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Slyme Hoyss: the nasty business voice of the Dominican new wave

Published October 20, 2026

Slyme Hoyss is a voice of Dominica bouyon new wave, documented from 2023 to 2026 by a run of English language singles at 160 BPM, every one of whose writing credits names the same man: Kendon Bedminister. His reference record is “Phuck U 2Nite”, released as a single on March 26, 2024 on 5076708 Records DK, then carried as a bouyon 2025 official audio on the channel of producer Fr3EzE, who signs its riddim, with Khallion on mixing and mastering. Around that record, the verified catalog holds “Break” in 2023, “Fed Up” in 2024, produced by Tha WizZarD, “7 WIVES” in 2025 on Knocking Records, produced by Xavo, and “Oh God”, with Shanika, released in September 2025 on BestChoice Records. The stage completes the file: a place on the programme of the Feast of St Peter in Portsmouth in June 2024, a “Back and Forth” visualizer on the Fr3EzE channel, a closing place in the Bouyon Music 2026 Mix with that same record, and an official video, “How You Sweet So”, in which the artist presents himself as the Kartel of Bouyon, a formula this profile attributes to him as his own slogan and does not turn into an official title.

Who Slyme Hoyss is: a stage name, one songwriter named throughout

Slyme Hoyss moves under a double stage name, Slyme for the signature, Hoyss for the name that marks him out on the platforms, and the public documents about him are almost exclusively catalog documents: song pages, official video descriptions, one feast programme line and mix tracklists. No biography, no interview and no press article devoted to the artist were found during this research, and this profile says so at the door, as it does for every file of this thickness: what follows is the story of a catalog, not the story of a life.

The only person name the sources repeat is the songwriter name. On Shazam, the five song pages opened for this profile, “Break”, “Phuck U 2Nite”, “Fed Up”, “7 WIVES” and “Oh God”, all credit Kendon Bedminister as songwriter. On “7 WIVES”, the same name also appears in the background vocals, alongside a certain Slyme Tripp, and on “Oh God” he shares the writing with Maeva Alphonse. The descriptions of his own videos write it shorter: “Written by Slyme” for “Phuck U 2Nite”, and “Written by Slyme hoyss” for “How You Sweet So”. This profile therefore keeps the documented fact, a songwriter named Kendon Bedminister across the whole verified catalog, without printing a date of birth, a town or a journey, none of which any source gives.

The territory clues, by contrast, point to Dominica without detour. The official audio of “Phuck U 2Nite” carries the hashtags #Bouyon, #bouyonriddim and #dominica, and files the record in the current the scene calls nasty business. In June 2024, the programme of the Feast of St Peter in Portsmouth, the island second town, bills Slyme Hoyss as a performer on Sunday June 30, the family day of the feast, alongside Riddim Knockaz, Latitude Stars Band and DJ MS. And his records circulate in the mixes that document the current Dominican wave, from the Blaqrose Supreme 2026 bouyon freestyle mix to the Bouyon Music 2026 Mix built by Smokiller for Bouyon Shattaz. A Dominican catalog artist, then, whose public presence runs through the island studios and through his producers channels.

The sound, as the pages measure it, has a regularity that works as a signature: records in English, shown at 160 BPM on “Phuck U 2Nite”, “Fed Up”, “7 WIVES” and “Oh God”, and at 159 BPM on “Break”, which is the marching tempo of current single driven bouyon. The labels change, 5076708 Records DK for the first three singles, Knocking Records for “7 WIVES”, BestChoice Records for “Oh God”, but the workshop stays Dominican: Fr3EzE on the riddim, Khallion on the mix, Tha WizZarD producing one record, Xavo producing another. It is that catalog, record by record, that the following sections unroll.

“Break” and “Phuck U 2Nite”: the catalog entry, then the reference record

The first verified trace of the name is a single from late 2023. “Break”, released on October 20, 2023 on 5076708 Records DK, in English and at 159 BPM, credits Kendon Bedminister as songwriter. The record is brief in the archives, with no production roll published on the page opened, but it is enough to date the project: Slyme Hoyss has been releasing under this name since 2023, in the format of the distributed digital single, which has become the native format of the Dominican bouyon new wave. No album follows, then or since: the whole known catalog of the artist is a singles catalog.

