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YuniikBeatz: the producer behind two TIITII NBA records

Published October 20, 2026

YuniikBeatz is a producer name, and almost nothing else in public sources. No biography, no place, no official account verified during this research: the name exists only through its credits, and this profile publishes only those credits. There are three of them, each verified by opening the platform pages directly. In 2024, YuniikBeatz is credited as composer of the “B.A.B Remix” by gapman and Enima, in French, on WAVY BOUNCE RECORDS. In 2025, the name becomes the billed producer of TIITII NBA on two bouyon singles from the HEAVEN STUDIO house, “Nah Nah” on March 28, 2025 and “BOSS” at the end of the year. It is a small record, it is precise, and it is exactly what a beatmaker file is worth in current bouyon: the name travels on other people records, at 160 BPM, while the person stays out of frame.

A name that exists only through its credits

Start with what this profile does not know, because that is most of the file. No source consulted gives the civil name of YuniikBeatz, nor his town, his island, his age or any element of a career path. He has no artist page found on the platforms opened during this research, no interview found, and no social account confirmed as his. Search engines return a crowd of near names, Yuniq, Unique Beatz, Yunik and other close forms, which are different artists and which this profile does not merge with the exact name YuniikBeatz, spelled with two i letters and a k.

What does exist is three credit lines, on three song pages, each opened one by one. One composer line in 2024, in French rap. Two lines in 2025, in the bouyon of TIITII NBA, one as named producer, the other as billed guest on the title. Three lines, two French speaking worlds, one signature name. In the current economy of bouyon gwada, where records carry the singer name and the producer name as a feature, that kind of trace is the normal form of a beatmaker visibility: he is on the cover, in the metadata, and nowhere else.

The place given in this page title is therefore the place of the records scene, not of the person. The two bouyon singles of YuniikBeatz belong to the circuit of TIITII NBA, a bouyon artist from Guadeloupe documented on this site, and they come out on HEAVEN STUDIO, the banner that carries much of his recent catalog, from “BOUNCE” to “BOSS”. The 2024 rap credit belongs to the French circuit of gapman and Enima. To state that YuniikBeatz lives in Guadeloupe, in France or anywhere else would be to invent a fact: this profile names the scene, and leaves the address unsaid.

“Nah Nah”: the producer credit, in black and white

The first of the two bouyon records is the best documented of the three credits. “Nah Nah”, by TIITII NBA featuring YuniikBeatz, was released on March 28, 2025 on HEAVEN STUDIO, in French, at 160 BPM, the working tempo of current bouyon. The song page, opened on Shazam, details the roles with a clarity that is rare on this scene: TIITII NBA is credited with harmony vocals, the writing goes to Terry Capitolin and Allan Cabald, and the production is signed, in full, YuniikBeatz, Producer.

That page settles a question that featured titles often leave blurry. On TIITII NBA singles, the guest name can be a singer, a DJ or a producer, and the public does not always know who did what. Here the platform separates the roles: YuniikBeatz is not a voice on the record, he is its declared producer. The title feature works as a factory signature, the beatmaker mark shown next to the singer name, the way the DJ guests of the same catalog are billed.

The second writing name on the page deserves its own paragraph, because it returns on the next record. Allan Cabald is credited as a songwriter of “Nah Nah” alongside Terry Capitolin, the writing name of TIITII NBA himself. On “BOSS”, the Deezer listing of the TIITII NBA catalog credits the composition to that same Allan Cabald, as sole named composer, for a record that nevertheless bills YuniikBeatz as its feature. The coincidence is written into the credits, and this profile reports it as a coincidence of credits: no source consulted says that Allan Cabald and YuniikBeatz are the same person, and this site does not say it either. On the day a page writes it, this profile will be completed.

“BOSS”: the second record, and the guest producer system

The second record arrives at the end of 2025. “BOSS”, again by TIITII NBA featuring YuniikBeatz, comes out on HEAVEN STUDIO with the BOUYON 2026 tag in its title, the way this scene dates its records for the carnival season that follows. The album page opened on Shazam gives a publication date of December 17, 2025. On Deezer the record runs 1 minute 35, the short dense format of the current bouyon single, with Terry Capitolin as writer and Allan Cabald as composer. The official TIITII NBA link page also announces a visualizer for “BOSS”, presented as “TIITII NBA - BOSS feat. @YuniikBeatz (VISUALIZER) [BOUYON 2026]”, which confirms that the producer name is part of the public identity of the record, right into its promotion.

To understand the place of YuniikBeatz, look at the machine he belongs to. The recent TIITII NBA catalog works through rotating guest producers: DJ BOKO on “ON ME”, “WET WET” and “SHE’S A HOE”, DJ SKAYLONE on “NO TIME”, “SA KA BAY” and “WOOD”, DJ LUCHSHIY on “DANJÉRÈZ”, “PXRNSTAR” and “LIKE YOU”, DJ SKYCEE on “FEEL LONELY”, D0 Production in the collaboration circuit. Each single carries two names, the singer and the sound workshop of the moment. In that system, returning twice, with “Nah Nah” in spring and then “BOSS” in December, makes YuniikBeatz one of the recurring producers of the TIITII NBA year 2025, on the same footing as the DJs of the rotation, even if his name carries no DJ prefix.

