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Skrazy: writer and performer of Come Here, with Dboss and Ras B

Published October 20, 2026

Skrazy is a bouyon artist whose name appears, in the opened sources consulted, on a single record: “Come Here”, published as an official visualizer under a Bouyon 2027 billing, where he is credited first of the three lead artists, with Dboss and Ras B. The song page credits him twice, as a writer and as a performer, and publishes his Instagram handle, @s_k_r_a_z_y, in its credit block. The record is produced by Bad Producer Ent, its riddim is by Dboss, and its recording, mixing and mastering are handled by Yw3 Ent (DiYoute). No other record, no artist page and no biography of Skrazy was found during this research. This profile publishes the record, its full credits and the circuit that carries them, and it states openly everything the file does not contain.

Who Skrazy is: a headline name and a single verified credit

Let us start with the exact inventory, because the whole file fits inside it. Skrazy is the first name in the official heading “Skrazy, Dboss, & Ras B - Come Here [Official Visualizer] (Bouyon 2027)”. In the description of the video, he is credited as a writer, in the line “Written by Skrazy, Dboss, & Ras B”, and as a performer, in the line of the artists who carry the record. Those two credits, writing and performing, are the only career facts the opened sources publish about him, and this profile publishes them as they stand, without rounding them up into a biography.

His published handle is @s_k_r_a_z_y. It appears in the Instagram block of the visualizer description, in the middle of the handles of the whole team behind the record: the three artists, the production, the studio and the graphic designer. The spaced out run of letters of the stage name, s, k, r, a, z, y, confirms the spelling Skrazy as the form the artist himself circulates, since it is under that form that his own contact is given to the public. In line with the method of this site, the handle is quoted here as a text credit: no profile was opened and verified directly, so no external link is carried in the structured data of this page.

What does not exist in the file must be stated with the same clarity. No source consulted gives a full name for Skrazy, nor an age, nor a place of birth or residence, nor declared influences, nor an interview. Searches carried out across the streaming and listening platforms, Spotify, Apple Music, Shazam, SoundCloud and Audiomack, returned no artist page and no song page under his name: results for close names point to other artists, unrelated, and none is used here. The link of the record to Dominica rests, for its part, on the opened page itself: its keywords name bouyon and dominica, and its credit block lines up handles in 767, the area code of the island, among them @nofacebeatz767.

The status of Skrazy, at this stage of the file, is therefore that of a lead artist on a collective record. He is not a passing guest: the order of the heading places him first, the writing line puts him on the same level as his two partners, and so does the performing line. In the small scenes of Dominican bouyon, where many voices first appear inside the credit rolls of the records of others, a co-lead place with a double credit is a precise start to a file, as long as it is read for what it is: one record, three names, and a complete team around them.

“Come Here”: the official visualizer and its full credits

The record is titled “Come Here”, and its form of publication is an official visualizer, that is, an accompanying video published on YouTube, rather than a narrative music video. The full heading of the video gives, in order, the three artists, the title, the Official Visualizer mention in brackets, then the Bouyon 2027 billing in parentheses. The description opens with the production sentence: “Come Here, Produced by Bad Producer Ent.” The track is therefore carried by a named banner, Bad Producer Ent, whose handle @badproducerent also appears in the credit block, and the page invites viewers to follow and subscribe to Bad Producer.

The credits of the record are complete, and they deserve to be read line by line, because they are the whole verified matter of this profile. Written by Skrazy, Dboss and Ras B. Performed by Skrazy, Dboss and Ras B, the description spelling that word with a typo, “Perfromed”, which this profile flags without reproducing it in its own sentences. Riddim by Dboss, credited in the form Dboss (Riddimz), which makes one of the three singers the maker of the rhythm of the record. Recorded and mixed by Yw3 Ent (DiYoute). Mastered by Yw3 Ent (DiYoute). Visualizer made by Graphart Designs, whose handle @graphart_designs closes the credit block.

The billing of the record also says something about the mechanics of this scene. The video classes the track as Bouyon 2027, although the research for this profile is carried out in October 2026: in Dominican bouyon, records of the end of the year are regularly billed to the following year, the one of the carnival season they aim at. This profile reports the billing as published, without converting it into a release date, all the more so as no precise release date for the record is published in the opened description. No duration, no tempo and no listening figure is published either in the sources consulted, and none is invented here.

The social credit block of the description completes the picture of the team. It lines up, in the published order: @OfficialStickman_40, @nofacebeatz767, @s_k_r_a_z_y, @dboss_h.o.s, @badproducerent, @ras_b_4kdem and @graphart_designs. Three of those handles carry the three artists of the record, Skrazy, Dboss and Ras B, one carries the production banner, one the designer of the visualizer, and the other two, among them the 767 of @nofacebeatz767, belong to the production entourage without the description specifying their role. This profile quotes them as a published block, without assigning a function to those the source does not qualify.

