Home / Bouyon artists / D.O.C FIX IT

D.O.C FIX IT: one verified record, and a name not to merge

Published October 20, 2026

D.O.C FIX IT is the lead name on one verified recording only: “ELLE DANSE BOUYON”, released on December 19, 2025 on FIX DEM RECORDS, at 160 BPM, with D.O.C FIX DEM credited as a feature. On its listing, D.O.C FIX IT holds two technical roles, synthesizer and producer, and the writing goes to Landry Mette, the central name of the FIX DEM workshop. No other release, no artist page, no biography and no official account of this name were found during this research, carried across the platforms and the open web. This profile is therefore deliberately short and frank: it publishes the record and its credits line by line, it separates D.O.C FIX IT cleanly from D.O.C FIX DEM, two distinct credit lines this site does not merge, and it says exactly where the file stops.

One verified record only: “ELLE DANSE BOUYON”, December 19, 2025

The public file of D.O.C FIX IT holds, at the date of this research, in a single opened and verified listing. “ELLE DANSE BOUYON”, featuring D.O.C FIX DEM, was released on December 19, 2025 on FIX DEM RECORDS, as a single. The Shazam page of the record, opened for this research, classes it with an Afro-Beat tag, gives the language as English, and shows a tempo of 160 BPM, the fast dance bouyon regime shared by almost every record of the FIX DEM network documented by this site. The header of the page showed about 120 identifications at the time of opening, the highest counter of the whole FIX DEM network, ahead of the records carried by D.O.C FIX DEM itself.

The title of the single states its programme without any need to invent lyrics that no opened source publishes: she dances bouyon. It is a manifesto title, in French, on a listing classed in English by the platform, and it is the only record of current bouyon, in the catalogs followed by this site, that carries the name of the genre in its title in this form. This profile describes neither the text, nor the hook, nor the voices of the record, because no verified lyrics page was opened for it: it publishes what the listing establishes, the date, the banner, the tempo, the tag and the credits, and nothing more.

The release date places the record in a precise moment of the network. December 19, 2025 is also the day of “Woody Wood”, the D.O.C FIX DEM single with Judi Silva and LGC, documented on this site in the D.O.C FIX DEM profile and in the Judi Silva profile. Two releases on the same day, under two neighbouring names and two banners of the same root, FIX DEM RECORDS on one side and D.O.C FIX DEM on the other: the FIX DEM network publishes in clusters, and “ELLE DANSE BOUYON” is the half of that cluster that carries the name D.O.C FIX IT at the top of the bill.

The credits line by line: synthesizer, production, and the writing of Landry Mette

The listing of the record gives D.O.C FIX IT two credits, and no vocal credit. In the performing artists section, the name is credited on synthesizer. In the production and engineering section, the same name is credited as producer. And in the writing section, a single name appears: Landry Mette, songwriter of the record. The portrait drawn by those three lines is that of a producer and studio musician name rather than a singer name: the guest voice of the record is that of the feature, D.O.C FIX DEM, and the writing is that of the central writer of the workshop.

Landry Mette is the thread that ties this lone single to the rest of the network. On the verified records of D.O.C FIX DEM, he writes and produces “Asi Mwen”, “Woody Wood”, “Fwadi” and “Tik Tak”, and he even holds the piano on the last one. Finding him as the sole credited songwriter of “ELLE DANSE BOUYON” therefore places the D.O.C FIX IT record inside the same workshop, with the same hand on the writing, even though the headline name changes. That is a fact of published credits, and it is the only documented link between the two names: a shared writer, a shared banner root, a shared release date, and a crossed feature.

What the credits do not give must be set down with the same clarity. No source consulted names the voices that sing on “ELLE DANSE BOUYON” beyond the published feature, says whether D.O.C FIX IT designates one person, a duo or a production banner, expands the initials D.O.C, or explains FIX IT or FIX DEM. This site therefore files the name, in its structured data, as a person, in view of its individual synthesizer and producer credits, while writing here that this reading stays a caution and not an established fact: the file is too thin to settle it, and it says so.

