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Xavvoknockin: a producer who only exists in the credits

Published October 20, 2026

Xavvoknockin is a producer and sound engineer whose name exists, in the public archives consulted, only in credit rolls. No artist page, no biography, no interview and no official account under this name was found during the research for this profile. What does exist is precise and checkable: a production credit, shared with Xavern Labega, on “WTHelly Bouyon” by BRG Hollywood featuring Gwada G, released on May 16, 2025; a mixing and mastering credit on “Largent” by General Pye featuring Ebony Empress, presented as Bouyon 2026; and three further production credits that survive in the titles of Trixta Savage videos. This profile publishes those credits role by role, states what they establish and what they do not establish, and refuses to turn a credits name into an invented portrait.

Who Xavvoknockin is: one name, two spellings, no portrait

Let us start with the exact inventory, because the whole file fits inside it. The name appears in two spellings in the sources. On the song page of “WTHelly Bouyon”, the Shazam platform writes it Xavvoknockin, in one word, in the producer role. In the description of the “Largent” video on YouTube and in the titles of Trixta Savage videos, the form is XavvoKnockin, with two capital letters cutting the name into Xavvo and Knockin. This profile keeps the song page spelling, Xavvoknockin, for its own page name, and flags the other form for what it is: the same credit signature, written differently from one support to another.

No source consulted gives a full name, a face or a path. There is no Xavvoknockin artist page on the streaming and reference platforms queried, no statistics page, no press article under his name. It is the reverse case of BRG Hollywood, the artist he produces: the singer has a press, a government congratulating him and a regional nomination, while his producer leaves only his name in a credit roll. Current bouyon produces many of these asymmetries, and this site documents them as facts of scene, not as gaps to be filled by imagination.

What the credits allow anyone to say about his territory must therefore be worded with care. The three artists of his verified credits, BRG Hollywood, General Pye with Ebony Empress and Trixta Savage, belong to the bouyon circuit of Sint Maarten and its region, the small northern Caribbean island whose Dutch part, Sint Maarten, saw Dominican bouyon settle and produce its own artists. This profile therefore places Xavvoknockin in that scene, the scene of his credits, without stating a personal origin no source publishes: neither his town, nor his island of birth, nor even the certainty that he lives there is documented. The scene is a fact of credits. The biography stays a blank, and it is published as a blank.

WTHelly Bouyon: the production credit, read line by line

The strongest credit in the file is that of “WTHelly Bouyon”, the single by BRG Hollywood with Gwada G featured. The song page gives a release on May 16, 2025, on the BankrollGang label, in English, at 164 BPM, the fastest tempo among the documented records of the artist. The published songwriters are Jaheim Malakai Meyers, the full form of the BRG Hollywood name, and Brad M Douglas. In the production role, the page names two people: Xavvoknockin and Xavern Labega. It is, to date, the only production credit of Xavvoknockin carried by a platform song page, and that is why it opens this profile.

The same page adds a line that matters for the rest of this file. The recording, mixing and mastering of the record are credited to Knockin Records. The word Knockin, which forms the second half of the producer name, therefore also exists as a technical banner name in the same credit roll: the producer Xavvoknockin produces the record, and Knockin Records records and finishes it. No source consulted says who owns or runs Knockin Records, and this profile does not guess it. It records only the documented coincidence, because it is the only published clue about how this producer organises his work: under a name that is also his own.

The record itself places the credit in its moment. “WTHelly Bouyon” came one month after “Pocket Rocket”, the first dated BRG Hollywood single, and a few months before “We Not Going Home”, the record that would earn the singer the first YouTube million views of an artist from the Dutch side of Sint Maarten and a Bouyon Artist of the Year finalist place at the Caribbean Music Awards 2026. The producer of the record that carries the genre in its name, WTHelly Bouyon, is therefore present at the start of the sequence that put Sint Maarten on the regional bouyon map. That fact belongs to the singer for the glory, and to the credit roll for the trace: both readings are published here, each in its place.

