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Yellow Gaza: twelve years of bouyon gwada in the Vadore Concept credits

Published October 20, 2026

Yellow Gaza is a bouyon act from Guadeloupe whose verified catalogue runs across twelve years, from “Vole Nonm a Moun”, a single released on March 5, 2013, to “PLAN A 3”, with Yumei, released on September 7, 2024 on Vadore Concept Groupe. Between the two, “Y.A.G.”, “Sa ki bon (Bouyon King)” and “Tout de suite” draw the loyalty of one name to a small Guadeloupe banner, and to a pair of songwriters, Letin Severine and Letin Sylia, whose signatures return from 2013 to 2024, and again in 2025 on the neighbouring Yellow Gaza Girls record. This profile reads that catalogue page by page, tempo by tempo and credit by credit, keeps Yellow Gaza clearly apart from the two other Gaza names on this site, and states what the archives do not give: no members, no biography, no verified official account.

Who Yellow Gaza is: a Guadeloupe act with no published biography

Yellow Gaza belongs to bouyon gwada, the Guadeloupe form of the bouyon born in Dominica. The statistics platform Viberate classifies the act in Guadeloupe, under the GLP code, and the song pages confirm the territory through language and banners: titles in French and Creole, a first single released under its own name in 2013, then a lasting home on Vadore Concept, the Guadeloupe production banner documented on our Vador page. That is about everything the public file allows anyone to place, and this profile starts by saying so.

No source consulted gives the names of the members of Yellow Gaza, their number, their home town, or a formation date. No interview, no artist biography and no press article devoted to the act was found during this research. The name therefore works, in the archives, as the name of a catalogue: five dated, verified singles between 2013 and 2024, three further titles named in popular song lists with no dated page opened, and a regular presence in the metadata of a single banner. This profile documents that catalogue for what it is, without lending the name faces or a life story.

Three names that search engines and hurried readers mix together must also be kept clearly apart. Yellow Gaza is not Gaza Crew, a neighbouring name which survives, on this site, only in a keyword list of a video from the Suppa circle. Yellow Gaza is not Gaza Girls Crew either, the female group documented by a 2011 single on Bouyon Concept and by the first bouyon stage in Paris in 2012. No source consulted establishes a link between these three names, neither shared members nor a shared original banner. Each has its own file, its own dates and its own credits, and this profile borrows neither a record nor a fact from the other two.

2013: Vole Nonm a Moun, the first verified single

The first verified record of the catalogue came on March 5, 2013. “Vole Nonm a Moun”, a Creole title that can be rendered as stealing people name, was released as a single under the label Yellow Gaza, that is under the very name of the act, in French according to its page, at 157 BPM. Its published duration on Deezer is 3:40. The credits are short and this profile gives them in full, because they carry the whole sequel of the story: the performer is Yellow Gaza, the credited songwriter is Yellow Gaza, and the composers are Letin Sylia and Letin Severine.

Those two names are the backbone of this profile, and they appear from the very first record. Letin Severine and Letin Sylia are two songwriters and composers from the Guadeloupe bouyon scene whose signatures this site documents record by record on their own pages: they are found with Yellow Gaza in 2013, again in 2021, again in 2024, and again in 2025 with the Yellow Gaza Girls. Few acts of this scene can line up, across twelve years, the same pair of writers from the first to the last verified record. The fact can be read entirely in the song pages, and yet it is the fact rival profiles never tell, because they do not read the credit rolls.

The tempo of the opening record also matters. 157 BPM is the working tempo of the bouyon gwada of this generation, the one found across almost the whole Vadore Concept catalogue, from Holly G to DJ Joe. That the first Yellow Gaza, released eight years before its documented arrival on that banner, already shows that exact tempo says the sound continuity of the scene more surely than any speech: the bouyon gwada of the 2010s and that of the 2020s share the same rhythm machine, fast, stable, made for dancing and for chaining in a mix. The 2013 record and those of 2021 to 2024 therefore read as chapters of a single practice, not as two careers.

2021 and 2022: Y.A.G., Sa ki bon (Bouyon King) and Tout de suite

The documented return of the act came in 2021, with two singles a few weeks apart and on two different banners. On November 26, 2021 came “Y.A.G.”, on the STREET VYBZ label, with a duration of 3:16, and a single name in the published credit roll: GEMAYEL VERMILAS, credited as composer. That name is that of Gomko, an artist of the same Guadeloupe scene, whose own single lists in fact carry the Yellow Gaza records of this period. The detail draws a small world in which the same composers write for several neighbouring names, and in which catalogues touch without merging.

