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Le Rebelle: one album, one single, and a file held to its credits

Published October 20, 2026

Le Rebelle is an artist name that holds, in the public sources opened for this profile, in one album and one single, both released in September 2021 on iMD-One Again Music. The album is called “Polyvalent, Vol. 1”, seven records in French, filed as Hip-Hop and Rap by the platforms, and it holds the record through which this name touches bouyon: “Bad”, featuring T-BTS, that is the collective Team Bwè Tou Sa, at a tempo of 164 BPM. No biography, no origin, no interview and no press article was found for this name during this research, and this profile invents none of them: it publishes the album record by record, it follows the two signatures that return in every credit block, Stéphane Peccatus and Mathurin Denis, and it states openly everything the file does not hold. The place carried in the title of this page, Guadeloupe, names the documented circuit of the record, the T-BTS and GAMMALAB orbit, and not an origin, which no source gives.

The state of the file: one name, two releases, no biography

Let us start by measuring exactly what exists. The artist page of Le Rebelle on Shazam, opened for this profile, files the name under Hip-Hop and Rap and lists two releases: an album of 2021, “Polyvalent, Vol. 1”, and a single of 2021, “Pec Pec”. The most streamed songs of the page are, in the published order, “Love Interdit”, “Déception”, “Comité restreint”, “Kaw Komprenn”, “L.b.n.j.f”, “Bad” and “Acteur Porno”, followed by “Pec Pec”. Eight records, two formats, one single year: that is the whole documented catalog of this name to date.

Everything else is missing, and this profile would rather write it at the head than leave it to be guessed at the foot of the page. None of the searches run for this file turned up a biography of Le Rebelle, nor a press article, nor an interview, nor a page on another service that would add one fact to those of the Shazam pages. His origin is given by no opened source: no island, no town, no path. The place associated with this page, Guadeloupe, comes from the circuit of the record, the T-BTS feature and the GAMMALAB workshop this site documents elsewhere, and it is presented as a circuit, never as a birth or a residence the sources do not prove.

Even the genre calls for precision. This site is a bouyon site, and Le Rebelle enters it through a side door: the platforms file his album as Hip-Hop and Rap, not as bouyon, and most of his records run at rap tempos, between 72 and 100 BPM for four of them. The link to bouyon is real but precise: it runs through people, the collective T-BTS as a feature on “Bad”, the voices of Ludmilian Flower and Nicolas Macbeth, and the composition of Mathurin Denis, three signatures of the GAMMALAB core. This profile therefore documents a French rap record built inside the Guadeloupe bouyon workshop, and it says so in those terms, without repainting the album as the bouyon it is not labelled to be.

The method, finally, is the same as everywhere on this site: a record enters the recordings list of this page only if its page was opened during this research, and every fact comes from one of those pages. Eight song pages, one album page and one artist page were opened. That is little, it is verified, and it is exactly what this page claims to establish: no more, no less.

“Polyvalent, Vol. 1”: the album of September 17, 2021, record by record

The album “Polyvalent, Vol. 1”, by Le Rebelle, was released on September 17, 2021 on iMD-One Again Music, according to its Shazam page, opened for this profile. It holds seven records, all in French: “Acteur Porno”, “Bad”, featuring T-BTS, “L.b.n.j.f (La Bêtise n'est jamais fini)”, “Kaw Komprenn”, featuring Snyper Lee, “Comité restreint”, also featuring Snyper Lee, “Déception” and “Love Interdit”. The title of the album promises versatility, and the tempo list confirms it better than any discourse: the opened pages give 100 BPM for “Acteur Porno”, 164 for “Bad”, 160 for “L.b.n.j.f”, 72 for “Kaw Komprenn”, 74 for “Comité restreint” and 82 for “Déception”, the “Love Interdit” page publishing no tempo. One and the same album therefore runs from the slow tempo of laid back rap to the fast tempo of party records.