D.O.C FIX IT and D.O.C FIX DEM: two names, two credit lines

The separation applied by this profile is the position already published by this site, and it is restated here without moving it by a word. D.O.C FIX DEM is a Guadeloupe bouyon name documented by six verified recordings between September 2025 and February 2026, performer, producer and release banner at once, with records like “Asi Mwen”, “Woody Wood”, “Fwadi” and “Tik Tak”, and a composer credit on “BIG BELLY” by Lejuh. D.O.C FIX IT appears, for its part, only on “ELLE DANSE BOUYON”, as lead artist, where D.O.C FIX DEM is only a guest. The two names share, in the sources, no common lead name record.

Should FIX IT be read as a variant, a pseudonym or a sibling project of FIX DEM? The sources do not say it, and this profile does not say it in their place. Three readings stay open and none is favoured here: two facets of one workshop that signs its releases under neighbouring names, two separate names that work together for the length of a feature, or a one off name created for a single clustered release. What is certain, because published, is the geometry of the credits: FIX IT produces and plays synthesizer on its record, FIX DEM sings on it as a guest, Landry Mette writes for both names, and the banners FIX DEM RECORDS and FIX DEM carry the same root.

The reading rule of this site, applied here as everywhere, is to follow the credits and not the resemblances. Merging the two names would mean attributing to D.O.C FIX DEM a lead name record that is not its own, and inflating its catalog with the highest counter of the network, about 120 identifications, which belongs to the listing of the neighbouring name. In the other direction, giving D.O.C FIX IT the six records of D.O.C FIX DEM would invent a catalog that nothing supports. Each of the two names therefore keeps its page, its verified catalog and its limits, and the two pages point to each other so the reader can see the weld without confusing the pieces.

The FIX DEM network around the single: banners, workshop and gwada scene

If the own catalog of D.O.C FIX IT holds in one record, the network that carries it is, for its part, documented record by record on this site, and it is that published and verifiable context that gives the single its meaning. The release banner, FIX DEM RECORDS, answers the banners of the neighbouring records: FIX DEM for “Asi Mwen” in September 2025, D.O.C FIX DEM for “Woody Wood” and “Tik Tak”, and D.O.C FIX DEM and WAYSEE for “Fwadi” in January 2026. The root FIX DEM runs through all those releases, including that of D.O.C FIX IT, and draws a small constellation of house banners around one same workshop.

The workshop, as the D.O.C FIX DEM listings publish it, joins Landry Mette on writing and production, Clarisse Daryl on writing, production and mixing, and a rotation of voices of the gwada circuit, Billy BYBF, LGC, Le_Daah, Judi Silva, Fabien Aurela, DDK, Enzo Vandal and Yohan Corneille. It is in that landscape that “ELLE DANSE BOUYON” appears: a producer record, written by the writer of the workshop, sung with the sibling name as a guest, and released on the same day as the welding record of the network, “Woody Wood”. The Guadeloupe attachment used in the title of this page comes from that published context, the network of the collaborators and the Guadeloupe keyword of the neighbouring records, and not from a biography of D.O.C FIX IT, which no source publishes.

The bouyon of this network is a studio and singles bouyon, built for the platforms: short formats, a dance tempo at 160 BPM, clustered releases and names answering each other. It belongs to the gwada branch of the genre, the one this site follows on its bouyon Guadeloupe page, at a distance from the sung branch of bouyon soca, started by Dada in 2003 in Dominica according to the first hand testimony of Sean “Smokiller” Francis, Dominican-born, and popularized by Triple Kay. “ELLE DANSE BOUYON”, with its platform Afro-Beat tag and its French title, shows how the labels travel on this scene: the title says bouyon, the listing says Afro-Beat, and the credits say gwada.

The limits of the file: what this profile does not know, and what would complete it

This profile is, by far, one of the thinnest on this site, and it owns that thinness instead of dressing it up. After research carried across the streaming and identification platforms, across YouTube and across the open web, a single D.O.C FIX IT recording was opened and verified. No artist page of the name was confirmed by direct opening, no second record was found, and no interview, no biography, no official photograph and no verified social account came to thicken the file. The sameAs field of this page therefore stays empty, and no external artist link is published.

