tou Sa, MA6MO and FLW”, among the most played records of the collective, alongside “CHOKOLA”, “50/50”, “KILOT” and “WD 40”. The record also circulates in streaming databases in the form “Bibik (feat. MA6MO & FLW)”. Under either spelling, the fact is the same: MA6MO is the guest voice on a record carried by the collective and by FLW, one of its most visible members.

That positioning matters, because it confirms the first reading. A collective like Team Bwè Tou Sa works like an open workshop: its albums and singles rotate the voices of the house and those of its associates. Being invited onto “Bibik”, after carrying a duet on the 2022 album, draws a continuing relationship rather than a single pass. The name MA6MO therefore appears in two distinct places in the collective catalogue, in two different seats: co-holder of an album track, then guest on a group record.

Around those two records, the collective MA6MO is attached to has a well documented path of its own: the albums “VOYÉ SA ALLÉÉ” in 2021 and “TRAVAILLONS”, with Billy Bybf, in 2024, then a run of singles in 2025 and 2026 such as “RAKITA”, “SINOBÒL #BANGER 2” and “OULALALA”. Audience data for the collective shows a public concentrated first in France, then in Guadeloupe: that is the bouyon gwada audience of today, split between the island and the Paris diaspora. It is inside that audience that the voice of MA6MO was heard, even if his name remains little known there.

This profile also flags a reading limit: no source consulted gives the exact release date of “Bibik” or its detailed writing credits. The record is therefore presented here for what the platforms establish, its existence, its credited artists and its place among the records the collective pages push forward, with no invented date to complete the sheet.

“LÉSÉ NOU PASÉ”: the move to TiiTii NBA (2026)

The third trace, the most recent, changes address. In 2026, TiiTii NBA released the single “LÉSÉ NOU PASÉ”, subtitled “WARM UP 2026”, and the record credits two guests: Ma6mo and Diixly. The TiiTii NBA artist page on Shazam files the single among his 2026 releases, and the Deezer catalogue details it: a duration of 2 minutes 23, writers Terry Capitolin and Nicolas MACBETH, composer Sofiann Farah. The Creole title announces a warm up record about letting people through, in line with its subtitle.

This feature says something about how voices circulate in current bouyon. TiiTii NBA builds his singles by inviting, record after record, the DJs, beatmakers and voices of his network: DJ Boko, DJ Luchshiy, DJ Skaylone, Kevni and 1T1 all appear in his recent credits. Seeing MA6MO appear in that series, alongside producer Diixly, confirms that his name travels beyond the Team Bwè Tou Sa collective alone. Between 2022 and 2026, his verified appearances draw a simple arc: a duet on a collective album, a feature with the same collective, then a feature with one of the most active bouyon artists of the moment.

One detail of this credit deserves to be set down honestly, because attentive readers will notice it. The writer credited alongside Terry Capitolin on “LÉSÉ NOU PASÉ” is named Nicolas MACBETH, and that name also appears as a singer and writer inside the Team Bwè Tou Sa credits. Should we conclude that MA6MO and Nicolas Macbeth are the same person? No source consulted for this profile confirms it. Stage names and writer names often overlap on this scene, but they also often differ. This site does not merge two names without confirmation: the overlap is flagged here as an open question in the record, not as a fact.

After “LÉSÉ NOU PASÉ”, the public record of MA6MO stops where this profile began: at three records. No solo album, no EP, no single under his name alone was found on the platforms consulted. That does not mean there is no unpublished music, no social media freestyle, no record under another spelling: it means the official, verifiable catalogue, the one a site can cite without inventing, counts three lines. Our bouyon playlist lets you hear the scene around him while waiting for what comes next.

What this profile does not know, and why it says so

An honest profile can also be recognised by its blanks. For MA6MO, the blanks are many: no confirmed legal name, no confirmed island or town of origin, no path before 2022, no named label, no published listening figures under his name, no press photo found. Each of those blanks could have been filled with a plausible sentence, of the kind automated biography sites generate by the thousand. This site made the opposite choice: to write nothing that does not stand inside a source the reader can reopen.

