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D.O.C FIX DEM: performer, producer and label, one name for three roles

Published October 20, 2026

D.O.C FIX DEM is a name of current Guadeloupe bouyon that holds, inside its own listings, three roles at once: lead performer, credited producer, and label name. Between September 2025 and February 2026, six verified recordings carry this name: “Asi Mwen” with Billy BYBF, D0 Production, LGC and Le_Daah, “Woody Wood” with Judi Silva and LGC, “ELLE DANSE BOUYON” where it is the guest of a neighbouring name, D.O.C FIX IT, “Fwadi” with Waysee, “Tik Tak” with Billy BYBF, DEE ZEN and DDK, and a composer credit on “BIG BELLY” by Lejuh. Behind the name, the credits draw a stable workshop, led by Landry Mette on writing and production, with Clarisse Daryl on mixing and writing. No source says what the initials mean, or whether the name designates a person or a collective. This profile publishes the six records and their credits, separates the neighbouring names, and says exactly where the file stops.

Who D.O.C FIX DEM is: a name that signs at every level

D.O.C FIX DEM appears in the platform catalogs from September 2025, and from its first verified listing the name holds several lines at once. On “Asi Mwen”, it is the lead performer, one of the four credited producers, and the name is found again in the release banner, FIX DEM. On “Tik Tak”, in February 2026, it is again lead performer and co producer. On “Woody Wood”, the release banner carries its full name, D.O.C FIX DEM, as on “Fwadi” in duet with Waysee. And on “ELLE DANSE BOUYON”, the banner is called FIX DEM RECORDS. Few names on this scene stack up, listing after listing, the roles of artist, producer and release structure in this way.

Should this name be read as a solo artist who produces his own records, or as a workshop banner, a collective signing its sessions? The sources consulted do not settle it, and this profile does not settle it in their place. It keeps the published facts that frame the question. On one side, the platforms credit D.O.C FIX DEM in the singular, as performer and as producer, in the same way as an individual stage name. On the other, no person name is ever attached to the name in the credits: the voices that actually sing on its records are credited separately, Billy BYBF, LGC, Le_Daah, Gardiole Jean, Judi Silva, Fabien Aurela, DDK, Enzo Vandal and Yohan Corneille, and the writing returns to a team where Landry Mette dominates. The schema of this page therefore files D.O.C FIX DEM among groups, out of caution towards that workshop dimension, and the text says why.

What the name does not say must be set down from the start. No source consulted expands the initials D.O.C, explains the expression FIX DEM, publishes a member list, a biography, an origin or a verified official account. The Guadeloupe attachment used in this profile comes from the published facts: the network of the collaborators, LGC, Lejuh, D0 Production, the writers of the gwada circuit, and the Guadeloupe keyword published in the description of the “BIG BELLY” video where D.O.C FIX DEM is a composer. It is a scene attachment, documented by the credits, and not a biography.

The chronology of the file is short and dense: five singles in five months, from September 2025 to February 2026, plus a composition credit on a record by another artist of the same network. All the records are singles, no album or EP is documented. It is the format of the platform generation of bouyon gwada, and D.O.C FIX DEM is a concentrated case of it: a name that appeared recently, already plugged into the best documented workshops of the scene, those of LGC and Lejuh, and already equipped with its own release banners.

“Asi Mwen”: the first verified record, September 2025

The first verified trace of D.O.C FIX DEM is “Asi Mwen”, released on September 19, 2025 under the FIX DEM banner. The Shazam page opened for this research gives a record in English according to the platform, at 160 BPM, the fast tempo of dance bouyon, with about 24 identifications counted at opening, and the Gaana page of the same record, also opened, gives a length of 1 minute 49: a very short format, cut for sessions and social clips, like a large part of the singles of this wave.

The credits of the record are the fullest of the file, and they install the whole team at once. On performers: D.O.C FIX DEM as lead name, and on vocals Billy BYBF, LGC and Le_Daah, with D0 Production credited in the title line of the single. On writing, five names: Landry Mette, Clarisse Daryl, Fabien Aurela, Gardiole Jean and Biabiany Daryl. On production, four names: D.O.C FIX DEM itself, Landry Mette, Clarisse Daryl and D0 Production, with Landry Mette and Clarisse Daryl also on mixing according to the detailed listing. From the first record on, D.O.C FIX DEM is therefore no lone name: it is the outlet of a complete workshop, writing, production and mixing included.