Largent: the engineering credit, mixing and mastering

The second verified credit changes role, and that change is information in itself. On “Largent”, a record by General Pye featuring Ebony Empress, presented on YouTube as Bouyon 2026, the official video description credits production to Fr3EzE, and mixing and mastering to Xavvoknockin. The song page confirms the rest of the frame: released on October 13, 2025, label Arctic Willow Firm, songwriter Jeremy Chaloner Reed, producer Fr3eze, and a tempo of 130 BPM, clearly slower than the fete tempos of bouyon gwada or Sint Maarten bouyon. The song page does not carry the mixing and mastering credit: that precise role is therefore carried here by the official video description, and by it alone.

That credit draws a working profile different from that of a simple riddim maker. A single name that produces a 164 BPM record for BRG Hollywood and that finishes, in mixing and mastering, a 130 BPM record produced by someone else, Fr3EzE, holds two posts in the chain: the making and the finishing. In the small island scenes of bouyon, where teams come down to a handful of names, that versatility is the rule rather than the exception, and the credit rolls of the Sint Maarten scene show it record after record. This profile records it for Xavvoknockin because it is written in two distinct credit rolls, with two distinct roles, and not because it would make a fine sentence.

The record also connects this file to another profile on this site. Ebony Empress, the guest voice of “Largent”, is documented on her own page as an artist of the same Sint Maarten and Dominica circuit, presented in her official video under her attributed billing, The Goddess of Bouyon. That the mixing and mastering of her feature carries the Xavvoknockin name confirms the size of the world in question: one producer engineer, a few singers, one label per record, and credit rolls that cross each other. It is exactly the kind of network a profile by name can make readable, on condition of never lending one person the facts of another.

The Trixta Savage records: three credits that live only in video titles

The file holds three further credits, and they must be presented with their exact level of proof, below the first two. A video listing page, which lists Trixta Savage clips, gives three titles carrying the production mention in their very heading: “Bad Man”, featuring JodyBree, credited Prod. by XavvoKnockin; “Believe In Love”, featuring Young OB, credited the same way; and “A Hundred”, in official audio, credited Prod. by XavvoKnockin. No dated platform song page was opened for these three recordings during this research, and no release date is therefore stated here.

That level of trace is not nothing, it is simply different. In the video circuit of the scene, the production credit goes into the title of the clip because that is where the audience and the search engines read it: the producer name travels with the title, for lack of a structured page. The three headings converge on the same name, in its XavvoKnockin form, and on the same artist, Trixta Savage, whose records circulate in the same lists of the scene. This profile therefore publishes them as video title credits, verified as headings, and keeps them out of the structured data of the page, which is reserved for the two recordings carried by a song page or a full official description.

The distinction may seem severe, it is the method of this site. One name can carry facts of different levels, and mixing the levels fabricates biographies fuller than the sources. Here, the reader knows exactly what stands on a platform page, what stands on an official video description, and what stands on a clip heading repeated on a listing page. If the song pages of the three Trixta Savage records appear or are found, with dates and full credit rolls, this profile will be completed and those records will join the structured data, dated like every other page on this site.

Knockin Records: a banner name in the same circuit

There remains the name that floats around the whole file: Knockin Records. It appears first, as seen above, in the credit roll of “WTHelly Bouyon”, as recording engineer and as mixing and mastering. It appears next as a label, on the page of another artist of the circuit: “Storybook Riddim Freestyle”, bouyon version, by D4A Nillio featuring Young Ob, released on December 8, 2025 on Knockin Records, at 160 BPM. The name therefore circulates, at the end of 2025, in two different posts of the same small bouyon world: the technical finishing of a BRG Hollywood single, and the banner of a single by another artist.

The question every reader then asks, and that ordinary profiles never ask, is direct: is Knockin Records the banner of Xavvoknockin? The sources consulted do not say so. They establish a shared root, Knockin, shared by the producer name, by the 2025 technical credit and by the label of the D4A Nillio record. They name neither a founder, nor an owner, nor an address for the banner. To state the identity of the two would be exactly the kind of shortcut this site forbids itself, the same one that was refused, under the same method, for the name Vador and the Vadore Concept banner in Guadeloupe. This profile therefore keeps the wording the documents carry: a producer named Xavvoknockin, a banner named Knockin Records, active in the same circuit on the same dates, and a link the public archive does not yet name.

That caution has a practical consequence for listening. The catalogue that can be heard under this name comes down to the credited records, not to a rebuilt banner catalogue. Start with “WTHelly Bouyon”, the production credit, then “Largent”, the finishing credit, and continue with the records of the singer he produces on our BRG Hollywood page and with the scene of his island on our bouyon in Saint Martin page. Our bouyon playlist gathers the records of this generation followed by Bouyon Shattaz.

