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DeeArr: two verified credits, and a file that states its limits

Published October 20, 2026

DeeArr is a bouyon artist whose public record, at the date of this research, holds exactly two verified credits, and this profile chose to say so on its first page rather than hide it under generalities. The first credit is a title under his own name, Baby Let Me, written and performed by DeeArr, produced by ProdByShako and mixed and mastered by Bertist “Khallion” Jeffers, presented by the promotion channel MyuzikBox under its 2027 Bouyon heading. The second is far more exposed: Stand Up, a 2026 single billed to Konshens, Khallion, DeeArr & Boogy Rankss, documented by AllMusic and by the Konshens artist page on Shazam. Between those two lines of credits stands an artist who writes his own titles and who already appears alongside a major name in Jamaican dancehall. There is also everything the record does not say: no real name, no published origin, no biography. This profile tells the two credits in detail, explains the network they draw, then honestly lists what remains unknown.

A file of two credits: the method of this profile

Most artist profiles on this site rest on whole discographies, interviews and official pages. The DeeArr file is of another nature. The searches run for this profile across the streaming platforms, Shazam, YouTube and the general web surfaced only two verifiable recordings carrying his name: Baby Let Me, as lead artist, and Stand Up, as a collaborator. No complete artist page, no published biography, no official account verified by direct opening was found. This profile is therefore deliberately shorter than the site average, and it turns that scarcity into information: the reader knows exactly what every sentence rests on.

That scarcity is not a judgement on the artist. In today bouyon, many titles circulate first through promotion channels, DJ mixes and social media clips, long before a clean discography appears on the platforms. An artist can be active in studios and in programming while remaining almost invisible in the databases. DeeArr illustrates that gap: his name appears in a collaboration credit with Konshens, an artist of worldwide reach, while his own public catalogue is limited to one title under his own name documented by a single promotion channel.

The rule applied here is the rule of the whole site, pushed to its logical conclusion: only verified facts are written, and the gaps are named as gaps. When the Baby Let Me credits say written and performed by DeeArr, this profile writes exactly that. When no source gives his island of origin, this profile chooses none, neither in the text nor in the structured data. The title of this page speaks of the Caribbean in the broad sense, because that is the only geographic anchoring the two credits allow: a bouyon title, a genre born in Dominica, and a collaboration that connects bouyon to Jamaican dancehall.

This profile will be completed if the file thickens: a new title, an official artist page or a published interview will be enough to reopen the research. In the meantime, the two sections that follow examine each credit with the care usually reserved for complete discographies, because a well read credit often contains more information than a promotional biography.

Baby Let Me: a title under his own name, with full credits

Baby Let Me is the title that makes DeeArr exist as a lead artist. It was presented by MyuzikBox, a YouTube channel promoting Caribbean music, under the 2027 Bouyon heading, and the video description publishes a complete credit sheet, which is far from systematic in that circuit. That sheet states: artist, DeeArr; title, Baby Let Me; year, 2027; genre, Bouyon; written and performed by DeeArr; mix and master, Bertist “Khallion” Jeffers; producer, ProdByShako. Every one of those elements is repeated here exactly as published, with nothing added.

Two clarifications are needed on that sheet. First, the year 2027 is the one the channel shows in its own credits and in its season filing: MyuzikBox organises its posts into upcoming carnival seasons, with 2027 Soca and 2027 Bouyon lists already open at the time of the research, in October 2026. The year 2027 should therefore be read as the channel season label, not as an ordinary release date. Second, the channel itself states, in its standard description, that it does not own the titles it posts and that it presents them for promotion: Baby Let Me belongs to its rights holders, and the video is a showcase, not an official artist page.

The most telling credit on the sheet is the writing line: written and performed by DeeArr. In a genre where many singers record over riddims and lyrics supplied by producers, an artist credited alone as writer of his own lead title presents himself as a singer songwriter. The second name to retain is that of the engineer: Bertist “Khallion” Jeffers, on mix and master. The nickname in quotes, Khallion, is the key to the second DeeArr credit, as the next section shows: the same Khallion name returns, this time as an artist, on Stand Up.

The credited producer, ProdByShako, completes a tight team: one singer songwriter, one producer, one sound engineer. That is the typical configuration of today studio bouyon, far from the big live bands of the 1990s: three names, one title, and a promotion channel to circulate it. To hear this title in its context, this site bouyon playlist gathers the new bouyon releases Bouyon Shattaz follows, season after season.

Stand Up: the credit that changes the scale

The second verified DeeArr credit places him in another dimension. AllMusic, in its Konshens biography, writes that the Jamaican artist collaborated with Khallion, DeeArr and Boogy Rankss on the 2026 single Stand Up. The Konshens artist page on Shazam lists the same title among his releases: Stand Up, a 2026 single, billed to Konshens, Khallion, DeeArr & Boogy Rankss. Two independent sources, a music reference database and an identification platform, therefore give the same line of four names, in the same order.