Two of those names connect the record to the rest of the scene documented by this site. Gardiole Jean is the inverted form of Jean Gardiole, the pillar writer of the LGC catalog, already present on “Copain Copine” and “Make It Clap”. Biabiany Daryl is the inverted form of Daryl Biabiany, a writer of the first singles of DJ Leguste, among them “EN LEY” with Judi Silva. The FIX DEM workshop therefore draws, from its first known release, on the two writing teams this site follows album by album and single by single: that of LGC and that of DJ Leguste. That overlap is a fact of published credits, and it places the name, from 2025, at the centre of gravity of studio bouyon gwada.

The title itself, “Asi Mwen”, comes with no published lyrics in the sources opened, so this profile describes neither its text nor its hook. It keeps what the listings establish: a team release, under a lead name, with the voices of Billy BYBF, LGC and Le_Daah, three names the file will meet again separately on the following records, as if “Asi Mwen” served as a collective presentation before the releases in smaller committee.

December 19, 2025: “Woody Wood” and “ELLE DANSE BOUYON” on the same day

On December 19, 2025, the name appears twice on the same day, in two different configurations, and this profile distinguishes them carefully. The first release is “Woody Wood”, published under the name of D.O.C FIX DEM, with Judi Silva and LGC as associated performers, under the D.O.C FIX DEM banner, at 160 BPM, with a Caribbean tag on its page and a single identification counted during the research, that of a very recent record. It is the record through which many readers of this site will meet the name, since our Judi Silva page documents it as the third verified record of that voice.

The credits of “Woody Wood” confirm the “Asi Mwen” workshop while tightening it. On performers: D.O.C FIX DEM and LGC, and on vocals Gardiole Jean and Judi Silva. On writing: Gardiole Jean, Landry Mette and Judi Silva, credited as a songwriter for the first time in her file on this record. On production: Landry Mette, and on mixing: Clarisse Daryl. The writing team of “Asi Mwen” is therefore still there, reduced to its core, Landry Mette, Gardiole Jean and Clarisse Daryl, and the guest voice, Judi Silva, comes from the neighbouring circle of DJ Leguste. The record works as a weld between the two studio scenes this site documents, and D.O.C FIX DEM is the name under which the weld appears.

The second release of the same day calls for particular care. “ELLE DANSE BOUYON” was released on December 19, 2025 under the FIX DEM RECORDS banner, at 160 BPM, with an Afro-Beat tag and about 120 identifications counted, the highest counter of the file. But its published lead artist is not D.O.C FIX DEM: it is D.O.C FIX IT, a neighbouring name, different in its last word, which credits D.O.C FIX DEM as a feature. This profile therefore publishes the record in the D.O.C FIX DEM file for its guest credit, which is real and verified, and it refuses to merge the two names: D.O.C FIX IT and D.O.C FIX DEM are two distinct credit lines in the sources, maybe two facets of one workshop, maybe two separate names, and no source consulted says they designate the same entity. The high counter of the record, carried by the neighbouring name, therefore does not inflate the own catalog of D.O.C FIX DEM.

That double release of December 19 tells, in its own way, the method of the FIX DEM network: grouped releases, names answering each other, banners carrying the same root, FIX DEM, FIX DEM RECORDS, D.O.C FIX DEM, D.O.C FIX IT. For the reader, the reading rule is the rule of this whole site: follow the credits line by line, and never deduce an identity from a resemblance of names.

The FIX DEM workshop: Landry Mette, Clarisse Daryl and the rotating voices

To understand this name, follow the credits, because they are its only available biography. One name returns everywhere: Landry Mette. He writes “Asi Mwen”, “Woody Wood”, “Fwadi” and “Tik Tak”, he produces “Asi Mwen”, “Woody Wood”, “Fwadi” and “Tik Tak”, and he even holds the piano on “Tik Tak”. No verified record of the file appears without him. If D.O.C FIX DEM has a documented human centre of gravity, it is that name: writer and producer of the whole known catalog, he is the constant around which the voices rotate. This profile publishes that as a fact of credits, without attaching the name D.O.C FIX DEM itself to him personally, which no source does.

The second constant is Clarisse Daryl. She co writes and co produces “Asi Mwen”, she handles the mixing of “Woody Wood”, and she is credited on mixing inside the “Asi Mwen” team. Her name belongs to the same family of credits as Daryl Biabiany, a writer with DJ Leguste, and Daryl Noah Clarisse, a composer credited elsewhere in this circuit, but this profile merges none of those names: it publishes Clarisse Daryl for what her listings say, a writer, producer and mixing engineer of the FIX DEM workshop, present at both ends of the chain, the writing and the final sound.