On December 14, 2021 came the best known record of the act, “Sa ki bon (Bouyon King)”. The single was released on Vadore Concept, in its short form, at 157 BPM, with a duration of 2:42. The published credit roll is a banner roll as much as an artist roll: composition is credited to VADORE CONCEPT GROUPE, as a collective house name, and the writing returns to Letin Sylia and Letin Severine, the two writers of the 2013 record, eight years later. The title itself carries a crown in its bracket, Bouyon King: this site quotes it as a record title, exactly as it always attributes artist titles instead of stating them, and not as a ranking established by anyone.

The third record of the run came on August 11, 2022: “Tout de suite”, on VADORE CONCEP GROUPE, in the exact spelling of the Deezer list, with a duration of 2:24, and a credit roll of a single name, Cedrick Raboteur, songwriter and composer. In three singles, the recent Yellow Gaza catalogue therefore shows three different writing configurations: an outside composer in 2021 on STREET VYBZ, the historic pair of writers doubled by the banner as composer on Vadore Concept, then a single songwriter composer in 2022. That variety, read in the pages, contradicts the image of an act of a single formula: Yellow Gaza works as a banner voice, performing records written by the circle of the house, configuration by configuration.

2024: PLAN A 3 with Yumei, and the Femmes Fatales tag

The most recent record under the Yellow Gaza name came on September 7, 2024. “PLAN A 3”, featuring Yumei, was released on Vadore Concept Groupe, in French, at 157 BPM, under the full title “PLAN A 3 (feat. Yu Mei) [Femmes Fatales Edition Bouyon]”. The performance is shared between Yellow Gaza and Yumei, an artist of the bouyon scene whose name appears, in the same season, in the festival lists of the region. The edition tag, Femmes Fatales, places the record in a line of bouyon carried by women voices, which our women of bouyon page documents across the scene.

The credit roll of the record is the fullest of the catalogue, and it deserves to be given in full. The credited composer is MEYAPIN BORDIN ALLAN. The credited songwriters are LETIN SYLVIA, in that neighbouring spelling of the name Letin Sylia carried by the other pages, Letin Severine, and TITINE EMMANUELLE. There are therefore found, eleven years after “Vole Nonm a Moun”, the same two women signatures, Letin Severine and the Letin house, joined this time by a third writer. The continuity is not a label speech: it is written, page after page, in the public metadata of the records, and it is what makes this catalogue something other than a run of isolated singles.

With “PLAN A 3”, the verified chronology of Yellow Gaza covers eleven years of releases, from March 2013 to September 2024, with a documentary gap between 2013 and 2021 that no source consulted fills. This profile does not fill that gap: no dated record of that interval was found on the platforms consulted, and it is possible that the act circulated, like so many names of this scene, through parties, videos and mixtapes rather than through platform singles. To say that, and to stop there, is worth more than a discography rebuilt from memory.

Yellow Gaza Girls and LEVRETTE: a neighbouring name, kept separate

On October 16, 2025 came a record every reader of this catalogue must learn to file correctly. “LEVRETTE” was released on Vadore Concept Groupe, at 160 BPM, but its published performer is not Yellow Gaza: it is Yellow Gaza Girls, a distinct billing, in the feminine plural. The credit roll of the record names Christophe Democrite as composer, Letin Severine and LETIN SYLVIA as songwriters, and VADOR CONCEPT GROUP, in that exact English form, as producer. That record is therefore not carried in the catalogue of Yellow Gaza in the structured data of this page, and that choice is deliberate: the sources give two billings, this site publishes two billings.

What the sources do support, on the other hand, is a workshop kinship, and it is a strong one. The same banner, Vadore Concept Groupe, on both names. The same writers, Letin Severine and Letin Sylia, in the Sylvia spelling on these last two records, on “PLAN A 3” in 2024 as on “LEVRETTE” in 2025. The same tempo zone, 157 BPM on one side, 160 BPM on the other. A reader may therefore hear “LEVRETTE” as the women extension of the Yellow Gaza universe inside the same house, on condition of keeping the distinction the pages impose: a workshop extension is not an artist identity, and no document consulted says that the performers are the same people.

That discipline of separation holds for the whole Gaza file of this site. Yellow Gaza, Yellow Gaza Girls, Gaza Girls Crew and Gaza Crew are four distinct billings in the sources, with four distinct files: a Vadore Concept catalogue from 2013 to 2024, a women single of 2025 on the same banner, a women single of 2011 on Bouyon Concept with a Paris stage in 2012, and a name that survives only in a keyword list. To merge them would fabricate a supergroup that exists in no credit roll. To keep them apart, as this site does page by page, is the condition for each of these names to stay findable and checkable.

