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Mr Boka: one name, one feature, one 2016 classic

Published October 20, 2026

Mr Boka is a bouyon artist whose public name rests, in essence, on a single record, but what a record: “Sa Ka Débodé”, the Bilix single released on 12 January 2016, where he is credited as the featured voice. A reference selection of Antillean music presents Bilix and Mr Boka as worthy representatives of bouyon and that record as a sensation of the year 2016, played heavily on radio. This profile gathers everything that can be verified about Mr Boka, title, date, label, tempo and credits, and states clearly what the public record does not hold: no full name, no biography, and no documented solo discography.

What the public record holds, and what it does not

This profile starts with the honesty of the record. During the research for this page, no published biography, no interview, no official website and no verified social profile for Mr Boka was found. Searches across the major streaming and analytics platforms returned no solo artist under this name matching the singer of the 2016 record. This profile therefore fills no gap with invention: no legal name, no home town, no imagined career path. The place named in this page title, Guadeloupe, is the place of the scene of Bilix, the lead artist of the record, whom the analytics page Viberate presents as Guadeloupe-born. For Mr Boka himself, no origin is documented in the sources opened, and this page attributes none to him.

What does exist is precise and checkable. The song page on Shazam identifies “Sa Ka Débodé” as a Bilix single featuring Mr Boka, released on 12 January 2016 by the label Ôréveil, classed in the World genre and measured at 160 BPM, the fast tempo typical of dance bouyon. The same page points to the official video, titled “Sa Ka Débodé - Bilix Feat Mr.Boka Bouyon (CLIP OFFICIEL)”, which names the genre in its own title: bouyon. A profile that begins with one solid fact is worth more than a profile filled with invented ones, and that is the choice made here.

There is also a credit detail that quick profiles never give. In the composition credits opened on Shazam, Dj Weez and Lsbeatz litleboy appear as composers, and Franck Offranc as songwriter, with Bilix as lead performer. Mr Boka does not appear in those writing credits: he appears as the guest voice, the feature. That is exactly the kind of distinction this site keeps sharp, because credit is the central subject of bouyon history: who sings, who writes, who produces, and who gets named.

“Sa Ka Débodé”: the record, its credits, its tempo

“Sa Ka Débodé” was released on 12 January 2016 as a single, on the Ôréveil label. The Creole title announces an overflow, a party bursting out of its frame, and the record is built for exactly that: Shazam measures it at 160 BPM, in the high zone of bouyon, the zone of records made to lift a room and hold a dancefloor. The production credits, on the composition side, carry two names this site readers know: Dj Weez, a producer of the Gwada scene, and Lsbeatz litleboy, that is Litleboy LSBeats767, the Dominican producer whose 767 suffix recalls the Dominica area code. In its credits alone, the record therefore connects Guadeloupe and Dominica, the two historic shores of bouyon.

Mr Boka place in this record is that of the guest voice. The feature, in the French Antillean bouyon of the 2010s, is a precise mechanism: the lead artist carries the title, and the guest voice brings the contrast, the answering part, the moment the crowd keeps and sings back. That Mr Boka name stayed attached to the record ten years later, on the single page and in the selections that cite it, shows that this guest place was not decoration. Bouyon records live on these pairings of voices, and “Sa Ka Débodé” is a documented example, credits and all.

The official video completes the record file. Its very title, which places the name of Bilix, the name of Mr Boka and the word bouyon side by side, served as the label of the song on YouTube, where a large part of the Antillean audience listens to and shares these records. For many listeners, it is through that video that the name Mr Boka entered their memory, with no other information about the artist. This profile notes it without dressing it up: the video trace of the record is real, the biographical trace of the guest is, by contrast, almost non-existent.

A sensation of 2016: what a reference selection says

The second source of this profile is a reference selection of Antillean and Caribbean music classics published by Quel-DJ, which ranks “Sa Ka Débodé” among its fifty records for a party night. Its text says three precise things about Bilix and Mr Boka. First, it presents them together as worthy representatives of bouyon, direct heirs of the bawdy ball songs, that festive and willingly provocative tradition that runs through Antillean dance music since the popular balls. Second, it describes the record as massively played on radio and very effective on the dancefloor. Third, it holds it up as one of the sensations of the year 2016, to the point of sparking generational debate.

That generational debate deserves a sentence of explanation, because it says something about bouyon itself. Bawdy ball songs have always divided opinion: older listeners hear in them the tradition of double meaning and the party, while part of a younger or stricter audience hears provocation. A bouyon record that restarts that debate in 2016, on heavy radio rotation, therefore does more than make people dance: it recalls that the Gwada bouyon of that decade stands in a line of openly festive party songs, and that Bilix and Mr Boka were, that year, recognised faces of it in at least one reference selection.