Around that core, the voices rotate from record to record, and their list draws the network. Billy BYBF sings on “Asi Mwen” and returns in the title line of “Tik Tak”. LGC sings on “Asi Mwen” and appears as associated performer on “Woody Wood”. Le_Daah, the recurring voice of the first DJ Leguste singles, sings on “Asi Mwen”. Judi Silva sings and co writes “Woody Wood”. Fabien Aurela, a writer of “Asi Mwen”, sings on “Tik Tak” alongside DDK and Enzo Vandal. Yohan Corneille sings and co writes “Fwadi”. Waysee shares the title line of “Fwadi”. None of those voices is presented as a member of D.O.C FIX DEM: they are guests and writers of a workshop, and that is exactly how the listings credit them.

On the banner side, the file publishes a small coherent constellation: FIX DEM for “Asi Mwen”, D.O.C FIX DEM for “Woody Wood” and “Tik Tak”, FIX DEM RECORDS for “ELLE DANSE BOUYON”, and D.O.C FIX DEM and WAYSEE for “Fwadi”. The root FIX DEM runs through every release, including that of the neighbouring name D.O.C FIX IT. A name that signs its releases under its own banners, with a stable writing team and rotating guest voices, works as a production structure as much as an artist name, and it is under that double reading, published and cautious, that this site archives D.O.C FIX DEM.

2026: “Fwadi”, “Tik Tak”, and the composer credit on “BIG BELLY”

The year 2026 opens with two singles that widen the spectrum of the name. “Fwadi”, released on January 16, 2026 under the joint names of D.O.C FIX DEM and Waysee, drops to 129 BPM, the slowest tempo of the file, with a Hip-Hop/Rap tag on its page and about 16 identifications counted. Its credits, published by the listing, give Yohan Corneille on vocals and writing, Landry Mette on writing and production, and the two title names as performers. The record shows that the FIX DEM workshop is not limited to the 160 BPM regime of dance bouyon: it also publishes, under the same name, a slower format classed otherwise by the platforms, without this profile deducing from it a change of style that the written sources do not describe.

“Tik Tak”, released on February 6, 2026 under the D.O.C FIX DEM banner, returns to an intermediate tempo, 148 BPM, and to the widened team format: Billy BYBF, DEE ZEN and DDK are credited as features in the title line. The listing details the voices, Fabien Aurela, DDK and Enzo Vandal on vocals, Landry Mette on piano, four writers, Fabien Aurela, Landry Mette, DDK and Enzo Vandal, and two producers, D.O.C FIX DEM and Landry Mette. On this record the name therefore recovers its double role of lead performer and producer, with the “Asi Mwen” writer Fabien Aurela moved from the writing credit to the vocal credit. To date, “Tik Tak” is the last verified lead name release of the file.

The third fact of 2026 changes nature: it is no longer a record by D.O.C FIX DEM, it is a record by others where the name works. The official video of “BIG BELLY” by Lejuh, opened for this research, credits in its description: Composers, D.O.C FIX DEM and DJ Luchshiy, mixing and mastering by Hakuna Music Company, directed by Kinvi, and keywords that place the record in the bouyon and trapbouyon of Guadeloupe, in 2026. D.O.C FIX DEM is therefore also a composer name in the service of the most visible name of current bouyon gwada, Lejuh, whose management contact published under the same video also joins his name to the initials LGC, the other pole of this file. The circle is the same on both sides: LGC sings with D.O.C FIX DEM, D.O.C FIX DEM composes for Lejuh, and the two names meet again on “Woody Wood”.

Taken together, those three facts of 2026 show a name changing scale: two singles under its own name in two months, and a composition credit on the video record of a central artist of the scene. It is the typical path of a workshop moving from the status of a platform release to that of a supplier of records for established names, while keeping its own catalog of singles. This profile publishes it for what it is at the date of research, without projecting what comes next.

The neighbouring names, the record not kept, and the limits of the file

This file touches three confusions that this profile separates cleanly. The first is internal: D.O.C FIX IT, lead artist of “ELLE DANSE BOUYON”, is not merged with D.O.C FIX DEM, which is only a guest there, as the December 19 section established. The second is external and massive: The D.O.C. is an American rapper documented since the late 1980s, associated with N.W.A and Dr. Dre, with no relation to bouyon, to Guadeloupe or to the records of this profile. Every search on the initials D.O.C returns him first, and this profile sets those results aside as a block: the records kept here are those whose credits cross check with the gwada scene, Landry Mette, LGC, Lejuh, Judi Silva and the FIX DEM banners.