That discipline has a direct consequence for the links on this page: no official account of MA6MO is linked here, neither in the text nor in the structured data, because none could be verified with certainty during the research. On a scene where fan accounts, reposts and namesakes abound, linking the wrong account would be worse than linking none. The day an official account is confirmed, it will be added to this page with the date of the verification.

The MA6MO case finally says something about bouyon itself. The genre moves forward through collectives, studios and shared records, and some of its voices leave almost no written trace outside streaming credits. Documenting those voices, even briefly, keeps the history of the genre from remembering only its headliners. Between the collective bouyon gwada and the highly exposed solo careers, there is a whole population of guests, duet partners and studio voices: MA6MO is one of them, and this profile is, to date, the fullest notice the public record allows anyone to write about him.

If you hold verifiable elements on MA6MO, an official credit, a date, a confirmed account link, they belong here. This profile will then be rewritten, completed and dated. In the meantime, listening remains the best introduction: “Sexuelle Attirance” for the 2022 duet, “Bibik” for the feature with Team Bwè Tou Sa, “LÉSÉ NOU PASÉ” for the 2026 appearance with TiiTii NBA.

Frequently asked questions

Who is MA6MO?

MA6MO is an artist of the Guadeloupe bouyon circuit whose name appears, in the verified public record, only in the credits of three records: “Sexuelle Attirance” with Ti locksée in 2022, “Bibik” with Team Bwè Tou Sa and FLW, and “LÉSÉ NOU PASÉ” with TiiTii NBA and Diixly in 2026. No published official biography was found during the research for this profile.

What are the verified records of MA6MO?

Three records are established by the platforms: “Sexuelle Attirance”, a duet with Ti locksée released on the Team Bwè Tou Sa album “Voyé sa alléé II” in 2022; “Bibik”, a Team Bwè Tou Sa record where MA6MO is credited as a feature with FLW; and “LÉSÉ NOU PASÉ”, a 2026 TiiTii NBA single that credits him with Diixly.

Has MA6MO released a solo album or single?

No album, EP or single under the name MA6MO alone was found on the platforms consulted for this profile. His verifiable catalogue is made of collaborations: one duet and two features. If a solo release exists under another spelling, it is not attached to his name in the public catalogues.

Are MA6MO and Nicolas Macbeth the same person?

The record does not allow that to be stated. Deezer credits “LÉSÉ NOU PASÉ” to writers Terry Capitolin and Nicolas MACBETH, and that name also appears as a singer and writer in the Team Bwè Tou Sa credits. The overlap is real but no source confirms that MA6MO and Nicolas Macbeth are one person, so this profile keeps the two names separate.

Why does this profile give no origin or biography for MA6MO?

Because no reliable source publishes them. The credits tie MA6MO to the Guadeloupe bouyon circuit, through Team Bwè Tou Sa and TiiTii NBA, but no source confirms his island of birth, his legal name or his path. This site prefers to display those limits rather than invent a biography, and the profile will be completed if verifiable elements are confirmed.

Where can I hear MA6MO?

Start with “Sexuelle Attirance” on the Team Bwè Tou Sa album “Voyé sa alléé II”, then “Bibik” by the same collective with FLW, and “LÉSÉ NOU PASÉ” by TiiTii NBA. For context, our bouyon playlist and our bouyon gwada page cover the scene those records come from.

Read next

More bouyon artists

DJ Weez · Totally Spice's · Reo · C4 · Sonic Art Studios · Lewismelo · Ras B · KeyT Zone · Vador · D.O.C FIX DEM · Sukie · Riddim Knockaz · Larose · Aknose · Artists from Dominica · Arendi · Artists from Guadeloupe · Suppa · Nensha · Kkrytical · Yellow Gaza · Nursery Krew Inc · Youry Fleming · Skinny Fabulous