Three voices on one record: Skrazy, Dboss and Ras B

“Come Here” is a record with three lead voices, and the place of Skrazy reads in comparison. Dboss, the second name of the heading, stacks three credits on this record: writer, performer and maker of the riddim, under the signature Dboss (Riddimz). Ras B, the third name, is a writer and performer, and he is the only one of the three to already have a profile of his own on this site, built on his other public traces. Skrazy, for his part, holds the two vocal and writing credits, with no technical credit: in the economy of the record, he is a voice and a pen, where Dboss is in addition the rhythm workshop.

That distribution is scene information in its own right. Modern studio bouyon is often made this way: a riddim maker builds the loop, several voices write and lay their parts over it, a single studio records, mixes and masters the whole, and a banner publishes it. On “Come Here”, every post is named, and the sharing of tasks can be read without any outside source: Dboss on the riddim, Yw3 Ent (DiYoute) on the sound from end to end, Bad Producer Ent on production, Graphart Designs on the image, and three writer performers on an equal credit footing, with Skrazy as first name.

What the credits do not say must be stated as clearly. No opened source specifies the place of each voice in the record, nor who sings the chorus, nor the order of the verses, and no listening documented by a source describes the performance of Skrazy. This profile therefore does not describe his singing: it establishes his presence as headline name, his double credit and the full frame of the record, which are the facts the official page publishes. For an artist with no other trace, that frame is already career information: it says who he works with, on which banner he releases, and in which format he enters the catalog of the genre.

The link with Ras B gives the record a second reading. Ras B is one of the guests of the “Up Next Bouyon Cypher, Vol. 1” by Trilla-G, documented on this site, and his own profile shows an artist already inserted in the circuits of the Dominican new wave. That Skrazy appears as co-lead, ahead of him in the order of the heading, on a studio record billed Bouyon 2027, places him in the same movement of renewal of voices, even though no source directly connects Skrazy to the cypher or to Still Trill Entertainment. This profile sets the two files side by side without fabricating a link the credit rolls do not give.

The workshop of the record: Bad Producer Ent, Yw3 Ent and Graphart Designs

The record of Skrazy comes out of a complete workshop, and each of its posts is documented by the same page. Production is by Bad Producer Ent, the banner whose YouTube page publishes the visualizer and whose handle, @badproducerent, appears in the credits. The sound, from recording to mastering, is handled by a single signature: Yw3 Ent, with the precision DiYoute in parentheses, credited on recording, mixing and mastering. The image is by Graphart Designs, credited as the maker of the visualizer. Three banners and one studio therefore cover the whole making of the record, and their names return in the credit rolls of the current Dominican scene.

The name of DiYoute, attached to Yw3 Ent in the credits of the record, is a signature readers of this site already know: it appears in the credit rolls of other records of the bouyon new wave documented here, among them records of the Up Next Cypher circuit, where the same hand holds sound posts. This profile lends Yw3 Ent no credit other than those of “Come Here”, recording, mixing and mastering, but it flags the recurrence of the name, because it places the record of Skrazy inside a real studio circuit, the one where part of the Dominican bouyon of 2026 is made, rather than in an isolated production.

The keywords published under the video also draw that circuit. The page associates with the record the words bouyon and dominica, then a series of names of the scene: djtaffy, tafary, caution beats, dca, reo, keks, trillag, tk, triple kay, ridge, more sewo, riddim, rnb and rab. Those keywords are publishing choices of the page itself, and this profile reports them as such: they show in which search neighbourhood the banner places its record, at the heart of the established names of Dominican bouyon, without constituting a collaboration with any of them. None of those names is credited on the record, and no working link is stated here.

Our bouyon riddim page explains the central place of the riddim in this making, and our bouyon playlist follows the releases of this circuit through the seasons. The case of “Come Here” illustrates both: a riddim signed by one of the singers of the record, a single studio for the whole sound, and a year billing, Bouyon 2027, which enters the track in the calendar of the carnival to come. Skrazy enters that system as a lead voice, and it is the whole system, as much as his name alone, that this profile documents from its single opened page.

The context: bouyon, its lineage and the 2027 season

The record of Skrazy appears in a genre that already has its generations and its lines. Bouyon is born in Dominica in the late 1980s, and its bouyon soca branch, documented on this site, has a precise starting point: according to the first hand testimony of Sean “Smokiller” Francis, a Dominican-born producer who lived the scene from inside, bouyon soca was started by Dada in 2003 in Dominica, then popularized by Triple Kay, whose name also appears in the keywords of the “Come Here” page. The generation of studio visualizers, publishing under a following year billing, is the direct heir of that line.

The format matters as much as the genre in this file. The visualizer has become, for the bouyon new wave, the standard form of publication: cheaper than a music video, it puts the record in images, publishes the full credits in the description, and lines up the handles of the whole team so the public can follow each actor. The “Come Here” page is a model of the format: named production, credits line by line, complete social block, scene keywords. For an artist like Skrazy, whose trace it is alone, that format has a direct documentary virtue: without the description of the visualizer, no public source about him would exist at all.