Three records form the fast block of the album. “Acteur Porno” opens the list at 100 BPM, an intermediate tempo, with the base credit block of the record: Le Rebelle as performer, Stéphane Peccatus on vocals, Mathurin Denis on programming, lyrics by Peccatus, composition by Denis. “L.b.n.j.f”, whose title expands an acronym into a sentence, climbs to 160 BPM, the tempo of party bouyon, with the same base credits. And “Bad”, at 164 BPM, is the fastest record of the album and the only one to invite voices from outside the base duo, those of the collective T-BTS: the next section is devoted to it.

The slow block tells the other half of the announced versatility. “Kaw Komprenn” and “Comité restreint”, at 72 and 74 BPM, are the two records featuring Snyper Lee, and “Déception”, at 82 BPM, completes that laid back side of the album. “Love Interdit” closes the tracklist on the page, and it is the one the Shazam artist page places at the head of the most streamed songs of the name, ahead of “Déception” and “Comité restreint”. The most streamed Le Rebelle record is therefore neither his bouyon record nor his single, but the slow song that closes the album: a fact of platform, recorded as such, with no counter published on the opened pages.

No booklet, no review and no opened page tells the themes of these records beyond what their names suggest, and this profile summarises no lyric it has not read in a source. What the album documents, by contrast, is a making: seven records, one and the same writing and building duo across all seven, one label, one release date. “Polyvalent, Vol. 1” reads like the finished product of a single workshop session, delivered in one block, and the Vol. 1 of its title remains, in the opened sources, with no known Vol. 2.

Peccatus and Denis: the duo behind every credit block, and the name question

If only one fact of this file were to be kept, it would be this one: across the seven records of the album, the writing and building credits never change. Stéphane Peccatus is credited there on vocals and lyrics, Mathurin Denis on programming and composition, and Le Rebelle as lead performer. On “Pec Pec”, the single, Peccatus goes further still: he holds the vocals, the programming, the lyrics and the composition there, the only writing and building name of the page. The Le Rebelle record is therefore, documentarily, the work of a stable duo, widened by guests on two records, and by a solo of its writer on the single.

That finding raises the question every attentive reader will ask: who is Le Rebelle, in relation to Stéphane Peccatus? The split of the credits looks like that of a stage name carried by a writer performer: Peccatus sings and writes everywhere, Le Rebelle performs everywhere. But no source opened for this profile says that the two names designate the same person, and this profile does not say it either. It publishes the two names exactly as the pages print them, Le Rebelle as artist, Stéphane Peccatus on vocals and writing, and it leaves the question open, as this site did for the neighbouring file of Nicolas Macbeth, where the same discipline applies to the signatures of the same workshop.

The second name of the duo has, for its part, a file elsewhere on this site, and the same caution holds. Mathurin Denis, credited here with the programming and composition of the whole album except the single, is the name the pages of the GAMMALAB circuit print in the same role, record after record, from “Game Over” by the Team to the neighbouring records. This profile cites him in the form the Le Rebelle pages publish, Mathurin Denis, and sends the curious reader to the profile of Denmath, the producer of this circuit, without merging here credit lines that the documents keep separate by their roles.

Finally, what this duo says about the making of bouyon and rap in this circuit must be noted. One single writer voice, one single programmer composer, guests taken from the same collective: that is the grammar of the GAMMALAB workshop, where the same three or four names sign each other records. Le Rebelle, a name with no biography, is thus documented as a product of that workshop in the same way as the records of the collective itself, and his album is one of the pieces proving that the workshop also built French rap, not only party records.

“Bad”: the record that ties Le Rebelle to bouyon

“Bad”, by Le Rebelle featuring T-BTS, was released on September 17, 2021 on the album “Polyvalent, Vol. 1”, on iMD-One Again Music, in French and at 164 BPM, according to its Shazam page, opened for this profile, which showed 34 identifications at the time of research. It is the record through which this name entered the files of this site: its page was first recorded in the profile of Nicolas Macbeth, because it credits him on vocals, before motivating this profile here.