The record that changes the scale arrives five months later. “Phuck U 2Nite” was released as a single on March 26, 2024, again on 5076708 Records DK, in English and at 160 BPM, with the same songwriter credit. Its public life plays out on YouTube, where the official audio, titled “SLYME HOYSS, PHUCK U 2NITE (UH-HUH) BOUYON 2025 OFFICIAL AUDIO”, is hosted on the channel of producer Fr3EzE and showed 92,000 views at the time of research. The video description gives the full studio roll: written by Slyme, recorded at Redroom Studios, mixed and mastered by Khallion, riddim by Fr3EzE, drums by Nakita Christmas, called Fridge. It is the most detailed roll in the whole file, and it places the record at the heart of the workshop that also builds the Signal Band and Trilla-G records.

The positioning of the record is written in its own keywords: bouyon, bouyon riddim, Dominica, and nasty business, the name the scene gives to its rawest and most frontal vein, the vein of records that take on direct language and an address without detour. “Phuck U 2Nite” belongs to that vein by its very title, which this profile reproduces as the platforms spell it, without sweetening it or commenting beyond that filing. In the economy of current bouyon, that register is often the one that travels through fetes and mixes, and the path of the record confirms it: a March 2024 single, relaunched as a bouyon 2025 official audio on the channel of a central producer, and still present in the landscape when the new wave is counted.

The link with Fr3EzE does not stop at that riddim. The producer channel also hosts the visualizer of “Back and Forth”, presented as a bouyon 2026 record, and a basement live free up billed to both names, “Slyme hoyss X Fr3eze, The Basement Live free up”, published as a studio moment rather than as a single. For a singer with no official channel confirmed in the opened sources, that repeated presence on the channel of a major producer of the wave works as a public address: that is where his audience finds him, between the producer riddims and the videos he hosts for Trixzmigos, Signal Band and Trilla-G.

“Fed Up” and “7 WIVES”: Tha WizZarD, then the Knocking workshop

The third verified single lands on Christmas Day 2024. “Fed Up”, released on December 25, 2024 on 5076708 Records DK, in English, credits Kendon Bedminister as songwriter and, a new fact in the catalog, a named producer: Tha WizZarD, the engineer and producer this site documents elsewhere as the mixer and masterer of TriSzy “Mood” and as one of the sound signatures of the current wave. The page also credits Slyme Hoyss himself in the background vocals. The record extends the run of short, frontal singles, and it shows the Slyme Hoyss workshop widening: after the Fr3EzE riddim on “Phuck U 2Nite”, another central craftsman of the Dominican sound produces his next record.

The fourth single changes house. “7 WIVES”, released on April 19, 2025 on Knocking Records, in English and at 160 BPM, credits Kendon Bedminister as songwriter and as a background voice, alongside Slyme Tripp, a name from the entourage that appears only in this roll and that no other consulted source documents. Production is signed Xavo knockings, the form the page gives to the name of Xavvo, the producer of the Knocking stable, and mastering is by Xavern Labega. The record therefore links Slyme Hoyss to a second house of the scene, Knocking Records, after the 5076708 Records DK and Redroom Studios circuit of the first singles.

Read together, those two singles draw the method of the catalog. One stable songwriter, Kendon Bedminister, who writes every record. One voice that stays the same from single to single. And, around it, a rotation of producers and houses that is exactly that of the new Dominican bouyon economy: the singer circulates between workshops, Fr3EzE, Tha WizZarD, Knocking, instead of locking himself into one team, and each single works as a calling card addressed to DJs, feast programmers and mix builders.

Circulation in the mixes confirms that the method carries. The record “Jam”, by Slyme Hoyss, is programmed in the Blaqrose Supreme 2026 bouyon freestyle mix, among records by 1T1, Real Reel and TK International, and in the DJ Killa Miami State Of Mind mix, in the middle of a 2025 and 2026 soca and bouyon selection. No primary release page for “Jam” was opened during this research, and this profile therefore reports it as a record in mix circulation, without date or label, and does not carry it in its structured data: only records verified on a platform page or an official video appear there.