The season aimed at by the record is that of carnival 2027, according to its Bouyon 2027 billing. In the Dominican calendar, records published at the end of the year contend for the fetes of the following season, and banners like Bad Producer Ent line their releases up on that rhythm. This profile knows of Skrazy only this single release: no event appearance, no stage billing and no presence on a festival artist list was found during this research, and none is stated. His 2027 season, to date, fits entirely inside this record and the team that signs it.

There remains to place the voice itself in the landscape this site maps. The neighbouring profiles to this one, Dboss and Ras B, document the two other names of the same heading, and their files complete each other: Dboss through his triple credit, Ras B through his other appearances, Skrazy through his sole place as first name and co-writer. Read together, the three profiles describe a complete studio record, its three voices and its workshop, and show how an island scene of this size is documented record by record, credit by credit, rather than through the large biographies nobody has published.

The limits of the file: one record, and no biography

The file of Skrazy fits into a single verified recording, and this profile counts it without adding any. “Come Here”, with Dboss and Ras B, published as an official visualizer under a Bouyon 2027 billing, produced by Bad Producer Ent, on a riddim by Dboss, recorded, mixed and mastered by Yw3 Ent (DiYoute). No other record, under his lead name or as a feature, was found during this research across the platforms and in the sources consulted. The structured data of this page therefore carries exactly that single recording, and nothing else.

No opened artist page on a streaming platform was verified for Skrazy during this research: no Spotify page, no Apple Music page, no Shazam entry, no SoundCloud or Audiomack account opened under his name. Searches on those platforms return artists of close names, unrelated to Dominican bouyon, and this profile takes care not to confuse them with him. Likewise, no precise release date, no duration, no tempo and no listening figure for the record is published in the opened sources, and the only dated elements of the file are the Bouyon 2027 billing of the record and the research date of this profile, October 20, 2026.

No biography exists in the sources: no full name, no place of birth or residence, no age, no declared influences, no interview, no verified official photograph. The handle @s_k_r_a_z_y is quoted as a text credit of the official description, without any profile having been opened to confirm it directly. This profile therefore does not turn either the “Come Here” title or the spelling of the name Skrazy into an interpretation of his life or his intentions: they are credit and publishing elements, reported as such, and the meaning of his stage name is explained by no source consulted.

If Skrazy publishes a second record, a solo single, an artist page or an interview, this profile will be completed and dated like every page on this site, and his credits will be rechecked on that occasion. In the meantime, his listening fits into a single object: a studio visualizer where he writes and sings as first name, alongside Dboss and Ras B, on a riddim by the first of them and in the sound of the Yw3 Ent studio. That is the real file of a bouyon voice in October 2026, no more, no less, and it is published as such, with its limits on the first page rather than in a footnote.

Frequently asked questions

Who is Skrazy?

Skrazy is a bouyon artist credited as writer and performer of “Come Here”, published as an official visualizer under a Bouyon 2027 billing with Dboss and Ras B. His handle published in the credits of the record is @s_k_r_a_z_y. No other record, no artist page and no biography of him was found during the research for this profile, carried out on October 20, 2026.

What is “Come Here” by Skrazy?

“Come Here” is a bouyon record with three lead voices, Skrazy, Dboss and Ras B, published as an official visualizer under a Bouyon 2027 billing. It is produced by Bad Producer Ent, written and performed by the three artists, built on a riddim by Dboss (Riddimz), recorded, mixed and mastered by Yw3 Ent (DiYoute), with a visualizer by Graphart Designs. No precise release date is published in the sources.

What are the credits of Skrazy on “Come Here”?

Two credits, published in the description of the official visualizer: writer, in the line “Written by Skrazy, Dboss, & Ras B”, and performer, among the three artists of the record. Skrazy is the first name of the heading of the video. He holds no technical credit on the record: the riddim is by Dboss and the sound by Yw3 Ent (DiYoute).

Does Skrazy have other records or an album?

No other record was verified during this research, carried out on October 20, 2026 on YouTube and across the Spotify, Apple Music, Shazam, SoundCloud and Audiomack platforms. No solo single, no feature elsewhere, no album and no artist page under his name were confirmed. The artists of close names returned by the searches are unrelated to him. This profile states that openly and will be completed if a new release appears.

Where does Skrazy come from?

No source consulted publishes his place of birth or residence, and this profile does not invent it. What is documented is the circuit of his single record: the visualizer page associates the track with Dominica in its keywords, bouyon and dominica, its credit block lines up handles in 767, the area code of the island, and the record comes out on Bad Producer Ent, in the sound of the Yw3 Ent (DiYoute) studio. Skrazy is therefore placed through his record and his team, with no personal origin stated.

Where can I hear Skrazy and follow his partners on the record?

On the official visualizer of “Come Here” on YouTube, the only primary page opened for this profile. His handle published in the credits is @s_k_r_a_z_y, quoted here without a link verified by direct opening. The profiles of his partners, Dboss, maker of the riddim of the record, and Ras B, are published on this site, and our bouyon playlist follows the releases of this new wave.

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