It is also worth measuring what this kind of source proves, and what it does not. A reference DJ selection attests to the circulation and reputation of a record in the Antillean party and radio circuit. It provides neither sales figures nor an official chart placing, and this profile invents none. No streaming total, no certification and no award is therefore claimed here for Mr Boka or for this record. What is claimed is simpler and stronger: in 2016, a bouyon record carried by Bilix with Mr Boka as featured voice counted in parties and on airwaves, enough to still be cited ten years later.

Mr Boka in the Gwada bouyon landscape of the 2010s

The French Antillean bouyon of the 2010s is a bouyon of singles, videos and features, very different from the live band bouyon of the Dominican groups of the 1990s. In Dominica, bands like WCK built albums and carnival repertoires. In Guadeloupe and Martinique, the decade worked differently: producers like Dj Weez built fast instrumentals, singers crossed from one record to another, and reputation was made track by track, on radio, in parties and on YouTube. “Sa Ka Débodé” is a typical and successful product of that system: a Gwada producer, a Dominican composer, a recurring songwriter from the Bilix circle, and a guest voice whose name stayed glued to the chorus of the year.

That system also explains the thinness of the Mr Boka file. The guest voices of the bouyon singles of the 2010s often lived exactly like this: one or two strong records, a presence in video and in parties, and almost no written trace, no press, no biography, no maintained official page. Streaming platforms keep the record and its credits, but not the story of the people. This profile therefore documents a frequent and rarely told case: the artist whose verifiable work fits inside a single feature, and whose name survives because the record survives.

To place this record in listening, our bouyon Guadeloupe page describes the Gwada branch of the genre, our Bilix profile details the other verified records of the lead artist, from “Bay Li” to “Miel Pop” with Triple Kay International, and our bouyon playlist mixes Dominican classics with French Antillean singles. In that landscape “Sa Ka Débodé” keeps its place: a 2016 single, fast, radio ready, and carried by two voices.

What this profile does not know, and how it will be completed

This profile ends with its limits, because they are part of the record. The full name of Mr Boka is not published in the sources opened and is therefore not printed here. His origin, his path before and after 2016, and any solo records or further features are not documented in the sources found: no extra title is therefore listed, and the verified discography of this page fits in a single recording, “Sa Ka Débodé”. No verified official account was confirmed, and this page links to no social profile.

That honesty is not an admission of failure, it is the rule of this site. Bouyon is full of names the big databases treat in one line, when they treat them at all. Writing only what is verified, dating every fact and naming its sources lets the reader tell the solid from the decorative. If a reader, someone close to the artist, or the artist himself brings verifiable material, records, dates, credits or official links, this profile will be completed and corrected like every page on this site, with its modification date updated.

In the meantime, the listening fits in one record, and that record still holds. “Sa Ka Débodé”, Bilix with Mr Boka, 12 January 2016, Ôréveil label, 160 BPM, composition by Dj Weez and Lsbeatz litleboy, writing by Franck Offranc: that is the complete and verified file. A bouyon sensation of 2016, a guest voice remembered in Antillean party memory, and a name this site refuses to leave as a single unexplained feature line.

Frequently asked questions

Who is Mr Boka?

Mr Boka is a bouyon artist known to the public through one verified record: “Sa Ka Débodé”, the Bilix single released on 12 January 2016, where he is credited as the featured voice. No published biography, no interview and no verified official profile was found during the research for this profile, and his full name and his origin are not documented in the sources opened.

What is the Mr Boka record with Bilix?

“Sa Ka Débodé”, released on 12 January 2016 by the Ôréveil label according to Shazam, which measures it at 160 BPM. The credits opened name Dj Weez and Lsbeatz litleboy as composers and Franck Offranc as songwriter. The official video is titled “Sa Ka Débodé - Bilix Feat Mr.Boka Bouyon (CLIP OFFICIEL)”.

Did Mr Boka write or compose “Sa Ka Débodé”?

No, not according to the credits opened on Shazam, and that is a point quick profiles never specify. Composition there is credited to Dj Weez and Lsbeatz litleboy, writing to Franck Offranc, and the lead performance to Bilix. Mr Boka appears as the guest voice, the feature, which is a different place and one this site keeps distinct.

Why did “Sa Ka Débodé” mark the year 2016?

According to the Quel-DJ reference selection of Antillean music, which ranks the record among its fifty party classics, the song was massively played on radio, stood as one of the sensations of the year 2016 and sparked generational debate. The same source presents Bilix and Mr Boka as worthy representatives of bouyon, heirs of the bawdy ball songs.

Does Mr Boka have other known records?

No other record was verified during the research for this profile. Searches on streaming and analytics platforms returned neither a solo discography nor another documented feature under this name. This profile therefore lists a single verified recording, “Sa Ka Débodé”, rather than inventing a catalogue.

Where can I hear “Sa Ka Débodé” and the bouyon of that era?

The record is available on streaming platforms under the name of Bilix, with Mr Boka as feature. For context, read our Bilix profile, our bouyon Guadeloupe page and hear our bouyon playlist.

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