“Oh God” with Shanika, BestChoice, and “How You Sweet So”

The fifth verified single is the first duet of the catalog. “Oh God”, featuring Shanika, was released on September 22, 2025 on BestChoice Records, in English and at 160 BPM. The Shazam page credits Slyme Hoyss on vocals, Shanika on background vocals, Kendon Bedminister and Maeva Alphonse as songwriters, and Voodoo Studios as engineer. Shanika is a documented voice of the Dominican scene, and her presence in the background vocals anchors the record in the same collaboration network as the rest of the catalog, while the label name, BestChoice Records, echoes the brand the artist pushes in his own publications, as the following lines show.

The most recent document in the file is an official video. “How You Sweet So”, presented as a bouyon 2027 record, is written and directed by Slyme Hoyss himself, shot by Shot By Shem and edited by Rawthentic Visuals. The video description carries the artist brand in full: a call to support Slyme Hoyss, presented as the “Kartel of Bouyon”, and the formula “TAP IN AND STAY LOCKED IN WITH THE BEST CHOICE”, with the hashtags #SlymeHoyss, #BestChoice and #kartelofbouyon, and a streaming link to the platforms. This profile reports “Kartel of Bouyon” as what it is in the source: the slogan the artist gives himself in his own publication, attributed and quoted as such, not a title awarded by an institution or by the press, neither of which any consulted source mentions.

That video page also shows an artist taking his own images in hand. Writing, directing, a support call to fund the next video: the set up is that of complete independence, consistent with a catalog released through distribution labels and studio houses rather than through a major. No single release date and no label are published on the page opened for “How You Sweet So”, and this profile therefore prints none: it keeps the official video, its directing credits and its presentation by the artist himself.

The sixth record of the file, “Back and Forth”, holds its place between the single and the mix. Its official visualizer, hosted on the Fr3EzE channel and presented as bouyon 2026, showed 18,000 views at the time of research. And it is that record that closes the Bouyon Music 2026 Mix, the 41 minute mix built by Smokiller for Bouyon Shattaz, where it enters at the 33rd minute, after records by Trilla-G, Khallion and DOVA, as the last word of the selection before the closing records. A closing place in a mix that presents itself as the best of new Dominican bouyon is a circulation signal this profile reports as such: the Slyme Hoyss record holds the road in the selection of the scene.

The stage, the mixes, and the Slyme Hoyss place in the new wave

The stage file of Slyme Hoyss holds in one verified programme line, and it is worth reading closely. The Feast of St Peter in Portsmouth, Dominica, spreads its festivities over three days at the end of June 2024, with Signal Band and Triple Kay as headliners of the first night. On Sunday June 30, 2024, the closing family day with blessing of the boats and boat races, the programme published by Writeups24 bills performances by Riddim Knockaz, Slyme Hoyss, Latitude Stars Band and DJ MS. A Dominican village feast is not a neutral stage: it is where bouyon plays in front of its base audience, between the established bands and the new wave, and the Slyme Hoyss name stands there in its own right, three months after the release of “Phuck U 2Nite”.

The rest of his public presence runs through the two channels that build reputations in current bouyon: producer channels and selector mixes. On the Fr3EzE channel, his records sit alongside the “What She Like” video by Trixzmigos and the Trilla-G videos, which places his catalog, materially, in the same showcase as the biggest records of the wave. In the mixes, “Jam” turns with Blaqrose Supreme and DJ Killa, and “Back and Forth” closes the Bouyon Shattaz reference mix for 2026. No chart, no award and no official streaming figure is published for the artist in the sources consulted, and this profile lends him none: the documented path is that of a regular circulation, not that of a measured peak.

His place in the landscape also reads through his credit neighbours. Bouyon soca, started in Dominica in 2003 by Dada according to the first hand testimony of Sean “Smokiller” Francis, a Dominican-born producer, and popularised by Triple Kay, installed the studio single at the centre of the genre, and Wrecketeng, whose official spelling comes from DJ Cut himself, while reketeng remains the misspelling spread across the internet, accustomed the scene to stylised names and raw signatures. Slyme Hoyss belongs to the generation that inherits both gestures: a graphic stage name, frontal records at 160 BPM, and a catalog built entirely from singles passed through the island workshops.