To measure what that credit represents, it helps to recall who Konshens is. The same AllMusic biography documents him as a leading Jamaican dancehall artist: hits such as Bruk Off in 2016 and Turn Me On in 2017, albums from Mental Maintenance in 2012 to Pool Party in 2025, and collaborations with Sean Paul, Eva Simons, Shaggy, Rick Ross, Chris Brown and Davido across the years. An emerging bouyon artist who appears, in 2026, on a Konshens single, alongside two other names from the Caribbean scene, no longer plays only in the promotion channel circuit: his name enters the discography of an artist the international databases follow title by title.

The line up of the Stand Up four is itself instructive. Khallion appears there as an artist, while the Khallion name appears in the Baby Let Me credits in its full form, Bertist “Khallion” Jeffers, on mix and master. The file therefore draws a connecting thread: the engineer of the DeeArr solo title is also one of his partners on the collective title. That kind of continuity is frequent in Caribbean studio scenes, where engineers and producers become artists on certain titles and bring their singers with them. This profile notes the exact match of the published names, without going beyond what the credits state.

Boogy Rankss, the fourth name on the single, completes a cast turned toward dancehall and its Caribbean extensions. Stand Up thus connects the bouyon of DeeArr to Jamaican dancehall through the channel of an artist, Konshens, who has himself travelled between dancehall and soca, with an album titled Soca Virgin in 2020 according to the same biography. For a genre born in Dominica and often told from its own islands, that kind of bridge matters: it shows bouyon present, in 2026, in the collaborations of artists whose audience reaches far beyond the Caribbean.

What this profile does not know, and why it says so

Here, in full transparency, is the list of what the research run for this profile did not find. No real name for DeeArr. No date or place of birth. No island of origin claimed by a verifiable source: the MyuzikBox page keywords mention Trinidad, but that is the channel generic filing for its soca and carnival programming, not information about the artist. No verified official account on social media. No title other than Baby Let Me and Stand Up in the databases consulted. No interview, no press portrait, no label sheet.

Stating those gaps is not a weakness of the profile, it is its guarantee. Bouyon attracts more and more automatically generated pages that fill the blanks with invented biographies, guessed origins and unsourced numbers. A reader comparing those pages with this one would see the difference immediately: here, every fact has a named source, MyuzikBox for Baby Let Me, AllMusic and Shazam for Stand Up, and the absences are flagged instead of covered up. If DeeArr or his team publish verifiable elements, they will be integrated with their source and their date.

In the meantime, what the two credits already allow to be said fits in three sentences. DeeArr writes and performs his titles, as the complete Baby Let Me sheet attests. DeeArr works with an identifiable studio circle, the producer ProdByShako and the engineer and artist Khallion. And DeeArr appears in 2026 on a Konshens single, which makes him, on the paper of the credits, one of the most connected bouyon names of his emerging generation. What comes next will depend on the coming titles, which this site will follow as it follows the whole scene, through the credits.

To extend the listening right now, the path is simple: Baby Let Me for the DeeArr voice under his own name, Stand Up for the same artist in an international collective format, then the bouyon soca page and the bouyon playlist to place those two titles back inside the history and the present of the genre, from Dominica to the scenes that carry it today.

Frequently asked questions

What are the verified DeeArr titles?

Two recordings are verified by published sources: Baby Let Me, as lead artist, presented by MyuzikBox under its 2027 Bouyon heading, and Stand Up, a 2026 single billed to Konshens, Khallion, DeeArr & Boogy Rankss, documented by AllMusic and Shazam. No other title was confirmed during the research for this profile.

Who produced and mixed Baby Let Me?

According to the credit sheet published by MyuzikBox, Baby Let Me is written and performed by DeeArr, produced by ProdByShako, and mixed and mastered by Bertist “Khallion” Jeffers.

What is the link between Baby Let Me and Stand Up?

The name Khallion connects the two credits. On Baby Let Me, Bertist “Khallion” Jeffers is credited on mix and master. On Stand Up, in 2026, Khallion appears as an artist alongside Konshens, DeeArr and Boogy Rankss. That is the studio thread the published credits allow you to follow.

Did DeeArr really collaborate with Konshens?

Yes, according to two independent sources. The Konshens biography published by AllMusic states that he collaborated with Khallion, DeeArr and Boogy Rankss on the 2026 single Stand Up, and the Konshens artist page on Shazam lists the same single with the same four names.

Where is DeeArr from?

No verifiable source consulted for this profile gives his origin, his real name or his base. The MyuzikBox channel keywords belong to the channel filing and do not prove an origin. This site therefore attributes no island to him until a published source does.

Why is this profile shorter than the other profiles on this site?

Because the DeeArr public file is thin: two verified credits, no published biography and no confirmed official account at the time of the research. This site prefers a short and exact profile to a long and invented one. It will be completed as soon as new verifiable sources appear.

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