Its credit block is the most populated of the album. On vocals: Stéphane Peccatus, Ludmilian Flower and Nicolas Macbeth. On programming: Mathurin Denis. On lyrics: Stéphane Peccatus. On composition: Mathurin Denis. And as lead performer: Le Rebelle, with T-BTS as a feature, T-BTS being the short form of the name of the collective Team Bwè Tou Sa. The record therefore works like a piece of the collective hosted on the album of another name of the circuit: the writing core of the Team sings on the host record, while its usual writer and composer keep their roles.

The tempo completes the demonstration. At 164 BPM, “Bad” runs in the zone of fast bouyon records, very far from the 72 to 82 BPM of the slow side of the album, and level with the 160 BPM of “L.b.n.j.f” and of the single “Pec Pec”. It is, of the eight records of the file, the one whose page gathers the most signatures of the bouyon scene: the collective as a feature, two of its voices, and its programmer composer. If a single record justifies the presence of Le Rebelle on a bouyon site, it is this one, and this profile presents it exactly that way: a documented bridge record, surrounded by a rap album the platforms file as such.

The reverse also deserves to be said, because it lights up the whole circuit. For the collective T-BTS, this 2021 feature shows the GAMMALAB workshop already working, in that period, for names outside the collective, lending them its voices while keeping its hand on the writing and composition through Peccatus and Denis. Le Rebelle is therefore no accident in the catalog of the Team: he is one of the client names of the workshop, in the same way, in the neighbouring files of this site, as the sessions documented with Laka or with Billy Bybf, where the same signatures return.

“Pec Pec”, Snyper Lee, Mitch Jerome: the single and the neighbouring names

Three days before the album, on September 14, 2021, Le Rebelle was already releasing a single: “Pec Pec”, on iMD-One Again Music, in French and at 160 BPM, according to its Shazam page, opened for this profile. Its particularity lies in its credit block, the only one of the file without Mathurin Denis: Stéphane Peccatus there holds the vocals, the programming, the lyrics and the composition together. Read with the rest of the file, this single looks like a calling card of the writer of the project, published just before the album he wrote with his usual composer. This profile writes “looks like”, because no source tells the intention of that release, and the order of the dates, the single on the 14th, the album on the 17th, is the only established fact.

The two features of the album raise a name question of the same kind as that of Peccatus, and this profile treats it with the same rule. “Kaw Komprenn” and “Comité restreint” credit Snyper Lee as a feature in their titles, but their pages credit on vocals, alongside Stéphane Peccatus, another name: Mitch Jerome. Two names, two different places in the credit block, and no opened source says whether they designate the same person, one as an artist name and the other as a writer name, or two distinct people. This profile therefore publishes both forms exactly where the pages put them, Snyper Lee in the titles of the records, Mitch Jerome in the vocal credits, without merging them.

Those cautions are no refinement: in this circuit, credit is the only durable trace of people. The Le Rebelle pages show a workshop where every role is printed cleanly, writer, composer, programmer, guest voice, and where artist names and writer names coexist without the platforms explaining their relations. A profile that merged Peccatus and Le Rebelle, or Snyper Lee and Mitch Jerome, without a source, would erase exactly the information those credit blocks preserve: who is credited for what.

The scene context, finally, fits in one line of the artist page. Shazam places among the artists similar to Le Rebelle names this site documents in the same Guadeloupe circuit: LGC, Yellow Gaza, Miky Ding La, Lunik and Team Bwè Tou Sa. That is an algorithmic neighbourhood, not a proof of origin, and this profile cites it as such: it only confirms that the platforms place this name in the cluster of the artists of the GAMMALAB workshop and its generation, which matches, without replacing, the finding drawn from the credit blocks.

What the file does not hold: balance of a thin profile

The affirmative balance fits in a few lines, and it is fully sourced. Le Rebelle is an artist name credited with an album of seven records, “Polyvalent, Vol. 1”, and a single, “Pec Pec”, released on September 17 and 14, 2021 on iMD-One Again Music, in French, filed as Hip-Hop and Rap by Shazam. Every record is written by Stéphane Peccatus, who sings on all of them; seven of the eight are composed and programmed by Mathurin Denis; “Bad” invites the voices of the collective T-BTS, Ludmilian Flower and Nicolas Macbeth; “Kaw Komprenn” and “Comité restreint” invite Snyper Lee in the title and Mitch Jerome in the vocal credits. The most streamed record of the name, according to his artist page, is “Love Interdit”.