The third limit is a record set aside, and this profile says why it sets it aside. A record named “ANDOLOKO”, credited to D.O.C FIX DEM with Gringo Jay as a feature, appears in the most streamed list of the Gringo Jay artist page, seen in the search results during this research. But its song page was not opened and verified, so this profile counts it neither in the catalog told here, nor in the recording list of the structured data. It is flagged here as a lead to verify, exactly as this site flags its open questions. If its listing is one day confirmed, the catalog will move from six to seven verified records, and the correction will be dated.

The other limits are those of every recent name on this scene, and they are frank. No source expands the initials D.O.C, explains FIX DEM, names the people behind the name, or publishes a biography, an interview or a verified official account: the sameAs field of this page therefore stays empty, and no social profile is linked. The counters counted stay modest and dated, about 24 identifications for “Asi Mwen”, about 120 for “ELLE DANSE BOUYON” under the neighbouring name, 16 for “Fwadi”, a single one for “Woody Wood”, opening figures that will keep moving. No album, no EP, no stage and no concert date are documented.

To hear D.O.C FIX DEM, start with “Asi Mwen” for the complete workshop, then “Woody Wood” with Judi Silva and LGC for the tightened core, “Tik Tak” for the 2026 lead name return, and “BIG BELLY” by Lejuh to hear its composer work for someone else. Then place those records back inside the scene through our bouyon playlist and our bouyon Guadeloupe page. If the name one day publishes the explanation of its initials, a member list or a first long format, this profile will be completed, dated and corrected, like every page on this site.

Frequently asked questions

What does D.O.C FIX DEM mean?

No source consulted publishes it, and this profile does not invent it. The listings establish only the uses of the name: lead performer, credited producer on “Asi Mwen” and “Tik Tak”, and root of the release banners FIX DEM, D.O.C FIX DEM and FIX DEM RECORDS. The expansion of the initials and the meaning of FIX DEM remain open questions of the file.

Is D.O.C FIX DEM a person or a collective?

The sources do not settle it. The platforms credit the name in the singular, as performer and producer, but no person name is attached to it in the credits, and the voices of its records are credited separately, around a writing team led by Landry Mette. This site therefore files it among groups in its structured data, out of caution, and publishes the credits that justify that caution.

What are the verified records of D.O.C FIX DEM?

Six recordings. “Asi Mwen” on September 19, 2025, “Woody Wood” with Judi Silva and LGC and “ELLE DANSE BOUYON”, where D.O.C FIX IT is the lead artist and D.O.C FIX DEM the guest, on December 19, 2025, “Fwadi” with Waysee on January 16, 2026, “Tik Tak” on February 6, 2026, and a composer credit on “BIG BELLY” by Lejuh. A seventh flagged record, “ANDOLOKO” with Gringo Jay, was not kept for lack of an opened and verified listing.

Who works behind D.O.C FIX DEM?

A recurring team, according to the published credits: Landry Mette, writer and producer of every verified record and pianist on “Tik Tak”, Clarisse Daryl, writer, producer and mixing engineer, Gardiole Jean and Judi Silva on vocals and writing on “Woody Wood”, and rotating voices, Billy BYBF, LGC, Le_Daah, Fabien Aurela, DDK, Enzo Vandal and Yohan Corneille. No source says that any one of those people is D.O.C FIX DEM.

What is the link between D.O.C FIX DEM, LGC and Lejuh?

A network of crossed credits, published by the listings and the videos. LGC sings on “Asi Mwen” and appears on “Woody Wood” alongside D.O.C FIX DEM. D.O.C FIX DEM is credited as a composer, with DJ Luchshiy, on “BIG BELLY” by Lejuh. And the writers of the two catalogs overlap, starting with Jean Gardiole, pillar writer of LGC and a voice of “Woody Wood”.

Where can I hear D.O.C FIX DEM?

Through its singles, “Asi Mwen”, “Woody Wood”, “Fwadi” and “Tik Tak”, then “ELLE DANSE BOUYON” by D.O.C FIX IT where it is a guest, and “BIG BELLY” by Lejuh where it is a composer. For the scene around it, our bouyon playlist and the LGC and Judi Silva pages extend the listening.

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