For listening, the order of the catalog is enough: “Break” for the entry, “Phuck U 2Nite” for the reference record and its Fr3EzE riddim, “Fed Up” for the Tha WizZarD production, “7 WIVES” for the Knocking passage, “Oh God” for the duet with Shanika, then the “Back and Forth” visualizer and the “How You Sweet So” video. The context reads in our bouyon playlist, and the producer of his central record reads on our Fr3EzE page.

The limits of the public record

This profile ends with its limits, because they are wide and they are part of the file. No opened source consulted gives the biography of Slyme Hoyss, nor his town, nor his age, nor an interview, nor a verified official account whose address could be carried as a link: the videos opened for this research sit on the channel of his producer Fr3EzE or on publications whose channel ownership could not be confirmed, and the official links field of this page therefore stays empty rather than guessed. The songwriter name Kendon Bedminister is the only person name repeated by the pages, and this profile reports it as a writing credit, without turning it into a biography.

Two leads from the discovery file did not resolve, and this profile says that too. A record called “Say It Again” had been flagged in the research leads of this site: no platform page and no official video of a Slyme Hoyss record of that name was found during this research, and no record of that name is therefore printed here or carried in the data. Likewise, “Jam” is documented only by mix tracklists: it is reported as a record in circulation, without date, without label and outside the structured data. If official pages appear for those records, this profile will be completed from them.

What remains is a narrow but real file, and it is the one this page passes on: five singles verified on the platforms between October 2023 and September 2025, one songwriter across every record, productions signed Fr3EzE, Tha WizZarD and Xavo, a duet with Shanika, a place on the Portsmouth feast programme in 2024, a record closing the Bouyon Music 2026 Mix, and an official video in which the artist presents himself as the Kartel of Bouyon. If Slyme Hoyss publishes a biography, an official account or an album, this profile will be completed and dated, like every page on this site.

Frequently asked questions

Who writes the Slyme Hoyss records?

The Shazam pages of his five verified singles, “Break”, “Phuck U 2Nite”, “Fed Up”, “7 WIVES” and “Oh God”, all credit Kendon Bedminister as songwriter. On “Oh God” he shares the writing with Maeva Alphonse. The descriptions of his videos write it shorter: written by Slyme.

What is the reference Slyme Hoyss record?

“Phuck U 2Nite”, released as a single on March 26, 2024 on 5076708 Records DK. Its bouyon 2025 official audio, hosted on the Fr3EzE channel, showed 92,000 views at the time of research. The published roll credits the riddim to Fr3EzE, mixing and mastering to Khallion, recording to Redroom Studios and drums to Nakita Christmas, called Fridge.

Who has produced the Slyme Hoyss records?

Three producers are named in the opened sources. Fr3EzE signs the riddim of “Phuck U 2Nite”. Tha WizZarD produces “Fed Up”, released on December 25, 2024. And Xavo knockings produces “7 WIVES”, released on April 19, 2025 on Knocking Records, with mastering by Xavern Labega.

Is Slyme Hoyss the Kartel of Bouyon?

That is the slogan the artist gives himself in the description of the official “How You Sweet So” video, where he writes “SUPPORT SLYME HOYSS, KARTEL OF BOUYON”. No source consulted presents that formula as a title awarded by an institution or by the press, and this profile reports it as his own presentation.

Where has Slyme Hoyss performed in public?

One performance is documented by a published programme: on Sunday June 30, 2024, the family day of the Feast of St Peter in Portsmouth, Dominica, alongside Riddim Knockaz, Latitude Stars Band and DJ MS, according to the programme published by Writeups24.

Where can I hear Slyme Hoyss?

Through his verified singles: “Break”, “Phuck U 2Nite”, “Fed Up”, “7 WIVES” and “Oh God”, with Shanika, then the “Back and Forth” visualizer and the “How You Sweet So” video on YouTube. Our bouyon playlist follows the Dominican new wave he belongs to.

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