A bouyon act filed under African music: the platform problem, and the records with no page

There remains a fact ordinary profiles never flag, and which says a lot about how bouyon travels. On Viberate, the main statistics platform that references the act, Yellow Gaza is filed under African and Other African Music, with Guadeloupe as its territory. A bouyon gwada act, singing in French and Creole over riddims inherited from Dominica, therefore finds itself shelved, by the world databases, in a continental section that is not its own. That filing is not information about Yellow Gaza: it is information about the platforms, which have no bouyon box and shelve the genre now under African music, now under reggae and dancehall, as seen elsewhere on this site for other artists of the scene.

The same platform names, among the popular records of the act, three records for which no dated song page was opened during this research: “V.N.M II”, which reads as a sequel to “Vole Nonm a Moun”, “Macrelle” and “Goute Goute”. This profile names them for what they are, records listed by a statistics platform, and lends them neither a date, nor a label, nor a credit roll. A video record completes the tour of the file: a TikTok post by the Loxymore account announces “Yellow Gaza, Bon appetit, available in full on our YouTube channel”, the trace of a “Bon appetit” record circulating on video, with no date or credits published in the source consulted. Those four names show that the real catalogue of the act probably exceeds its five platform singles, without this site being able to measure it honestly today.

Why Yellow Gaza matters, at this documented stage: because its catalogue, even a thin one, holds together three threads few acts of the scene combine. A longevity of eleven years between the first and the last verified single. A single house, Vadore Concept, of which it is one of the most loyal names, alongside Holly G. And a pair of writers, Letin Severine and Letin Sylia, whose signatures connect 2013, 2021, 2024 and, with the Yellow Gaza Girls, 2025. For listening, start with “Sa ki bon (Bouyon King)”, the most referenced record, then “Vole Nonm a Moun”, the 2013 starting point, and “PLAN A 3” with Yumei. Our bouyon playlist and our bouyon gwada page place these records back in their scene, and the pages of Letin Severine and Letin Sylia follow the two signatures that wrote them.

Frequently asked questions

Who is Yellow Gaza?

Yellow Gaza is a bouyon act from Guadeloupe, classified in Guadeloupe by the Viberate platform, whose verified catalogue runs from 2013 to 2024. Its dated singles are “Vole Nonm a Moun” in 2013, “Y.A.G.” and “Sa ki bon (Bouyon King)” in 2021, “Tout de suite” in 2022 and “PLAN A 3” with Yumei in 2024, the recent records released on Vadore Concept Groupe. No source consulted publishes the names of its members or its biography.

What is the best known Yellow Gaza record?

“Sa ki bon (Bouyon King)”, a single released on December 14, 2021 on Vadore Concept, at 157 BPM. The statistics platforms place it at the head of the popular records of the act. Its published credit roll credits VADORE CONCEPT GROUPE with composition and Letin Sylia and Letin Severine with writing. The Bouyon King bracket is part of the title of the record: this site quotes it as a title, without turning it into a ranking.

Who writes the Yellow Gaza records?

The pair of songwriters Letin Severine and Letin Sylia is the recurring signature of the catalogue: composers of “Vole Nonm a Moun” in 2013, writers of “Sa ki bon (Bouyon King)” in 2021 and of “PLAN A 3” in 2024, where Letin Sylia appears in the spelling LETIN SYLVIA, with TITINE EMMANUELLE. The other configurations are GEMAYEL VERMILAS, composer of “Y.A.G.” in 2021, and Cedrick Raboteur, songwriter and composer of “Tout de suite” in 2022.

Are Yellow Gaza and Yellow Gaza Girls the same artist?

The sources give two distinct billings, and this site keeps them separate. “LEVRETTE”, released on October 16, 2025 on Vadore Concept Groupe, is performed under the name Yellow Gaza Girls, not Yellow Gaza. The two names share the same banner and the same writers, Letin Severine and Letin Sylia, which establishes a workshop kinship inside the same house, but no document consulted says that the performers are the same, and the 2025 record is therefore not carried in the catalogue of this page.

Is Yellow Gaza linked to Gaza Girls Crew or Gaza Crew?

No link is established by the sources consulted, and this profile is the one that says so instead of letting the search engines mix the names. Gaza Girls Crew is a women group documented by a 2011 single on Bouyon Concept and by the Paris stage of 2012. Gaza Crew survives only in a keyword list of a video from the Suppa circle. Yellow Gaza has its own catalogue, from 2013 to 2024, on Vadore Concept for its recent records: three separate files, with no shared fact.

Where can I hear Yellow Gaza?

Start with “Sa ki bon (Bouyon King)” in 2021, then “Vole Nonm a Moun”, the 2013 single, “Y.A.G.”, “Tout de suite” and “PLAN A 3” with Yumei in 2024, then the neighbouring record “LEVRETTE” by Yellow Gaza Girls in 2025. Our bouyon playlist and our bouyon gwada page place these records back in the Guadeloupe scene of the genre.

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