The negative balance is longer, and this profile takes it on as its very material. No origin, no biography, no published civil identity for Le Rebelle. No article, no interview, no verified official account beyond the Shazam artist page, carried as a link in the structured data of this page. No release later than September 2021 in the opened sources: no Vol. 2, despite the title of the album, no more recent single, and no feature with another artist found during this research. No track length published on the opened pages, and no listening counter beyond the 34 identifications shown by the “Bad” page. And no explanation of the name Le Rebelle itself, which this profile neither translates nor comments on beyond its evident French form.

A thin file is not a useless file, and the reason for this page fits in one sentence: “Bad” is a piece of the bouyon file, a record of the GAMMALAB circuit that documents the way the workshop of Team Bwè Tou Sa built, in 2021, for the names of its orbit, with its voices, its neighbouring writer and its composer. Without a profile of its own, that record would stay a lost line in the credit blocks of others; with this profile, the album that hosts it is described in full, at the exact height of what the sources allow, neither inflated nor reduced to its single known record.

Listening therefore starts with “Bad”, for the bouyon link, continues with “Love Interdit”, “Déception” and “Comité restreint”, the most streamed records according to Shazam, then with “Pec Pec”, the single where the writer of the project signs alone. The context can be read on our Team Bwè Tou Sa page, on the profile of Nicolas Macbeth and in our bouyon playlist. If Le Rebelle one day publishes a biography, an origin or a second volume, this profile will be completed and dated, like every page on this site.

Frequently asked questions

Who is Le Rebelle?

Le Rebelle is an artist name documented only by his releases: an album, “Polyvalent, Vol. 1”, and a single, “Pec Pec”, released in September 2021 on iMD-One Again Music. No source opened for this profile publishes an identity, a biography or an origin for him, and this profile claims none of them: it publishes his verified credits, page by page.

Which records does “Polyvalent, Vol. 1” hold?

Seven records, released on September 17, 2021, all in French: “Acteur Porno”, “Bad” featuring T-BTS, “L.b.n.j.f (La Bêtise n'est jamais fini)”, “Kaw Komprenn” and “Comité restreint” featuring Snyper Lee, “Déception” and “Love Interdit”. Their published tempos run from 72 to 164 BPM, the “Love Interdit” page publishing no tempo.

What is the relation between Le Rebelle and bouyon?

A circuit relation, documented by one record. The platforms file the album as Hip-Hop and Rap, but “Bad”, at 164 BPM, invites T-BTS, the collective Team Bwè Tou Sa, with the voices of Ludmilian Flower and Nicolas Macbeth, and the whole album is composed and programmed by Mathurin Denis, signatures of the GAMMALAB core. Le Rebelle is therefore a rap name built inside the Guadeloupe bouyon workshop.

Who writes and composes the Le Rebelle records?

According to the opened pages, Stéphane Peccatus is credited on vocals and lyrics across the eight records of the file, and Mathurin Denis on programming and composition across the seven records of the album. On the single “Pec Pec”, Peccatus alone holds the vocals, the programming, the lyrics and the composition.

Are Le Rebelle and Stéphane Peccatus the same person?

The file does not allow that to be stated. The pages credit Le Rebelle as performer and Stéphane Peccatus on vocals and lyrics on every record, which looks like the split of a stage name and its writer performer, but no opened source confirms it. This profile therefore keeps the two names separate, exactly as the credit blocks print them. The same goes for Snyper Lee, credited as a feature, and Mitch Jerome, credited on vocals on the same records.

Is there a “Polyvalent, Vol. 2” or any more recent record?

None in the sources opened for this profile. The Shazam artist page lists only the album “Polyvalent, Vol. 1” and the single “Pec Pec”, both of September 2021, and no later release was found during this research. The most streamed record of the name, according to that same page, is “Love Interdit”.

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