What this profile does not know, and why it exists anyway

The blanks must be named without detour, because they form half of this file. No source consulted gives the full name of Xavvoknockin, his island or town of origin, his date of birth, or the start of his activity. No official account, social or platform, was verified by direct opening as his, so the schema of this page links to no external account. No record performed by Xavvoknockin himself is documented: every verified credit of his is a production and engineering credit on the records of other artists. Even his working tempo cannot be summed up in one figure: 164 BPM on the record he produces, 130 BPM on the one he finishes, the two pages telling two different posts rather than one single sound.

The context, on the other hand, is documented, and it explains why a credits name deserves a page. Bouyon was born in Dominica at the end of the 1980s. Bouyon soca was started in Dominica in 2003 by Dada, according to the first-hand testimony of Sean “Smokiller” Francis, a Dominican-born producer and a participant in that era, then popularised by Triple Kay. Wrecketeng, whose official spelling, Wrecketeng, comes from DJ Cut himself, reketeng being only the misspelling that circulates on the internet, tells the same story through producers. A generation later, the genre has secondary strongholds, among them Sint Maarten, and each of those strongholds has its credits producers: Xavvoknockin is, to date, the best documented name of this one, with two credits carried by song pages and official descriptions.

If the producer, Knockin Records or the artists of his records one day publish a full name, a biography or an official account, this profile will be rewritten around that source, completed and dated like every page on this site. In the meantime, it publishes what the credit rolls give, no more and no less: a producer and engineer of the Sint Maarten bouyon circuit, present at both ends of the chain on the records that made his island known in 2025, and invisible everywhere else. For a scene that fits inside its credit rolls, that invisibility is also a document.

Frequently asked questions

Who is Xavvoknockin?

Xavvoknockin is a producer and sound engineer from the Sint Maarten bouyon circuit, known only through his credit rolls. No artist page, no biography and no official account under this name was found in October 2026. His verified credits are the production, with Xavern Labega, of “WTHelly Bouyon” by BRG Hollywood in 2025, and the mixing and mastering of “Largent” by General Pye featuring Ebony Empress.

Which records did Xavvoknockin produce?

The only production credit carried by a platform song page is “WTHelly Bouyon”, by BRG Hollywood featuring Gwada G, released on May 16, 2025 on BankrollGang, at 164 BPM, produced by Xavvoknockin and Xavern Labega, with Knockin Records on recording, mixing and mastering. Three further Trixta Savage records, “Bad Man”, “Believe In Love” and “A Hundred”, carry his name in their video headings, in the form XavvoKnockin, with no dated song page found.

Are Xavvoknockin and Knockin Records the same thing?

No source consulted says so, and this profile is the one that says so openly instead of assuming it. Knockin Records is credited with recording and finishing “WTHelly Bouyon” in 2025, then as the label of the record “Storybook Riddim Freestyle” by D4A Nillio in December 2025. The producer and the banner share the Knockin root and the same bouyon circuit, but no document consulted names the owner of the banner or identifies the two as one.

Where does Xavvoknockin come from?

No source consulted publishes his personal origin, and this profile does not invent it. What is documented is the scene of his credits: BRG Hollywood, General Pye, Ebony Empress and Trixta Savage belong to the bouyon circuit of Sint Maarten and its region. The profile therefore places the producer in that scene through his credit rolls, without stating an island or a town of birth.

Why is Xavvoknockin spelled in two ways?

Because the supports do not write it the same way. The “WTHelly Bouyon” song page on Shazam writes it Xavvoknockin, in one word. The “Largent” video description and the headings of the Trixta Savage videos write it XavvoKnockin, with a capital letter in the middle. This site keeps the song page spelling for the name of the page, and flags the other form each time it is the form of the source.

Where can I hear the work of Xavvoknockin?

Start with “WTHelly Bouyon” by BRG Hollywood featuring Gwada G, his production credit, then “Largent” by General Pye featuring Ebony Empress, his mixing and mastering credit. Continue with our profile of BRG Hollywood, our bouyon in Saint Martin page and our bouyon playlist.

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