The genre context also helps place these two records. The bouyon of TIITII NBA is the Gwada branch of a sound born in Dominica, extended by forms such as bouyon soca, started by Dada in 2003 in Dominica according to the first hand testimony of Sean “Smokiller” Francis and popularized by Triple Kay, and by the shatta bouyon of the French Antilles. Records at 160 BPM, in French, built in under two minutes around a producer billed as a feature, are the current form of that sound on the Guadeloupe side: one workshop, one singer, one season. YuniikBeatz is, in 2025, one of the workshop names of that form. Our bouyon producers page places that role in the history of the genre, and our bouyon playlist follows the wave record by record.

The 2024 rap credit: “B.A.B Remix” with gapman and Enima

The third credit changes the set. On May 3, 2024, the gapman album “Prochaine Chèvre 2” comes out on WAVY BOUNCE RECORDS, with a record titled “B.A.B Remix”, performed by gapman and Enima, featuring VT, in French and at 70 BPM. The song page, opened on Shazam, credits the lyrics to gapman, Enima and VT, and the composition to a single name: YuniikBeatz, Composer. It is, to date, the oldest credit found under this name, a year before the bouyon records.

What should be done with that credit, honestly? Two readings are possible, and this profile gives both. First reading: it is the same beatmaker, a French speaking producer who works in 2024 for the rap of gapman and Enima, then in 2025 for the Gwada bouyon of TIITII NBA. The path is plausible, the two scenes share the same language, the same platforms and part of the same public, and the name, in its exact and unusual spelling, is identical on all three pages. Second reading: two producers carry the same signature name, which happens in the beatmaker world, where pseudonyms often resemble each other. No source consulted settles between the two readings, no biography links the two scenes, and this profile therefore presents the rap credit as a credit bearing the name YuniikBeatz, without asserting the identity of the people behind it.

What the credit establishes without discussion is the function. On “B.A.B Remix” as on “Nah Nah”, the name YuniikBeatz sits on the sound building side, composer on one, producer on the other, never on the voices side. The name designates a workshop role, stable from page to page: the one who builds the record while others sing it. That is also why this profile files him among the producers, and not among the guest singers, despite the place of his name in the featured titles.

What this file does not allow to be said, and what to watch next

Close the file on its limits, which are wide. Nobody knows where YuniikBeatz works, nor who else he has produced for, nor since when. The three verified credits cover May 2024 to December 2025, but nothing says there are no other records under neighbouring spellings, nor that the name has not signed records the opened platforms do not reference. Nobody knows either whether he sells instrumentals, whether he works in the studio with TIITII NBA or at a distance, nor what his link with HEAVEN STUDIO is beyond the two singles. Each of those questions stays open, and this profile prefers to leave them open rather than fill them in.

The logical sequel of the file will play out in the TIITII NBA credits. The singer releases his records in seasonal clusters, and each new batch redistributes the guest producer names. If YuniikBeatz returns on a third record, his status as a season house producer will become a catalog fact. If he appears with other singers of the Gwada wave, the file will change scale. And if an official page, an interview or a publisher listing one day publishes his name or his place, this profile will be completed and dated, like every page on this site.

In the meantime, the listening fits in three records and under six minutes: “BOSS” and “Nah Nah” for the bouyon, with the catalog context on our TIITII NBA page, and “B.A.B Remix” for the rap side of the same signature name. To place the producer role in the current sound, also read our guide on how to make a bouyon beat and our bouyon soca page. The YuniikBeatz file is thin, it is clean, and it will grow at the pace of credits, not suppositions.

Frequently asked questions

Who is YuniikBeatz?

A producer known only through his platform credits. He is credited as producer of “Nah Nah” by TIITII NBA, released on March 28, 2025 on HEAVEN STUDIO, as billed guest on “BOSS” by the same singer in December 2025, and as composer of the “B.A.B Remix” by gapman and Enima in 2024. No source consulted gives his civil name, his place or his biography.

Which records has YuniikBeatz produced for TIITII NBA?

Two verified records. “Nah Nah”, released on March 28, 2025 on HEAVEN STUDIO, in French, at 160 BPM, where the Shazam page credits him as Producer, with Terry Capitolin and Allan Cabald as songwriters. And “BOSS”, published on December 17, 2025 on HEAVEN STUDIO under the BOUYON 2026 tag, running 1 minute 35 on Deezer, with Allan Cabald credited as composer.

Is YuniikBeatz Allan Cabald?

No source consulted says so. The name Allan Cabald appears in the credits of both bouyon records: songwriter of “Nah Nah” alongside Terry Capitolin, and composer of “BOSS”. The name YuniikBeatz appears there as producer and as billed guest. The two names coexist in the same listings without any document identifying one as the other, and this profile therefore does not either.

Has YuniikBeatz worked outside bouyon?

A credit bearing his name exists in French rap: “B.A.B Remix”, by gapman and Enima featuring VT, released on May 3, 2024 on WAVY BOUNCE RECORDS in the album “Prochaine Chèvre 2”, in French, at 70 BPM, where YuniikBeatz is credited as composer. No source confirms it is the same person as the producer of the TIITII NBA records, and this profile presents the credit without settling that point.

Where is YuniikBeatz from?

It is documented nowhere in the sources consulted. His two bouyon records belong to the scene of TIITII NBA, an artist from Guadeloupe, and come out on HEAVEN STUDIO. His rap credit belongs to the French circuit of gapman and Enima. The place on this page is the place of the records scenes, not a verified origin of the producer.

Where can I hear the work of YuniikBeatz?

Through the three credited records: “Nah Nah” and “BOSS” by TIITII NBA for the bouyon side, and “B.A.B Remix” by gapman and Enima for the rap side. Our bouyon playlist follows the TIITII NBA wave, and our bouyon producers page places the beatmaker role in the current sound.

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