Two outside confusions are set aside here to protect the little that is known. The first is massive: The D.O.C. is an American rapper documented since the late 1980s, associated with N.W.A and Dr. Dre, with no relation to bouyon, to Guadeloupe or to this single, and every search on the initials D.O.C returns him first. The second is internal to the network and already covered in the previous section: D.O.C FIX DEM is not D.O.C FIX IT, and the counter, the date and the banner of “ELLE DANSE BOUYON” belong to the second, even though the first sings on it. A video of the record is linked from the single listing, but its own page could not be opened during this session, and this profile therefore publishes neither its description, nor its video credits, nor its view count.

What would complete the file is easy to state, because this site completes its pages as soon as a source appears. A second lead name record, an official artist page, the explanation of the initials or of the name FIX IT, or a credit naming the person behind the synthesizer and the production would be enough to reopen this profile, which would then be completed and dated like every page on this site. In the meantime, listening holds in one record, “ELLE DANSE BOUYON”, to be placed back inside its network through the D.O.C FIX DEM profile and our bouyon playlist, which follows the current gwada wave release by release.

Frequently asked questions

What is the only verified record of D.O.C FIX IT?

“ELLE DANSE BOUYON”, featuring D.O.C FIX DEM, released on December 19, 2025 on FIX DEM RECORDS as a single. Its listing, opened for this research, gives an Afro-Beat tag, the English language, a tempo of 160 BPM and about 120 identifications. No other recording of the name was found and verified during this research.

Who is D.O.C FIX IT?

The sources do not say. The listing of its only record credits it on synthesizer and production, with no vocal credit, and no source consulted names the person or persons behind the name, expands the initials D.O.C, or explains the name FIX IT. This profile therefore publishes the credits, which are documented, and not an identity, which is not.

Are D.O.C FIX IT and D.O.C FIX DEM the same name?

Not in the sources. They are two distinct credit lines: D.O.C FIX DEM is the lead artist of records like “Asi Mwen”, “Woody Wood”, “Fwadi” and “Tik Tak”, while D.O.C FIX IT is the lead artist of “ELLE DANSE BOUYON”, where D.O.C FIX DEM is only a guest. The two names share a writer, Landry Mette, a banner root, FIX DEM, and a common release date, December 19, 2025, but no source says they designate the same entity, and this site gives them two separate pages.

Who wrote and produced “ELLE DANSE BOUYON”?

According to the listing of the record, the writing goes to Landry Mette, the central writer of the FIX DEM workshop, also a writer and producer of the D.O.C FIX DEM records. The production and the synthesizer are credited to D.O.C FIX IT itself, and D.O.C FIX DEM appears as a feature in the title line of the single.

Is D.O.C FIX IT related to the rapper The D.O.C.?

No documented relation. The D.O.C. is an American rapper active since the late 1980s, associated with N.W.A and Dr. Dre. D.O.C FIX IT is a name of the bouyon FIX DEM network, known by a December 2025 single on FIX DEM RECORDS. The resemblance of the initials is the only thing they share, and this profile sets aside every result that concerns the American rapper.

Where can I hear D.O.C FIX IT, and why is this profile so short?

Through its only single, “ELLE DANSE BOUYON”, then through the network that carries it: the records of D.O.C FIX DEM, “Asi Mwen”, “Woody Wood”, “Fwadi” and “Tik Tak”. This profile is short because the public file is short: one verified recording, no artist page, no biography and no official account found. Rather than padding, this site publishes the record, its credits and its limits, and will complete the page on the day a new source appears. Our bouyon playlist follows this scene.

Read next

More bouyon artists

DJ Weez · Aknose · Theodora · Binksdrick · First Serenade Band · Ebony Empress · Daddy Chess · Mr Gwada · DJ Luchshiy · Aderito Depina · Ted La · D-Mitri · Dova · Bushtown Clan · TK International · Killa Laurent · Chioneso · J Lion · Denden · Risingsun · Faithii · SMS Girls · ScarnX · Jixels